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Study on the Application of Aesthetic Ideas to Micro-film Advertising
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作者 Yunying WANG 《International Journal of Technology Management》 2013年第5期114-116,共3页
Micro-film is a product from the development of mobile media technology based on the network media, and the short and typical screen expression ability and effect are its forms of contents. Different from the communic... Micro-film is a product from the development of mobile media technology based on the network media, and the short and typical screen expression ability and effect are its forms of contents. Different from the communication way of traditional advertising, micro-film advertising has the characteristics of both social networking and video communication. With the creative characteristics of micro-film advertising, the conamunication way of video advertising has been started. In this paper, through the introduction to the advantages of micro-film advertising communication and combining with the development of micro-film in the new period, the application of aesthetic ideas to micro-film advertising is further explored, and then the striking expression effect caused by micro-film advertising is introduced. 展开更多
关键词 Micro-film Advertising aesthetic ideas APPLICATION
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Intention and Standing Image:Interpretation of the Aesthetic Intention of Arhat Portrait on Mount Wutai
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作者 LI Lei 《Journal of Literature and Art Studies》 2024年第9期749-758,共10页
Mount Wutai,a place endowed with fine spirits of humanities and prolific remains of Arhats portrait art.The existing Mount Wutai Arhats portrait spans the Ming,Qing,and Republic of China periods,and through the artist... Mount Wutai,a place endowed with fine spirits of humanities and prolific remains of Arhats portrait art.The existing Mount Wutai Arhats portrait spans the Ming,Qing,and Republic of China periods,and through the artistic creation of successive generations of literati painters,exquisite Arhats portraits are painted on different artistic carriers.On the basis of inheriting the traditional Chinese paradigm painting expression,the portrait of Mount Wutai Arhats constantly draws on folk nutrients.It integrates foreign Buddhist culture for refinement and sublimation.The reconstructed portrait pays attention to the image expression of its objects and the shaping of spiritual temperament.The shape is ancient and vivid,and the scene is ethereal and mysterious,which rationally expresses the Buddhist philosophy of generosity,benevolence and kindness,and contains unique oriental aesthetics. 展开更多
关键词 Buddhist art Portrait of Arhats aesthetic idea
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论三岛由纪夫小说《禁色》的哲理性
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作者 肖霞 《山东大学学报(哲学社会科学版)》 北大核心 2002年第2期87-92,98,共7页
《禁色》是部描写男色的小说,三 岛由纪夫在这里通过对“美”与“恶”两个代表人物的塑造,表现了他“以肉体为素材向精 神 层面挑战,以生活为题向艺术挑战”,以及“在绝望中的生就是美”的独特的唯美主义的审 美取 向。他第一个将... 《禁色》是部描写男色的小说,三 岛由纪夫在这里通过对“美”与“恶”两个代表人物的塑造,表现了他“以肉体为素材向精 神 层面挑战,以生活为题向艺术挑战”,以及“在绝望中的生就是美”的独特的唯美主义的审 美取 向。他第一个将性倒错说推向一个怪异领域,探讨了日本文学中的好色审美理念和“人与自 然”、“自然与艺术”的关系,集中反映了三岛由纪夫文学创作中的哲学思想。 展开更多
关键词 三岛由纪夫 小说 哲理性 “人与自然” 代表人物 精神层面 审美取向 唯美主义 审美理念 日本文学 哲学思想 文学创作 “恶” “美” 艺术 绝望 怪异
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论周作人的审美主义
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作者 李涛 《西华大学学报(哲学社会科学版)》 2008年第4期40-43,共4页
周作人的审美主义,是在现代西方文化和中国传统文化的非对称博弈的场景中形成的,其核心是传统的"乐生"观念和现代的"大地"意识对道德、宗教、国家等意识形态保持着警惕与疏离,强调以个人主义和自由主义构建此在人... 周作人的审美主义,是在现代西方文化和中国传统文化的非对称博弈的场景中形成的,其核心是传统的"乐生"观念和现代的"大地"意识对道德、宗教、国家等意识形态保持着警惕与疏离,强调以个人主义和自由主义构建此在人生和艺术实践,具有鲜明的时代意义,但同时也存在着超历史的局限。 展开更多
关键词 周作人 审美主义 “乐生”观念 “大地”意识
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A Comparative Study on the Spatial Consciousness of Traditional Paintings in the East and the West
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作者 Xiaoke Yin 《Journal of Contemporary Educational Research》 2021年第7期45-50,共6页
This article compares and analyzes the development history,ideological culture,and philosophical concepts of traditional paintings,landscape paintings,and still life paintings in the East and the West.The essence of p... This article compares and analyzes the development history,ideological culture,and philosophical concepts of traditional paintings,landscape paintings,and still life paintings in the East and the West.The essence of painting is a form of visual consciousness.There is a unique way of processing and expressing spatial consciousness in different images,regions,and humanistic spirits of Eastern and Western paintings.The difference in spatial awareness promotes mutual learning,guidance,and promotion between the Chinese and Western art which have different historical backgrounds,aesthetic concepts,and national customs.Therefore,different ways of paintings would also have differences in the spatial consciousness of the paintings. 展开更多
关键词 aesthetic ideas PERSPECTIVE Eastern and Western painting Spatial consciousness
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论《长恨歌》对日常生活的审美化书写
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作者 夏睿 《贵州工程应用技术学院学报》 2015年第4期85-88,98,共5页
王安忆在《长恨歌》中凭借女性特有的细腻发现了平淡的日常生活中蕴含的审美情调,在她笔下,衣食住行等具体物象,因为人们的细心经营有了优雅的味道,日常生活的韵致也因怀旧的感伤而变得浓郁。在日常物象世界之上,作者又对日常生活主体... 王安忆在《长恨歌》中凭借女性特有的细腻发现了平淡的日常生活中蕴含的审美情调,在她笔下,衣食住行等具体物象,因为人们的细心经营有了优雅的味道,日常生活的韵致也因怀旧的感伤而变得浓郁。在日常物象世界之上,作者又对日常生活主体的审美意识和实践能力、生存品质、生活哲学都进行了审美化的书写。 展开更多
关键词 《长恨歌》 日常生活审美化 日常物象世界 精神观念
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