The Impact of Music Education on Children’s Cognitive Development:From Traditional Classrooms to Modern Digital Platforms

Music education has long been debated for its influence on children’s cognitive development,particularly regarding their thinking methods and adaptability.This article synthesizes research data to examine the cognitive benefits of music instruction,including increased IQ,language proficiency,memory,and attention.Traditional face-to-face training,while personalized and socially interactive,faces limitations such as budget constraints and accessibility.Modern digital platforms offer individualized learning paths with AI-driven feedback but may lack necessary interpersonal interaction.This paper proposes a hybrid approach to music education,integrating traditional and digital methods to maximize cognitive gains.Further research is recommended to explore the implementation of these integrated learning strategies in varied educational settings.

Research on the Innovation of Traditional Music Cultural Inheritance

Traditional music is an important source of Chinese civilization and has a profound impact on the origin,enrichment,leap forward,and sublimation of Chinese culture.Starting from the three dimensions of history,people,and integration,it is important to inherit,carry forward,and spread the contemporary value of traditional music culture.We should focus on the inheritance of historical dimension,reposition the unique function of traditional music culture,strengthen the ecological protection of traditional music culture,and advocate excavation protection,purification protection,and promotion protection.Additionally,we focus on the development of the people dimension,adhere to the people-centered creative orientation,grasp the needs of the people,reflect their aspirations,and strive to enhance the timeliness and attraction of national music.We also focus on the communication of integration dimension,leverage the characteristic advantages of emerging media communication,promote the cross-border integration of the traditional music industry and related fields,respond to the focus and interaction of music audience services,and promote the construction of a modern three-dimensional communication system of traditional music.

Attendance or Tradition:Who Is Interested in Church Music Today

Religious practices in general,but primarily Christian ones,are undergoing major changes in the modern world,which is rapidly changing day by day.One of the most revealing manifestations of these changes is liturgical music,which has always been considered“traditional”,whereas the boundaries of the tradition have been subject to sharp disputes between those responsible for the church ritual and its accessories.The palette of the musical environment of modern church in terms of attendance and congregational acceptability in its sustainable development is addressed in the article based on recent research,in particular,several related studies by A.Rosenblatt,who over the past two decades has explored different aspects of church music heard in the field and presented in various hymnal books.Summary of this review allows us to consider a tangle of reasons to the preference for this or that musical style,which often completely excludes purely musical tastes and preferences.

Effects of Traditional Chinese Medicine Five-element Music Combined with Acupoint Application on Perioperative Sleep Quality in Patients Undergoing Joint Replacement Surgery

OBJECTIVE: To explore the effects of traditional Chinese medicine(TCM) five-element music combined with acupoint application on perioperative sleep quality in patients undergoing joint replacement surgery. METHODS: In this study, a total of 122 patients with joint replacement surgery in Beijing Jishuitan Hospital were targeted from 2015 to 2018. All patients were grouped by random number table method. Among them, 61 patients with routine nursing were included in the control group. On this basis, the other 61 patients with acupoint application and TCM five-element music therapy were included as the observation group. 2 weeks later, the Pittsburgh Sleep Quality Index(PSQI) was used to evaluate sleep quality in all patients. The sleep improvement of the 2 groups was evaluated, and the patient was assessed for anxiety and depression, and the curative efficacy was evaluated. RESULTS: After 2 weeks of nursing, the PSQI of the patients improved significantly. The PSQI of the observation group was only 6.6 ± 2.4, and the control group decreased to 9.9 ± 2.7. The observation group was better than the control group, and the difference was statistically significant(P < 0.05). Comparing the 2 groups, the anxiety score of the observation group decreased to 4.8 ± 1.6, which was significantly lower than that of 6.9 ± 2.2 in the control group. The depression score of the observation group decreased to 4.6 ± 1.3, which was significantly lower than that of 6.8 ± 2.3 in the control group. In the control group, the negative emotion scores after nursing were better than those before nursing, and the difference was statistically significant(P < 0.05). Comparing the 2 groups, the effective rate of sleep improvement in the observation group was 96.6%, and the cure rate was as high as 49.1%. The control group was 82.0%, and the cure rate was 18.0%. The observation group was better than the control group, and the difference was statistically significant(P < 0.05). CONCLUSION: The combination of TCM five-element music with acupoint application can improve the perioperative sleep quality of patients undergoing joint replacement surgery, and it can help patients to relieve negative emotions. It is worth promoting.

Music Heritage of Uzbekistan： Preservation of the National Traditions and Their Development

The article touches on Uzbekistan musical heritage, its rich traditions and ancient history. Archeological excavations, written sources, musical instruments and oral traditions are reflected in musical samples passed from generation to generation. People＇s folklore creativity and classical music heritage are connected with the social life of the people, genres, instruments. Uzbek maqom is a bright example and advanced genre of the classical music. The creativity of composers are examples of using maqom＇s pieces.

Humanistic cultural tradition background and research of similarities and differences between Chinese and Western music

Music is an integral part of culture, culture represents the spirit of a country, so from this point of the music, we can get a glimpse of the cultural characteristics of a country. Music, broadly speaking, I think it should be the extension of culture, is a crystalline form of the essence which the culture conceived. This article discusses the musical and cultural ties, the characteristics of Chinese and Western musical culture, contacts the cultural background of Chinese and Western music culture, making more in-depth understanding.

Inheritance and Innovation of Traditional Music Culture in Modern Music Composition

Traditional music culture,from perspective of axiology,is considered the essence of arts of the era which witnesses the innovation of musical culture in various historical periods and drives the development of modern music,in which creative thoughts and ideas cherish the factor and perfection making a new request to aesthetics of its composition.Therefore,blending traditional music culture with modern music composition will generate new characteristics of classic elegance,artistic beauty and epoch aesthetics,bringing a new trend of the modern music composition into being and propelling actively to form creative thoughts and innovative ideas by utilizing inheritance and innovation of traditional music as carriers.

Research on the Development Trend of Chinese Traditional Music Art from the Perspectives of Aesthetic and Historical Culture

In this paper, we conduct research on the development trend of Chinese traditional music art from the perspectives of aesthetic and historical culture. In the ancient Chinese aesthetic tradition, ＂peace＂ music aesthetic of music practice has the extremely important influence, not only affect the music creation, performance, appreciation that also affect the music form and content, social function, etc. ＂peace＂ as beauty is the core of the ancient music esthetics thought, so to speak. Chinese music culture while constantly in the long course of history, the Chinese music culture of different nations, but as a precocious and has a long history of nation, he has a great ability, that is both absorb different music culture, and unified as the relatively stable whole music culture and maintain their own basic features, and distinguish it from other music culture.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.

China's Traditional Music Enters a New Era——Impression of "China National Concert in Spring Festival of Year of Horse" by HK Zhongyue Orchestra

At 11:00 a.m. of February 10, 2002, the"China National Concert in the Spring Festival ofthe Year of the Horse" was solemnly given in thegolden hall of Vienna. The Hong Kong ChineseFolk Music Orchestra, under the direction of thechief inspector and famous conductor

World Reacts to Traditional Tibetan Music

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Improving Archival Records and Service of Traditional Korean Performing Arts in a Semantic Web Environment

Purpose:This research project aims to organize the archival information of traditional Korean performing arts in a semantic web environment.Key requirements,which the archival records manager should consider for publishing and distribution of gugak performing archival information in a semantic web environment,are presented in the perspective of linked data.Design/methodology/approach:This study analyzes the metadata provided by the National Gugak Center’s Gugak Archive,the search and browse menus of Gugak Archive’s website and K-PAAN,the performing arts portal site.Findings:The importance of consistency,continuity,and systematicity—crucial qualities in traditional record management practices—is undiminished in a semantic web environment.However,a semantic web environment also requires new tools such as web identifiers(URIs),data models(RDF),and link information(interlinking).Research limitations:The scope of this study does not include practical implementation strategies for the archival records management system and website services.The suggestions also do not discuss issues related to copyright or policy coordination between related organizations.Practical implications:The findings of this study can assist records managers in converting a traditional performing arts information archive into a semantic web environment-based online archival service and system.This can also be useful for collaboration with record managers who are unfamiliar with relational or triple database system.Originality/value:This study analyzed the metadata of the Gugak Archive and its online services to present practical requirements for managing and disseminating gugak performing arts information in a semantic web environment.In the application of the semantic web services’principles and methods to an Gugak Archive,this study can contribute to the improvement of information organization and services in the field of Korean traditional music.

A Review of Traditional Chinese Medicine for the Treatment of Depression

Depression is a common mental illness with symptoms such as loss of interest.At present,It is mainly treated with antidepressants,which are effective in a short time,but it is highly addictive and has a high probability of adverse reactions.Traditional Chinese medicine(TCM)treatment of depression has the advantages of high feasibility,good tolerance,obvious effect,and small side effects.In addition,TCM has great potential for the treatment of depression with the overall concept of the unity of nature and man as its guiding ideology and rich clinical experience.This review mainly expounds on the research progress of TCM treatment of depression from two aspects of TCM non-drug therapy and TCM drug therapy,to provide a reference for clinical treatment of depression.

The Baul Sursadhak： The Tradition and Individual Talent

The Bauls or the fakirs of Bengal have been unacknowledged prophets even a century back, till the recent interest now in their music, philosophy, and performance. The Bauls do not revere class/caste/religious divides and often flout the norms of the society by their divine madness. Etymologically, the word derives from Sanskrit, ＂vatula＂ （meaning one who is affected by the wind disease or is mad）, or ＂vyakula＂ （meaning restless or disordered）. In recent years however, Bauls have been recognized as a religious sect, yet the connotation of madness still clings to their reputation. This paper is going to discuss briefly how the Baul tradition developed in Bengal and then focus on the Baul philosophy in the Baul-gan texts and on their musical appeal. Many of the Baul-gans have had profound influence on other forms of music. Closely associated with the Baul sangeet is the Bhatiali music whose rhythm, has often won the hearts of many classical musicians. Often times the classical musicians have been found to render the ektatra or dotara sounds in their improvisations. Rabindranath Tagore too has used some of the Baul maestro, Lalon Fakir＇s lyrics, philosophy as well as music in many of his songs. More recently, Baul songs have been rendered through fusion bands or experimental music.

A Comparison of the Main Features of Suzuki and Traditional Violin Education

In early childhood education it is important to determine a child＇s ability or attitude towards different subjects Training and/or education geared towards these tendencies will not only ensure a more healthy future choice in education for the child but furthermore will enable the child to have a happier educational atmosphere in early childhood. Music education/training in early childhood is considered to be very important in early years. Music education/training, in the correct and proper context using tangible and feasible teaching techniques not only improves and develops a child＇s musical skills but also helps develop his/her personality. Two people who shared this view were Zolt^n Kod^ly and Shinichi Suzuki. Suzuki positively affected the educational systems worldwide with his approach to violin teaching and his ideas on early childhood pedagogy. Choosing between the Suzuki violin teaching methodology and the traditional violin teaching methodology is a personal decision. This article tries to objectively elaborate on different aspects of Suzuki and traditional violin teaching methodologies. Each methodology has its pros and cons and knowing what these are will help individuals to make a more educated choice.

五部中国当代音乐作品中的音列思维探赜

“音列-特定结构模式的音的横向集合体”是作曲家个性化音高组织的基础性材料之一,“音列思维”是指作曲家在创作中恪守特定结构音列的音高组织思维方法。沈葉的唢呐协奏曲《一枝花》、姚晨的管弦乐曲《造园》、张千一的交响套曲《我的祖国》第四乐章《春到边寨》、秦文琛为管弦乐队而作的舞蹈组曲《伶伦作乐图》、郭文景的六重奏《寒山》,上述作品虽然在创作观念、精神内涵、表现内容、写作技法等方面各具特色,但在音高组织思维,即结构的深层次方面,表现出可供探讨的共性问题——音列思维。

中医药联合音乐疗法对老年晚期肠道肿瘤患者临床疗效及其机制探讨

目的分析中医药联合音乐疗法对老年晚期肠道肿瘤的临床疗效及其机制。方法选取2021年1月—2022年3月南通市中医院老年科收治的90例老年晚期肠道肿瘤患者为研究对象,随机分为治疗组A(中药汤剂口服+音乐疗法+姑息治疗)、治疗组B(中药汤剂口服+姑息治疗)、对照组(姑息治疗)各30例,对比3组疗效、治疗前后负性情绪[焦虑自评量表(SAS)、抑郁自评量表(SDS)]、炎症反应[中性粒细胞与淋巴细胞比值(NLR)、肿瘤坏死因子-α(TNF-α)、白细胞介素-6(IL-6)]、欧洲癌症研究与治疗组织生命质量测定量表(EORTC QLQ-C30 V3.0中文版)、匹茨堡睡眠质量指数(PSQI)、不良反应。结果治疗组A总有效率90.00%高于对照组66.66%(P<0.05),治疗组A总有效率高于治疗组B 76.67%,但差异无统计学意义(P>0.05);治疗后治疗组A的SAS评分、SDS评分低于治疗组B和对照组(P<0.05);治疗后治疗组A的NLR、TNF-α、IL-6均低于治疗组B和对照组(P<0.05);治疗后治疗组A的EORTC QLQ-C30评分、PSQI评分低于治疗组B和对照组(P<0.05);3组的不良反应情况比较差异无统计学意义(P>0.05)。结论中医药联合音乐疗法对老年晚期肠道肿瘤患者有较好临床疗效,其机制可能与下调炎症因子有关,利于减轻焦虑抑郁情绪,提高生命质量及睡眠。

浅析云南乌铜走银传统手工艺在文创包装中的传承运用

乌铜走银是云南特有的金属制作工艺,于2011年被国家收录到第三批国家级非物质文化遗产代表性项目名录当中。本文从乌铜走银传统手工技艺的源头出发,就其起源、文化背景、器型纹样及其工艺产生的基础条件等几方面分析,提出了纹样、工艺在文创包装中的传承运用方式。

民族音乐研究的面向与策略——西藏传统音乐研究个案举述

民族音乐研究的面向与策略问题是一个关涉很广的学术命题,不仅涉及理论问题,同时涉及实践问题。从民族音乐研究尤其不同民族传统音乐的多元化文化背景和多样性形态特征等方面看,寻求契合的理论模型和贴切的实践路径是研究成果是否符合客观实际的重要前提。文章从民族音乐研究的面向与策略相关理论研讨入手,延伸至西藏传统音乐研究实践的个案举述。