＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ...＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.展开更多
This article investigates one of the earliest attempts to systematically construct a building tradition and incorporate it into modern Chinese architectural design.These efforts were put forth by Liang Sicheng(1901e19...This article investigates one of the earliest attempts to systematically construct a building tradition and incorporate it into modern Chinese architectural design.These efforts were put forth by Liang Sicheng(1901e1972),one of the most distinguished Chinese architects and architectural historians,in the 1920s and 1930s in China,informed by the strong collective intention to honour the Chinese past.This article provides a historical and critical reflection on this collective intention that is still shared nowadays by architects and architectural theorists.This article examines in depth the evolution of the different ways Liang used the building past and constructed the Chinese architectural traditions in different crucial stages of his architectural career in the 1920s and 1930s.It uses architectural drawing as both the research subject and the research method.Three of Liang’s representative drawings from these crucial professional stages are juxtaposed and investigated to reveal this evolution using the iconography and iconology method.展开更多
From 1592 to 1945, Japan conducted a series of military incursions in East Asia, including the invasion of Korea of 1592-1598, the Sino-Japanese War of 1894-1895 and the Japanese War of Aggression against China of the...From 1592 to 1945, Japan conducted a series of military incursions in East Asia, including the invasion of Korea of 1592-1598, the Sino-Japanese War of 1894-1895 and the Japanese War of Aggression against China of the 1930s-1940s. The tone of this series of aggressive actions was set by Toyotomi Hideyoshi, was continued in the Meiji Restoration and magnified in the Showa era, crystallizing into a pervading pattern of thought and action hiding behind the facts. Those post-World War II views that propose to cut the connections among these wars launched by Japan do not conform to the way Japanese said and behaved in the past but merely endorse some contemporary Japanese academic opinions. Therefore, exploring the facts and hidden logic linking these wars and restoring the original attributes of each regional war may be of benefit to fundamental studies and realistic concerns about Eastern Asian issues.展开更多
This paper focuses on the investigators of rural society in the Republican period, specifically research made through fieldwork on the Gowned Brothers （or, Paoge） in 1940s Sichuan. It takes up one such investigator,...This paper focuses on the investigators of rural society in the Republican period, specifically research made through fieldwork on the Gowned Brothers （or, Paoge） in 1940s Sichuan. It takes up one such investigator, Shen Baoyuan--a student at Yenching University; her youthful work never became published or recognized. The present study reveals how the pioneers of Chinese sociology and anthropology, who called themselves ＂rural activists,＂ tried to understand rural China. It argues that the developments in those fields in China of the 1920s and 1940s made it possible for us today to have a better understanding of the contemporary rural problems. The investigators played an important role in the Rural Construction and Rural Education Movements in Republican China. They show us how Western sociology and anthropology were localized in order to answer ＂Chinese questions＂ and to solve ＂Chinese problems.＂ As source material, these investigations have given us rich records, which in turn have become precious sources and historical memories of rural China＇s past.展开更多
基金Acknowledgements： This paper was sponsored by （1） Jiangsu Social Science Funding Project ＂Research on Chinese Pop Music＂ （13ZWD019） （2） China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）.
文摘＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.
基金sponsored by the Chinese Scholarship Council,The Bartlett Architecture Research Fund,and The Society of Architectural Historians of Great Britain(SAHGB)Research Grant.
文摘This article investigates one of the earliest attempts to systematically construct a building tradition and incorporate it into modern Chinese architectural design.These efforts were put forth by Liang Sicheng(1901e1972),one of the most distinguished Chinese architects and architectural historians,in the 1920s and 1930s in China,informed by the strong collective intention to honour the Chinese past.This article provides a historical and critical reflection on this collective intention that is still shared nowadays by architects and architectural theorists.This article examines in depth the evolution of the different ways Liang used the building past and constructed the Chinese architectural traditions in different crucial stages of his architectural career in the 1920s and 1930s.It uses architectural drawing as both the research subject and the research method.Three of Liang’s representative drawings from these crucial professional stages are juxtaposed and investigated to reveal this evolution using the iconography and iconology method.
文摘From 1592 to 1945, Japan conducted a series of military incursions in East Asia, including the invasion of Korea of 1592-1598, the Sino-Japanese War of 1894-1895 and the Japanese War of Aggression against China of the 1930s-1940s. The tone of this series of aggressive actions was set by Toyotomi Hideyoshi, was continued in the Meiji Restoration and magnified in the Showa era, crystallizing into a pervading pattern of thought and action hiding behind the facts. Those post-World War II views that propose to cut the connections among these wars launched by Japan do not conform to the way Japanese said and behaved in the past but merely endorse some contemporary Japanese academic opinions. Therefore, exploring the facts and hidden logic linking these wars and restoring the original attributes of each regional war may be of benefit to fundamental studies and realistic concerns about Eastern Asian issues.
文摘This paper focuses on the investigators of rural society in the Republican period, specifically research made through fieldwork on the Gowned Brothers （or, Paoge） in 1940s Sichuan. It takes up one such investigator, Shen Baoyuan--a student at Yenching University; her youthful work never became published or recognized. The present study reveals how the pioneers of Chinese sociology and anthropology, who called themselves ＂rural activists,＂ tried to understand rural China. It argues that the developments in those fields in China of the 1920s and 1940s made it possible for us today to have a better understanding of the contemporary rural problems. The investigators played an important role in the Rural Construction and Rural Education Movements in Republican China. They show us how Western sociology and anthropology were localized in order to answer ＂Chinese questions＂ and to solve ＂Chinese problems.＂ As source material, these investigations have given us rich records, which in turn have become precious sources and historical memories of rural China＇s past.
