Audio Video Coding Standard (AVS) is a second-generation source coding standard and the first standard for audio and video coding in China with independent intellectual property rights. Its performance has reached t...Audio Video Coding Standard (AVS) is a second-generation source coding standard and the first standard for audio and video coding in China with independent intellectual property rights. Its performance has reached the international standard. Its coding efficiency is 2 to 3 times greater than that of MPEG -2. This technical solution is more simple, and it can greatly save channel resource. After more than ten years' development, AVS has achieved great success. The latest version of the AVS audio coding standard is ongoing and mainly aims at the increasing demand for low bitrate and high quality audio services. The paper reviews the history and recent development of AVS audio coding standard in terms of basic features, key techniques and performance. Finally, the future development of AVS audio coding standard is discussed.展开更多
In this paper we present a motion compensation (MC) design for the newest Audio Video coding Standard (AVS) of China. Because of compression-efficient techniques of variable block size (VBS) and sub-pixel interpolatio...In this paper we present a motion compensation (MC) design for the newest Audio Video coding Standard (AVS) of China. Because of compression-efficient techniques of variable block size (VBS) and sub-pixel interpolation, intensive pixel calculation and huge memory access are required. We propose a parallel serial filtering mixed luma interpolation data flow and a three-stage multiplication free chroma interpolation scheme. Compared to the conventional designs, the integrated architecture supports about 2.7 times filtering throughput. The proposed MC design utilizes Vertical Z processing order for reference data re-use and saves up to 30% memory bandwidth. The whole design requires 44.3k gates when synthesized at 108 MHz clock frequency using 0.18-μm CMOS technology and can support up to 1920×1088@30 fps AVS HDTV video decoding.展开更多
A new video watermarking method for the Audio Video coding Standard (AVS) is proposed. According to human visual masking properties, this method determines the region of interest for watermark embedding by analyzing v...A new video watermarking method for the Audio Video coding Standard (AVS) is proposed. According to human visual masking properties, this method determines the region of interest for watermark embedding by analyzing video semantics, and generates dynamic robust watermark according to video motion semantics, and embeds watermarks in the Intermediate Frequency (IF) Discrete Cosine Transform (DCT) coefficients of the luminance sub-block prediction residual in the region of interest. This method controls watermark embedding strength adaptively by video textures semantics. Ex- periments show that this method is robust not only to various conventional attacks, but also to re-frame, frame cropping, frame deletion and other video-specific attacks.展开更多
Digital Rights Management (DRM) is an important infrastructure for the digital media age. It is a part of the AVS (Audio and Video coding Standard) of China. AVS Trusted Decoder (ATD) that plays back digital med...Digital Rights Management (DRM) is an important infrastructure for the digital media age. It is a part of the AVS (Audio and Video coding Standard) of China. AVS Trusted Decoder (ATD) that plays back digital media program according to rights conditions is the core of AVS DRM architecture. Adaptation layers axe responsible for translating or negotiating between ATD and peripheral systems. The Packaging Adaptation Layer (PAL), Licensing Adaptation Layer (LAL) and Rendering Adaptation Layer (RAL) will help ATD to gain the interoperability in various DRM environments.展开更多
文摘Audio Video Coding Standard (AVS) is a second-generation source coding standard and the first standard for audio and video coding in China with independent intellectual property rights. Its performance has reached the international standard. Its coding efficiency is 2 to 3 times greater than that of MPEG -2. This technical solution is more simple, and it can greatly save channel resource. After more than ten years' development, AVS has achieved great success. The latest version of the AVS audio coding standard is ongoing and mainly aims at the increasing demand for low bitrate and high quality audio services. The paper reviews the history and recent development of AVS audio coding standard in terms of basic features, key techniques and performance. Finally, the future development of AVS audio coding standard is discussed.
基金(No. Y106574) supported by the Natural Science Foundationof Zhejiang Province, China
文摘In this paper we present a motion compensation (MC) design for the newest Audio Video coding Standard (AVS) of China. Because of compression-efficient techniques of variable block size (VBS) and sub-pixel interpolation, intensive pixel calculation and huge memory access are required. We propose a parallel serial filtering mixed luma interpolation data flow and a three-stage multiplication free chroma interpolation scheme. Compared to the conventional designs, the integrated architecture supports about 2.7 times filtering throughput. The proposed MC design utilizes Vertical Z processing order for reference data re-use and saves up to 30% memory bandwidth. The whole design requires 44.3k gates when synthesized at 108 MHz clock frequency using 0.18-μm CMOS technology and can support up to 1920×1088@30 fps AVS HDTV video decoding.
基金Supported by the Natural Science Foundation of Shaanxi Province (SJ08F15)the Industry Tackling Project of Shaanxi Province (2010K06-20)the National Natural Science Foundation of China and Civil Aviation Ad-ministration of China (No. 61072110)
文摘A new video watermarking method for the Audio Video coding Standard (AVS) is proposed. According to human visual masking properties, this method determines the region of interest for watermark embedding by analyzing video semantics, and generates dynamic robust watermark according to video motion semantics, and embeds watermarks in the Intermediate Frequency (IF) Discrete Cosine Transform (DCT) coefficients of the luminance sub-block prediction residual in the region of interest. This method controls watermark embedding strength adaptively by video textures semantics. Ex- periments show that this method is robust not only to various conventional attacks, but also to re-frame, frame cropping, frame deletion and other video-specific attacks.
文摘Digital Rights Management (DRM) is an important infrastructure for the digital media age. It is a part of the AVS (Audio and Video coding Standard) of China. AVS Trusted Decoder (ATD) that plays back digital media program according to rights conditions is the core of AVS DRM architecture. Adaptation layers axe responsible for translating or negotiating between ATD and peripheral systems. The Packaging Adaptation Layer (PAL), Licensing Adaptation Layer (LAL) and Rendering Adaptation Layer (RAL) will help ATD to gain the interoperability in various DRM environments.