Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this...Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this thesis tends to reveal Aristotle's large and enduring influence on modern literary criticism.展开更多
Apart from poetry, John Keats＇s concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats＇s contemporary romantic poets. However, those terse r...Apart from poetry, John Keats＇s concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats＇s contemporary romantic poets. However, those terse remarksconstitute his deep perception on romantic poetry, many of which are now still glistening with their unique value.Based upon close reading upon Keats＇s poetical works and letters as well as later critics＇ books on poetry, thispaper intends to make a systematic study of Keats＇s poetics. Aiming at illustrating Keats＇ poetics, this paper fallsinto three parts--the first part being ＂Inspiration： Poetry as John Keats＇s Life＂, the second ＂Perspiration： NaturalGenius Plus Exquisite Revision＂, and the third ＂Perfection： the Aeolian Lyre＂.展开更多
Close reading and inter-textual analysis of Borges＇ essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges＇s poetics of reading and dreaming ...Close reading and inter-textual analysis of Borges＇ essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges＇s poetics of reading and dreaming require another poetics of the work as a text that calls attention to its own artifice. In reading Borges＇ fiction, the separate roles and identities of reader, writer, and work of fiction merge and exchange roles, powers, and identities and are transformed into a single act of dreaming, which assumes cosmogonic and apocalyptic risks. In the dominant role given to the reader, the work of fiction as an object or work of art does not exist unless it is read. There is no determinate text, only a version of our own we re-write and invent every time we read the text. The author＇s reading is not a spontaneous evocation of vision, but an artifice, as artificial as the writing of the fiction. As writers and readers we are composed of texts and schemata, alphabets and artifacts, not merely mental perceptions and ideas. The reader requires a prior text to copy, translate, and recreate, and that text only exists as a fictional microcosm in so far as it is being read by a Reader who is able to actualize the revelation only imminent within it.展开更多
Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the re...Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the relationship between society and literature,politics and poetics,is the key to the study of Cultural Poetics.Therefore,in the thesis of“Towards a Poetics of Culture”,he debated with Jameson,considering him asalien,and taking the contemporary China as an argument in order to demonstrate that the functional distinctions between politics and poetics should be separated.Moreover,he deemed that these two must be adjusted in order to adapt to each other.If we learn from the methodology of New Historicism that focuses on contexts and interpretation patterns,we will find that the divergence of their views can be eventually traced back to the theoretical,political and ideological differences.展开更多
This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic...This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.展开更多
Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic...Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic of the imagination＂, and ＂the drama doctrine＂ and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to ＂use all the cultural and academic achievements to come close to the literature and understand the literature＂, to develop the Chinese noetics.展开更多
Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1...Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1836).Centering on Nova Scotia,the origin place of Canadian literature and the first British colony in Canada,the book conveys deep concerns on local reality under the British colonization in the 1830s.Haliburton as a Loyalist firmly opposes violent revolution against the British Empire whereas promotes gradual evolution in the colony.This is a typical demonstration of ideological contradictions in colonies.Greenblatt’s Cultural Poetics generally explores political consciousness and ideology in literary texts.It surpasses the dichotomy mode of Western radical ideology and never views the relationship between domination and resistance as a simple confrontation.From the perspective of Greenblatt’s Culture Poetics,this essay interprets the process of“improvisation of power”,“subversion”and“containment”in the colony reflected in The Clockmaker in order to explore Nova Scotians’awakening of independence awareness in the 1830s.展开更多
This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic t...This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way展开更多
To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following ...To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following the critic mode of New Criticism by analyzing its structure and language; on the other hand Structuralist Poetics goes beyond that static way of criticism and combines a poem with other literary works, readers'capabilities of reading and other factors together, thus constructs more meanings.展开更多
Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the ...Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the process of analyzing poetry. This essay aims to combine cognitive poetics with multimodal discourse analysis(MDA) to analyze concrete poems from readers' angle. In this research, figure and ground, conceptual metaphor, and image schema of cognitive poetics are adopted to interpret A War Symphony and l(a from the perspective of visual modality and auditory modality. Meanwhile, the differences between Chinese and English concrete poetry in modality choosing and meaning conveying as well as the reasons are explored. This research reveals that readers are able to comprehend poetic meaning according to their life experiences. The multi-dimensional perspective of visual and auditory modalities is conductive to exploring how readers challenge traditional reading mode to interpret poetic ideas. Meanwhile, three theories of cognitive poetics facilitate readers to perceive poetics effect with a cognitive mechanism.Therefore, all of these efforts are bound to arouse readers' interest in such a kind of anti-traditional poetry and broaden its popularity.展开更多
Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urba...Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urban poems,novels and dramas.This article considers John Updike as an urban poet since his poem collection Americana(2001)is a collection of urban poems.One of the representative poems,the sonnet“New York City”,depicts a despairing“separate nation”by presenting three typical physical cityscapes:television,beggars and skyscrapers.Each physical cityscape reveals its cultural value and social tradition of the city,and the psychological problems of the city dwellers.Tracing Updike’s personal urban experience and the poem’s intertextual space,this article explores his criticism on American big city:the alienated human relations,the anxiety of city life and the smallness of solipsism.His intention to parody John Milton’s Pandemonium in Paradise Lost,and to pay homage to Walt Whitman,reveals that this sonnet embodies rich connotations of urban poetics.展开更多
Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes...Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes two English versions of Chuanxilu as the main research objects,makes quantitative statistics and qualitative analysis of the non-mandatory explicitation in the translation,aiming to explore the influence of poetics on the translator’s English translation of Chuanxilu,so as to provide some enlightenment for the external translation and interpretation of Wang Yangming’s theory of mind.展开更多
Adrienne Rich has been regarded as a foremost poet,essayist and feminist in contemporary America.Her poetry of the 1970s marks the shift of her poetic stance from the imitation and inheritance of the modern male poeti...Adrienne Rich has been regarded as a foremost poet,essayist and feminist in contemporary America.Her poetry of the 1970s marks the shift of her poetic stance from the imitation and inheritance of the modern male poetic tradition to feminist poetics.The formation of Rich's feminist poetics is the outcome of her life experiences and the social context around the 1970s.Rich adheres to the principle of"writing as revision"on the part of women,shows much concern for the poetic depiction of women's experiences,and questions the materiality of life.Rich's quest for feminist poetics is directed both towards the outer world in which women live and women's inner world.She tries to remap the"cartography"of women's own in the patriarchal world by weaving her feminist thoughts into the poems.And simultaneously,she provides her profound thinking about women's existence as integral human beings,thus expressing her life philosophy in poetry writing.展开更多
Aristotle's Poetics exerts great influence upon literary critical theories.What he discussed in the Poetics has been direct or indirect sources for the later literary critical theories.Formalism Criticism,the firs...Aristotle's Poetics exerts great influence upon literary critical theories.What he discussed in the Poetics has been direct or indirect sources for the later literary critical theories.Formalism Criticism,the first contemporary literary critical theory,mainly takes linguistics as an approach to study literature and especially takes the form of literature as their research focus.This approach can be traced back to what Aristotle discussed about diction in Poetics.Aristotle's deliberate discussion about diction in Poetics,actually lays a foundation for Formalism Criticism.From diction to form shows the influence of Aristotle's poetics upon Formalism.展开更多
Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the vio...Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the violation from the angle of Solidity or Authenticity of art and poetry,which are the likelinessandnecessity,and credibility.By digressing from the traditional rules,Wait⁃ing for Godot helps to create absurdity reflecting the inner loss of people after the war and to form a sense of alienation from reality.展开更多
Yang Wanli,a renowned poet of the Southern Song Dynasty(1127-1279 AD),has left an indelible mark on the history of Chinese literature with his unique artistic style.He pioneered the Chengzhai Poetic Style,a unique app...Yang Wanli,a renowned poet of the Southern Song Dynasty(1127-1279 AD),has left an indelible mark on the history of Chinese literature with his unique artistic style.He pioneered the Chengzhai Poetic Style,a unique approach characterized by simplicity,naturalness,freshness,and liveliness in poetic creation.This style marked a turning point in the development of Song poetry and exerted a profound influence on the subsequent trends of Song poetry.As such,he was hailed as a“Leader in Poetry”by his contemporaries.The Chengzhai Poetic Style was gradually formed during Yang’s creation course,under the influence of several important factors,including the Bashu culture and its aesthetic taste represented by Zhang Jun and Zhang Shi,the Zen philosophy that emphasizes liveliness prevailing in the Shu area,and the view that the“Chinese Yi-ology has its roots in the Shu area.”Meanwhile,in the Collected Works of Chengzhai(Chengzhai Ji),there are many poems and essays about the Bashu area,which have provided valuable feedback to the Bashu literature and enriched its content.展开更多
文摘Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this thesis tends to reveal Aristotle's large and enduring influence on modern literary criticism.
文摘Apart from poetry, John Keats＇s concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats＇s contemporary romantic poets. However, those terse remarksconstitute his deep perception on romantic poetry, many of which are now still glistening with their unique value.Based upon close reading upon Keats＇s poetical works and letters as well as later critics＇ books on poetry, thispaper intends to make a systematic study of Keats＇s poetics. Aiming at illustrating Keats＇ poetics, this paper fallsinto three parts--the first part being ＂Inspiration： Poetry as John Keats＇s Life＂, the second ＂Perspiration： NaturalGenius Plus Exquisite Revision＂, and the third ＂Perfection： the Aeolian Lyre＂.
文摘Close reading and inter-textual analysis of Borges＇ essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges＇s poetics of reading and dreaming require another poetics of the work as a text that calls attention to its own artifice. In reading Borges＇ fiction, the separate roles and identities of reader, writer, and work of fiction merge and exchange roles, powers, and identities and are transformed into a single act of dreaming, which assumes cosmogonic and apocalyptic risks. In the dominant role given to the reader, the work of fiction as an object or work of art does not exist unless it is read. There is no determinate text, only a version of our own we re-write and invent every time we read the text. The author＇s reading is not a spontaneous evocation of vision, but an artifice, as artificial as the writing of the fiction. As writers and readers we are composed of texts and schemata, alphabets and artifacts, not merely mental perceptions and ideas. The reader requires a prior text to copy, translate, and recreate, and that text only exists as a fictional microcosm in so far as it is being read by a Reader who is able to actualize the revelation only imminent within it.
文摘Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the relationship between society and literature,politics and poetics,is the key to the study of Cultural Poetics.Therefore,in the thesis of“Towards a Poetics of Culture”,he debated with Jameson,considering him asalien,and taking the contemporary China as an argument in order to demonstrate that the functional distinctions between politics and poetics should be separated.Moreover,he deemed that these two must be adjusted in order to adapt to each other.If we learn from the methodology of New Historicism that focuses on contexts and interpretation patterns,we will find that the divergence of their views can be eventually traced back to the theoretical,political and ideological differences.
文摘This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.
文摘Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic of the imagination＂, and ＂the drama doctrine＂ and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to ＂use all the cultural and academic achievements to come close to the literature and understand the literature＂, to develop the Chinese noetics.
文摘Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1836).Centering on Nova Scotia,the origin place of Canadian literature and the first British colony in Canada,the book conveys deep concerns on local reality under the British colonization in the 1830s.Haliburton as a Loyalist firmly opposes violent revolution against the British Empire whereas promotes gradual evolution in the colony.This is a typical demonstration of ideological contradictions in colonies.Greenblatt’s Cultural Poetics generally explores political consciousness and ideology in literary texts.It surpasses the dichotomy mode of Western radical ideology and never views the relationship between domination and resistance as a simple confrontation.From the perspective of Greenblatt’s Culture Poetics,this essay interprets the process of“improvisation of power”,“subversion”and“containment”in the colony reflected in The Clockmaker in order to explore Nova Scotians’awakening of independence awareness in the 1830s.
文摘This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way
文摘To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following the critic mode of New Criticism by analyzing its structure and language; on the other hand Structuralist Poetics goes beyond that static way of criticism and combines a poem with other literary works, readers'capabilities of reading and other factors together, thus constructs more meanings.
文摘Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the process of analyzing poetry. This essay aims to combine cognitive poetics with multimodal discourse analysis(MDA) to analyze concrete poems from readers' angle. In this research, figure and ground, conceptual metaphor, and image schema of cognitive poetics are adopted to interpret A War Symphony and l(a from the perspective of visual modality and auditory modality. Meanwhile, the differences between Chinese and English concrete poetry in modality choosing and meaning conveying as well as the reasons are explored. This research reveals that readers are able to comprehend poetic meaning according to their life experiences. The multi-dimensional perspective of visual and auditory modalities is conductive to exploring how readers challenge traditional reading mode to interpret poetic ideas. Meanwhile, three theories of cognitive poetics facilitate readers to perceive poetics effect with a cognitive mechanism.Therefore, all of these efforts are bound to arouse readers' interest in such a kind of anti-traditional poetry and broaden its popularity.
基金This paper is one of the research progress and outcomes of the programs“Urban Poetics of John Updike’s Poetry”(2016SJD750045)“Study on Multimodal Narrative in the 21st Century American Novels”(20BWW036),and“Study on Shakespeare’s City Play”(2021SJA1192).
文摘Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urban poems,novels and dramas.This article considers John Updike as an urban poet since his poem collection Americana(2001)is a collection of urban poems.One of the representative poems,the sonnet“New York City”,depicts a despairing“separate nation”by presenting three typical physical cityscapes:television,beggars and skyscrapers.Each physical cityscape reveals its cultural value and social tradition of the city,and the psychological problems of the city dwellers.Tracing Updike’s personal urban experience and the poem’s intertextual space,this article explores his criticism on American big city:the alienated human relations,the anxiety of city life and the smallness of solipsism.His intention to parody John Milton’s Pandemonium in Paradise Lost,and to pay homage to Walt Whitman,reveals that this sonnet embodies rich connotations of urban poetics.
文摘Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes two English versions of Chuanxilu as the main research objects,makes quantitative statistics and qualitative analysis of the non-mandatory explicitation in the translation,aiming to explore the influence of poetics on the translator’s English translation of Chuanxilu,so as to provide some enlightenment for the external translation and interpretation of Wang Yangming’s theory of mind.
基金National Social Science Research Program“Adrienne Rich: Gender Poetics and Literary Construction”(13BWW062)Education Ministry Humanities and Social Science Research Program“Adrienne Rich:Gender Identity Study”(11YJA752026)+1 种基金Anhui Province Education Department Humanities and Social Science Key Program“Gender,Politics and Poetics - Adrienne Rich’s Feminist Poetry Study”(2011sk052zd)Anhui University“211 Project”Scientific Research Program for the PhD“Gender and Female Identity in Literature - Study on Adrienne Rich”(33190047)
文摘Adrienne Rich has been regarded as a foremost poet,essayist and feminist in contemporary America.Her poetry of the 1970s marks the shift of her poetic stance from the imitation and inheritance of the modern male poetic tradition to feminist poetics.The formation of Rich's feminist poetics is the outcome of her life experiences and the social context around the 1970s.Rich adheres to the principle of"writing as revision"on the part of women,shows much concern for the poetic depiction of women's experiences,and questions the materiality of life.Rich's quest for feminist poetics is directed both towards the outer world in which women live and women's inner world.She tries to remap the"cartography"of women's own in the patriarchal world by weaving her feminist thoughts into the poems.And simultaneously,she provides her profound thinking about women's existence as integral human beings,thus expressing her life philosophy in poetry writing.
文摘Aristotle's Poetics exerts great influence upon literary critical theories.What he discussed in the Poetics has been direct or indirect sources for the later literary critical theories.Formalism Criticism,the first contemporary literary critical theory,mainly takes linguistics as an approach to study literature and especially takes the form of literature as their research focus.This approach can be traced back to what Aristotle discussed about diction in Poetics.Aristotle's deliberate discussion about diction in Poetics,actually lays a foundation for Formalism Criticism.From diction to form shows the influence of Aristotle's poetics upon Formalism.
文摘Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the violation from the angle of Solidity or Authenticity of art and poetry,which are the likelinessandnecessity,and credibility.By digressing from the traditional rules,Wait⁃ing for Godot helps to create absurdity reflecting the inner loss of people after the war and to form a sense of alienation from reality.
文摘Yang Wanli,a renowned poet of the Southern Song Dynasty(1127-1279 AD),has left an indelible mark on the history of Chinese literature with his unique artistic style.He pioneered the Chengzhai Poetic Style,a unique approach characterized by simplicity,naturalness,freshness,and liveliness in poetic creation.This style marked a turning point in the development of Song poetry and exerted a profound influence on the subsequent trends of Song poetry.As such,he was hailed as a“Leader in Poetry”by his contemporaries.The Chengzhai Poetic Style was gradually formed during Yang’s creation course,under the influence of several important factors,including the Bashu culture and its aesthetic taste represented by Zhang Jun and Zhang Shi,the Zen philosophy that emphasizes liveliness prevailing in the Shu area,and the view that the“Chinese Yi-ology has its roots in the Shu area.”Meanwhile,in the Collected Works of Chengzhai(Chengzhai Ji),there are many poems and essays about the Bashu area,which have provided valuable feedback to the Bashu literature and enriched its content.
