argues that artistic ap- peal is in essence a general aesthetic effect,which is generated by the complicatedfunctional systems of a literary work;it is not a purely objective attribute but is aproduct of an aesthetic ...argues that artistic ap- peal is in essence a general aesthetic effect,which is generated by the complicatedfunctional systems of a literary work;it is not a purely objective attribute but is aproduct of an aesthetic survey of a literary work by its appreciators.The innate fac-tors that lead to the genesis of artistic appeal are the homologies arising between theaesthetic composition of a Iiterary work and the aesthetic psychology of its apprecia-tors.The genesis of artistic appeal,as a manifestation of artistic knowledge,involvesa productive process.Artistic appeal results from the stimuli provided by the aestheticmessage of a literary work to its appreciators and the historical sediments and thepsychological organization within the appreciators’ aesthetic psychology.Lin tries todescribe and analyze the texture, the principles,and the process of the genesis ofartistic appeal and its manifestations,and goes on to formulate,on the basis of theseanalyses and descriptions in this paper,the structural,the homological,and the indi-vidual-genetic modes of artistic appeal.Following the principles of dialectic material-ism,he attempts to borrow theories,concepts,and methods from the natural sciencesto make a new exploration of artistic appeal.展开更多
文摘argues that artistic ap- peal is in essence a general aesthetic effect,which is generated by the complicatedfunctional systems of a literary work;it is not a purely objective attribute but is aproduct of an aesthetic survey of a literary work by its appreciators.The innate fac-tors that lead to the genesis of artistic appeal are the homologies arising between theaesthetic composition of a Iiterary work and the aesthetic psychology of its apprecia-tors.The genesis of artistic appeal,as a manifestation of artistic knowledge,involvesa productive process.Artistic appeal results from the stimuli provided by the aestheticmessage of a literary work to its appreciators and the historical sediments and thepsychological organization within the appreciators’ aesthetic psychology.Lin tries todescribe and analyze the texture, the principles,and the process of the genesis ofartistic appeal and its manifestations,and goes on to formulate,on the basis of theseanalyses and descriptions in this paper,the structural,the homological,and the indi-vidual-genetic modes of artistic appeal.Following the principles of dialectic material-ism,he attempts to borrow theories,concepts,and methods from the natural sciencesto make a new exploration of artistic appeal.
