Based on interpretation of Dao De Jing(a book written by LAO Zi),the connotation of "Tao" had been analyzed and it emphasized that Taoism is the most basic and eternal universal law transcending physical exi...Based on interpretation of Dao De Jing(a book written by LAO Zi),the connotation of "Tao" had been analyzed and it emphasized that Taoism is the most basic and eternal universal law transcending physical existence and the origin of all changes.It pointed out that garden art was integrated art of time and space,Taoism had made profound effect on Chinese landscape art,and its philosophical thought was the important theoretical support for garden artistic creation.On this basis,it laid stress on great influence on artistic creation of Chinese garden produced by Taoist dialectical thoughts and Taoist thoughts such as "Taoism following nature","unity between heaven and human",and "immortal belief";and found ideological source for Chinese landscape art to pursue artistic spirit of natural beauty,uphold designing principle of harmonious coexistence between human and nature,and take supernatural being and fairyland legend as the design version.It also analyzed that Taoist philosophical thought happened to coincide with contrast methods of garden art involving tangibility and intangibility,falsehood and reality,internality and externality,bigness and smallness,highness and lowness,rising and falling,sparseness and denseness,exposedness and unexposedness,and so on.It highlighted artistic charm of "prospect generating beyond images" as the core connotation of Chinese classical garden art;emphasized frequently-used me-thods for garden spatial organization,spatial guidance and indication,layout pattern,arrangement of scenic spots and disposition of landscaping plants which were produced under the influence of Taoism,making Chinese garden be of more implicitness,interestingness and orient glamour.展开更多
Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideol...Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.展开更多
Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork intr...Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork introduced to the western countries in the early 20th century.Her early poem entitled "The Fish" and a later one entitled "Tell me,Tell me" serve as two typical examples to show the marriage of Chinese elements to her American poetic ideas.展开更多
文摘Based on interpretation of Dao De Jing(a book written by LAO Zi),the connotation of "Tao" had been analyzed and it emphasized that Taoism is the most basic and eternal universal law transcending physical existence and the origin of all changes.It pointed out that garden art was integrated art of time and space,Taoism had made profound effect on Chinese landscape art,and its philosophical thought was the important theoretical support for garden artistic creation.On this basis,it laid stress on great influence on artistic creation of Chinese garden produced by Taoist dialectical thoughts and Taoist thoughts such as "Taoism following nature","unity between heaven and human",and "immortal belief";and found ideological source for Chinese landscape art to pursue artistic spirit of natural beauty,uphold designing principle of harmonious coexistence between human and nature,and take supernatural being and fairyland legend as the design version.It also analyzed that Taoist philosophical thought happened to coincide with contrast methods of garden art involving tangibility and intangibility,falsehood and reality,internality and externality,bigness and smallness,highness and lowness,rising and falling,sparseness and denseness,exposedness and unexposedness,and so on.It highlighted artistic charm of "prospect generating beyond images" as the core connotation of Chinese classical garden art;emphasized frequently-used me-thods for garden spatial organization,spatial guidance and indication,layout pattern,arrangement of scenic spots and disposition of landscaping plants which were produced under the influence of Taoism,making Chinese garden be of more implicitness,interestingness and orient glamour.
基金Supported by Fund for Scientific Research of Nanjing University of Finance and Economics (B2010017)~~
文摘Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.
文摘Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork introduced to the western countries in the early 20th century.Her early poem entitled "The Fish" and a later one entitled "Tell me,Tell me" serve as two typical examples to show the marriage of Chinese elements to her American poetic ideas.
