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Image Reconstruction and the Reflection of Values in the Formation of National Traumatic Memories: A Review of Recent Anti-Japanese War Films and Teleplays in China
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作者 GAI Qi 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2015年第2期306-317,共12页
The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti... The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti-Japanese War films and teleplays is abnormally high, and their values deeply enmeshed in a radical nationalism. The result is a general trend towards a "carnival of vengeful images." Given the potential harms implicit in this situation, the question of just what kind of war narratives are appropriate for the contemporary circumstances of globalization should receive serious attention and reconsideration from society at large. 展开更多
关键词 national traumatic memories anti-japanese war films and teleplays carnival of vengeful images war narratives
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A Study on the Loss of Tourist Attractions in Central China Hubei Province During the Anti-Japanese War
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作者 Juying Qiao 《Management Studies》 2020年第5期386-389,共4页
This paper takes the Wudang Mountains and Wuhan Battle Memorial Hall as examples to investigate and analyze the losses of Wuhan during the Anti-Japanese War.The paper concludes with two inspirations:to make full use o... This paper takes the Wudang Mountains and Wuhan Battle Memorial Hall as examples to investigate and analyze the losses of Wuhan during the Anti-Japanese War.The paper concludes with two inspirations:to make full use of the intangible cultural heritage spots to carry out patriotism education for primary and middle school students;and to effectively transform the cultural resources of the tourist spots in Hubei Province into cultural industries,in order to achieve the sustainable development of intangible cultural resources of Hubei Province tourist attractions. 展开更多
关键词 during the anti-japanese war Hubei Province tourist attractions LOSSES
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The Grass-Roots Governance of the National Government in Tianjin Recovery Area After the Triumph of the Anti-Japanese War
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作者 ZHANG Guopeng 《Cultural and Religious Studies》 2021年第1期20-31,共12页
The national government wants to penetrate into the grass-roots unit after the triumph of the Anti-Japanese War in the recovery area.Through the reorganization of the Baojia system,the government expects to achieve lo... The national government wants to penetrate into the grass-roots unit after the triumph of the Anti-Japanese War in the recovery area.Through the reorganization of the Baojia system,the government expects to achieve local autonomy and then solve the people’s livelihood issues.The new Baojia system provides a platform for people to achieve their own demands,which presents the vision of civil rights to a certain extent.However,because of the complexity of the postwar social environment,the Baojia system cannot completely represent the will of the people,and finally becomes a militarized organization that was used as a tool to carry out the government decree. 展开更多
关键词 after the triumph of the anti-japanese war TIANJIN the grass-roots governance the Baojia system
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For Permanent Peace—An Introduction to China's Anti-Japanese War Memorial Hall
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《China & The World Cultural Exchange》 1995年第4期12-13,共2页
关键词 An Introduction to China’s anti-japanese war Memorial Hall For Permanent Peace
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Under the Pagoda Mountain:Japanese POW Reformation During the Anti-Japanese War
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作者 LI Jin 《Cultural and Religious Studies》 2019年第4期183-201,共19页
As a typical Lenin-style political party,what should be concerned most is the CPC’s (Communist Party of China) capacity in fighting against and clearing enemies.This study provides a distinct perspective to observe a... As a typical Lenin-style political party,what should be concerned most is the CPC’s (Communist Party of China) capacity in fighting against and clearing enemies.This study provides a distinct perspective to observe and recognize CPC’s ability of turning hostility into friendship.Japanese prisoners of war (POW) had been poisoned by ultra-nationalism and militarism for years,and thus were extremely difficult to be reformed.However,under the correct ideological guidance of Mao and the unremitting efforts of the CPC’s political officers and cadres,a great number of them acknowledged the CPC’s political ideology and joined the CPC’s team. 展开更多
关键词 anti-japanese war PRISONER of war POLITICAL transformation
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Chinese Films on The War of Resistance Against Japan
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《China & The World Cultural Exchange》 1995年第4期9-11,共3页
关键词 Chinese films on The war of Resistance Against Japan
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Overseas Color Film Suppliers Wage a Price War in China
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作者 Lu Na 《China's Foreign Trade》 2000年第10期31-32,共2页
关键词 Overseas Color film Suppliers Wage a Price war in China
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History (Whose Story?)“Written With Lighting”: A Cinematic Representation of the “Traumatic Past “of the Germans in World War Ⅰ
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作者 Farhat Tasannum Farah 《Psychology Research》 2019年第3期110-115,共6页
The powerful ability of film to present the traumatized German war veteran that traces how some of the most vulnerable members of society, marginalized and persecuted as ‘enemies of the nation,’ attempted to regain ... The powerful ability of film to present the traumatized German war veteran that traces how some of the most vulnerable members of society, marginalized and persecuted as ‘enemies of the nation,’ attempted to regain authority over their own minds and reclaim the authentic memory of the Great War under Weimar Germany and the Third Reich. The mentally disabled survivor of the trenches became a focus of debate between competing social and political groups, each attempting to construct their own versions of the national community and the memory of the war experience. By examining the psychological effects of war on ordinary Germans and the way these war victims have shaped perceptions of madness and mass violence, the expressionist cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. This paper purposes to analyse how this post-traumatic cinema transformed extreme psychological states into visual expression;how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting;and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. 展开更多
关键词 Great war trauma Germans CINEMATIC REPRESENTATION German Expressionist films
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On Indiscriminate Bombardment during World War II: Opposition between Human Rights and Human Rights Abuse
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作者 黎尔平 《The Journal of Human Rights》 2015年第5期460-466,共7页
Base on the strategic bombardment to destroy willpower of Chinese Anti-Japanese war, in the Second World War, Japanese aircrafts were nondiscriminatorily bombing China’s cities, which committed crimes against humanit... Base on the strategic bombardment to destroy willpower of Chinese Anti-Japanese war, in the Second World War, Japanese aircrafts were nondiscriminatorily bombing China’s cities, which committed crimes against humanity. Actually, the US army nondiscriminatorily bombed Hiroshima and Nagasaki and damaged the human rights too. The US army, however, speeded up Japanese surrender and protected more people’s rights to life. It is never forgotten that the painful game of protecting and damaging human rights between Japanese militarism and anti-fascist alliance. 展开更多
关键词 Chinese anti-japanese war nondiscriminatorily bombing right to life human rights
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Battle of Human Rights and Anti-Human Rights in Chinese People's War of Resistance against Japanese Aggression
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作者 薛进文 《The Journal of Human Rights》 2015年第5期424-432,共9页
The Chinese Anti-Japanese War was a battle between human rights protections and abuses, between civilization and brutality, and between justice and evil. During the war, the human rights of Chinese people were complet... The Chinese Anti-Japanese War was a battle between human rights protections and abuses, between civilization and brutality, and between justice and evil. During the war, the human rights of Chinese people were completely violated by the Japanese aggressors, causing an unprecedented human rights catastrophe. At the same time, Chinese people vigorously resisted the aggression in order to defend the national survival right and safeguard the human peace against war. The history of human rights’ victory over human rights abuses tells us: aggressive wars are the most serious violations of human rights. We must protect people’s right to peace for every country in the world. In order to avoid violations of human rights by war once again, we must safeguard the international postwar order and prevent the revival of fascism, whose essences are contempt for and trample on human rights. Therefore we have to respect and protect human rights and defend both the collective rights of every nation and the individual rights of every person in the world. 展开更多
关键词 human rights violations of human rights Chinese anti-japanese war right to peace
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美国经典黑色电影中男性形象类型探析
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作者 王琳 《湖南工业大学学报(社会科学版)》 2024年第4期80-86,共7页
依据故事主题,美国经典黑色电影大致可以分为犯罪冒险类、战后老兵类和硬汉侦探类三类。与此对应,这三类电影分别呈现了法律逾越者、战后回归者以及城市追逐者三种不同类型的男性形象。在前两类人物身上,男性气质彻底失落,男性中心权力... 依据故事主题,美国经典黑色电影大致可以分为犯罪冒险类、战后老兵类和硬汉侦探类三类。与此对应,这三类电影分别呈现了法律逾越者、战后回归者以及城市追逐者三种不同类型的男性形象。在前两类人物身上,男性气质彻底失落,男性中心权力结构遭毁,焦虑与恐惧、困惑与幻灭集于一身,男性形象危机显而易见;在后一类人物身上,则体现出试图重构男性气质的努力和希望。在梦魇般的世界中,美国经典黑色电影呈现了这三类男性形象,并以此不断突显社会意识形态意涵,寻求社会批判的可能途径。 展开更多
关键词 美国经典黑色电影 男性形象 法律逾越者 战后回归者 城市追逐者
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《一个和八个》中的色彩与符号隐喻
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作者 杨松柏 《色彩》 2024年第8期55-57,共3页
电影《一个和八个》不仅是中国“第五代导演”成长的徽记,其革命式的创作观念更是中国电影的精神火种。影片色彩与符号隐喻的创新运用,打破了传统战争片的叙事模式,呈现出新颖的视觉奇观。影片以黑、白对比为主调,“灰色”调和,展现出... 电影《一个和八个》不仅是中国“第五代导演”成长的徽记,其革命式的创作观念更是中国电影的精神火种。影片色彩与符号隐喻的创新运用,打破了传统战争片的叙事模式,呈现出新颖的视觉奇观。影片以黑、白对比为主调,“灰色”调和,展现出逆境中人性闪亮的意义和生死战争中忠诚的纯粹,并通过砖窑、磨盘、枪等符号隐喻,揭示人物在恶劣困境下心理的挣扎与精神的蜕变。其美学范式突破“陈规陋习”且大胆、朴实,成为电影创作者的图腾象征。 展开更多
关键词 一个和八个 色彩隐喻 符号化场景 战争片 美学革新
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Changes in the Foot Binding Culture: The Female Body and Politics in Regions Governed by the Communist Party of China during the Anti-Japanese War
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作者 Jiang Pei Wang Wei Gao Xiang 《Frontiers of History in China》 2020年第3期408-434,共27页
Since 1949,Chinese mainland historians and creators in film and television,novels,and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China(CPC)during th... Since 1949,Chinese mainland historians and creators in film and television,novels,and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China(CPC)during the Anti-Japanese War.They participated in production,women's mobilization,and reconstruction of the rural political order Tike men.55 They pursued the equality between men and women,marked by freedom of marriage,and also participated in regional guerrilla warfare to combat the Japanese puppet army"as men."However,in the remote villages of north China at the end of the Qing dynasty and the beginning of the Republic of China,it was not common for women to unbind their feet.In wartime,most women over twenty years of age were forever left with the"three-inch golden lotus"(sancun jinlian)feet.The damage of the war accelerated their acceptance of the CPC's emancipation concepts and policies and presented them with an opportunity to actively implement them.The experience of survival drastically changed traditional aesthetics,ideas,and customs related to women.Physical and psychological changes occurred as a result of the war;women began to go out of their homes to participate in the work of the Women's Salvation Association and the Youth Salvation Association,and a group of women achieved marriage equality between men and women in the form of"divorce her husband"(qi xiu fu).Due to pressure,women carried more physical and mental responsibilities,faced insufficient advocacy for their rights,and the aesthetics and mentality of womanhood underwent change. 展开更多
关键词 foot binding foot unbinding "divorce her husband" rural women north China base area the anti-japanese war
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中国反法西斯战争电影创作的历史得失思辨 被引量:3
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作者 周星 《艺术百家》 CSSCI 北大核心 2015年第6期48-52,107,共6页
中国的战争电影有过一些佳作,抗战题材创作也有好作品。但相比于世界反法西斯电影,中国战争电影缺乏更为全面和深度的创作。在传统观念认知上,在表现历史深度上,在人性情感的表现上,都有缺憾。梳理中国抗战题材创作的得失,开拓更为丰富... 中国的战争电影有过一些佳作,抗战题材创作也有好作品。但相比于世界反法西斯电影,中国战争电影缺乏更为全面和深度的创作。在传统观念认知上,在表现历史深度上,在人性情感的表现上,都有缺憾。梳理中国抗战题材创作的得失,开拓更为丰富的表现,是我们当前必须面对的问题。 展开更多
关键词 电影艺术 电影创作 战争电影 反法西斯题材创作 抗战电影观念
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民族寓言的前世今生——《鬼子来了》与抗战电影的历史演变 被引量:13
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作者 韩琛 《艺术百家》 北大核心 2008年第1期162-165,共4页
通过对经典抗战电影的效仿,《鬼子来了》生成了自己的意义:颠覆抗战历史的神话叙事,恢复其作为复调历史的个人性、民间性和多义性。采取后现代策略没有改变《鬼子来了》的本质,它仍然是一个第三世界国家的"民族寓言"——个人... 通过对经典抗战电影的效仿,《鬼子来了》生成了自己的意义:颠覆抗战历史的神话叙事,恢复其作为复调历史的个人性、民间性和多义性。采取后现代策略没有改变《鬼子来了》的本质,它仍然是一个第三世界国家的"民族寓言"——个人遭际同构于家国命运的民族主义叙事。从经典抗战电影到《鬼子来了》,民族主义内涵从意识场景深入到潜意识场景,"民族寓言"在后现代语境里转世再生。 展开更多
关键词 抗战电影 民族寓言 复调历史 后现代主义
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干涉战争电影及其意识形态 被引量:2
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作者 聂欣如 《上海大学学报(社会科学版)》 CSSCI 北大核心 2012年第4期22-30,共9页
干涉战争是冷战结束之后的新事物,它以人道主义和反恐为名,实施对他国的武装干预。干涉战争电影是对这一战争的反映,不同于一般战争电影之处在于,这些电影所表现的战争往往不具有宏大规模的军事对抗和大获全胜的结局,对英雄人物的塑造... 干涉战争是冷战结束之后的新事物,它以人道主义和反恐为名,实施对他国的武装干预。干涉战争电影是对这一战争的反映,不同于一般战争电影之处在于,这些电影所表现的战争往往不具有宏大规模的军事对抗和大获全胜的结局,对英雄人物的塑造往往伴随着不幸和无奈,士兵在战争中表现出人性的扭曲、堕落等等。在意识形态上,这些电影尽管不再延续冷战时期两个阵营对峙的逻辑,但是西方文化的意识形态却强烈地呈现其中。 展开更多
关键词 电影 类型电影 干涉战争电影 意识形态
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海洋想象、战争叙事及胜利者美学——海洋战争电影的中国经验与启示 被引量:4
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作者 房默 《海南大学学报(人文社会科学版)》 CSSCI 2019年第2期112-117,共6页
在中华民族由乡土文化向海洋文化的转变过程中,中国海洋战争电影有着重要的意义。中国海洋战争电影的海洋想象,由于阶段不同其表现形式也有不同,大致形成了危船、家园、蛟龙等三种想象,海洋想象的不同也是中国由弱变强的内在体现。中国... 在中华民族由乡土文化向海洋文化的转变过程中,中国海洋战争电影有着重要的意义。中国海洋战争电影的海洋想象,由于阶段不同其表现形式也有不同,大致形成了危船、家园、蛟龙等三种想象,海洋想象的不同也是中国由弱变强的内在体现。中国海洋战争电影的叙事模式主要有两种,一是以家仇国恨为基本结构的"复仇叙事",二是以"国人回家"为基本结构的"拯救叙事",前者是在传统文化的基础上生成的,后者则有了更多的大国意识与世界视野。海洋战争电影体现着鲜明的胜利者美学特色,它对于讲好中国故事、提升文化自信有着重要的启示。 展开更多
关键词 海洋战争电影 海洋想象 战争叙事 胜利者美学
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海外重点抗战档案文献现状调查及特色分析 被引量:5
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作者 扶小兰 唐伯友 《档案管理》 北大核心 2015年第5期74-77,共4页
海外抗战档案文献主要集中典藏于中国台湾地区和美、英、日、俄罗斯等国家的不同机构;它们具有数量庞大、种类繁多、语种多元、载体多样等特征。其中,台湾地区的"国史馆"、"中国国民党党史馆"及"中央研究院近... 海外抗战档案文献主要集中典藏于中国台湾地区和美、英、日、俄罗斯等国家的不同机构;它们具有数量庞大、种类繁多、语种多元、载体多样等特征。其中,台湾地区的"国史馆"、"中国国民党党史馆"及"中央研究院近代史研究所";美国国家档案馆、国会图书馆、斯坦福大学胡佛研究所及罗斯福总统图书馆等是海外抗战文献重点典藏机构;它们典藏的中、英、日文抗战版档案、报纸、杂志、日记、手稿、纪录片、地图等文献,蕴涵丰富的历史信息。 展开更多
关键词 抗战 海外 档案 日记 手稿 纪录片
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“新主流”视域下中国电影的类型创新与工业美学探索——以《长津湖》与《长津湖之水门桥》为个案 被引量:12
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作者 陈旭光 刘祎祎 《广州大学学报(社会科学版)》 CSSCI 2023年第1期109-118,共10页
近年的新主流电影具有强大的影响力,是新世纪以来中国电影整体格局中的最重要的潮流或现象之一。其中《长津湖》与《长津湖之水门桥》是其中十分重要的作品。这两部影片以“抗美援朝战争”为背景题材,以全景视野统一架构起战争叙事中的... 近年的新主流电影具有强大的影响力,是新世纪以来中国电影整体格局中的最重要的潮流或现象之一。其中《长津湖》与《长津湖之水门桥》是其中十分重要的作品。这两部影片以“抗美援朝战争”为背景题材,以全景视野统一架构起战争叙事中的宏观历史与微观视角,将诗意化家国情怀与写实性战争展现进行多维度的联结。这两部影片标志着新主流电影经历“外向型”和“内向型”两个发展阶段后,迈上新主流电影大片的新台阶。作为“新主流”与“类型创作”融合发展的标志,其一方面实现了对以往主旋律战争题材的承继与创新,另一方面对于探寻当代民族影像的艺术创新、文化融合与工业美学探索等,均具有重要现实意义。 展开更多
关键词 新主流电影 类型创新 战争叙事 文化融合 电影工业美学
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战争历史的追忆与反思——论好莱坞的“两战片” 被引量:3
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作者 毕耕 《安徽农业大学学报(社会科学版)》 2002年第6期100-103,共4页
好莱坞的“两战片”,是指以发生在20世纪上半叶的两次世界大战为题材创作的战争纪录片与故事片。这些影片翔实地记录和生动地再现了那段难忘的历史,有力地控诉了战争给人民带来的痛苦与灾难,并从历史文化的高度深刻地剖析了战争的根源,... 好莱坞的“两战片”,是指以发生在20世纪上半叶的两次世界大战为题材创作的战争纪录片与故事片。这些影片翔实地记录和生动地再现了那段难忘的历史,有力地控诉了战争给人民带来的痛苦与灾难,并从历史文化的高度深刻地剖析了战争的根源,揭示出鲜明的反战主题,因而在电影艺术中留下了光辉的一页。 展开更多
关键词 历史 生动 战争 反思 题材 剖析 根源 人民 控诉 两次世界大战
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