Changes of China’s Status in the Global System and Its Influencing Factors:A Multiple Contact Networks Perspective

Clarifying China’s position in the global system is an important logical basis for developing national diplomacy.Although much research has been done on China’s development status,most studies have been based on country comparisons or institutional en-vironment.In today’s networked era in which the global economy,trade,personnel,and information are closely connected,studies on China’s global position and its status changes and influencing factors in multiple contact networks are still insufficient.In this study,from the perspective of diverse global contact networks,we constructed economic,cultural,and political influence indices to explore the changes and influencing factors on China’s status in the global system from 2005 to 2018.The results show that during the study period,China’s global influence in the fields of economic ties,cultural exchanges,and political contacts increased significantly,but its influ-ence in the fields of cultural exchanges and political contacts lagged far economic ties.The pattern of China’s economic influence on various economies around the world has shown a transformation from an‘upright pyramid’to an‘inverted pyramid’structure.The proportion of these economies in low-influence zones has decreased from more than 60%in 2005 to less than 20%in 2018.China’s cultural and political influence on various economies around the world has increased significantly;however,for the former,the percentage of high-influence areas is still less than 20%,whereas for the latter the percentage of these economies in medium-and high-influence areas is still less than 50%.Analyses such as a scatter plot matrix show that geographical proximity,economic globalization,close cooperation with developing countries,and a proactive and peaceful foreign policy are important factors in improving China’s status in the diverse global network system.

Historical Contributions and Innovative Development of China's Inclusive Culture

Inclusive culture is a dynamic pattern of cultural integration and innovative development formed in the interactions between man and nature, man and society, and man and others. Chinese culture is among the sources of inclusive culture. Being inheritable, open, assimilative, innovative and self–driven, this inclusive culture significantly contributes to China's ideological evolution, ethnic integration, religious development, economic openness, literature and art prosperity, as well as political wisdom in building a community with a shared future for mankind. Inclusiveness is key to the lasting and sustainable development of traditional Chinese culture. During China's construction of a great modern socialist country, the CPC's leadership over cultural innovation and development must be strengthened; a strong cultural confidence must always be maintained; the prosperity of socialist culture with Chinese characteristics must be further enhanced; the sustainable and integrated development of socialist culture with Chinese characteristics must be promoted; people's need for an enriched cultural life must be satisfied; and more efforts must be made to build a community with a shared future for mankind. Only in this way can the light of China's inclusive culture illuminate the future of globalization.

A Study on the Belt and Road Initiative and the Promotion of International Competitiveness of China's Culture Industry

China's pioneering the Belt and Road initiative not only provides a broad space for China's culture industry to enhance international competitiveness, but also puts forward a major project. It includes: optimize and integrate strategic resources through connectivity, cultivate export-oriented cultural enterprises to promote the main body of the industry, optimize the structure of cultural trade by expanding cultural services exports, and build win-win cooperation networks through the connections between Silk Road Cities. This will both contribute to the global distribution and resource allocation of China's culture industry, and benefit the construction of mutually beneficial and cooperative international culture industry communities, so the countries and people of the Belt and Road regions can share their cultural wealth.

Ruins of China’s Ancient Culture

APPROXIMATELY 6,000-7,000years ago China’s primitive so-ciety gradually progressed toits prosperous period.The body shapeof peopel at that time was entirely thesama as modern people.Primitive agriculture started,people began to raise livestock and live a more sedentary life.Clan villages appeared.However,because of natural disasters and other factors,the primitive people had to constantly change their habitats.Over time,these habitats submerged into ruins,which became bases for archaeologistss in their study of primitive man and his social conditions.

China’s Traditional and Modern Business Culture

China＇s traditional business cultureConfucian thought has had a profound influence on the way Chinese people do business. For example, ＂etiquette,＂ the basic element of Confucianism, originated from the ritual worship of, and sacrifice to, the ancestors. Later it developed into a set of moral rules based On kinship and hierarchy, and has been weaved into five interpersonal relations： those between ruler and subject, father and son, husband and wife, brothers and friends. Not only did it play a role in solidifying patriarchal-feudal relationship, but it is deeply rooted in the living habits and customs of today and has become a force which regulates social interactions and behaviors. Since ancient times, the principle that ＂an even temper brings wealth＂ has been an essential part of Confucianism.

China's Regulations on Cultural Exchanges with Foreign Countries

China's cultural exchanges with foreign countries follow cen- tralized administration by the Ministry of Culture.On June 27,1997,the Ministry of Culture promul- gated the Regulations on Foreign Cultural and Artistic Performances and Exhibi-

Advancing Arts One village’s oil paintings lead the development of south China’s cultural industries

The Dafen art museum, the largest such museum in Shenzhen, was built int he village in 2007 to he a platform for art exhibitions and exchange,

China's Image in The Painted Veil from the Perspective of Orientalism

William Somerset Maugham(1874-1965),one of the most popular writers of the twentieth century,is famous for his exquisitenarrative technique.The Painted Veil tells a touching story with unique narrative style.This paper takes Edward Said's postcolonial crit-ical theory of orientalism as its theoretical foundation to conduct a study of The Painted Veil in detail with an intention to explore China's image and disclose the cultural hegemony of Maugham.The Painted Veil about demonizing and distorting China's image is based onthe perspective of Orientalism,which is inextricably linked to Maugham's cultural hegemony thought.

马克思精神生产视阈下中国共产党人的精神谱系

马克思精神生产理论为中国共产党人的精神谱系探析提供了可靠的分析视阈。马克思精神生产理论的历史向度使中国共产党人的精神谱系具有了深刻的理论内涵。在马克思精神生产视域下,中国共产党人的精神谱系是党的理论研究的精神生产成果,是中国共产党人在各个时代优秀精神产品的总和,体现了马克思精神生产理论蕴含的规律性原则,体现着马克思精神生产活动的历史使命。弘扬中国共产党人的精神谱系,首先要对伟大精神生产成果进行谱系化传承,在坚定马克思主义信仰中不断增强伟大精神生产成果的引导力,在党的自我革命的推进中不断增强伟大精神生产成果的生命力,在中国共产党党史的研究与学习中不断增强伟大精神生产成果的穿透力,在中华优秀传统文化的浸润中不断增强伟大精神生产成果的凝聚力。