Discussion on the Translation of Chinese Classics

Since the 16th Party Congress,the central government has put forward in several situations that Chinese culture must spread to other countries,and as the essence of Chinese culture,Chinese classics become the major carriers for the completion of the task.Translation is an important tool for the communication of culture,and some scholars have published some theoretical articles discussing the topic,which has promoted the development of it.This article summarizes the theoretical articles on translation of classical works(especially about English translation)in recent years and discusses who must take the burden of translation and how to translate them.Finally,the article puts forward the principles of translation on Chinese classics.

Unfaithfulness or Expressiveness？ On KU Hung-ming＇s Translation of Chinese Classics From the Perspective of Translation Norms

As a beak with the traditional ＂prescriptive＂ approach and an important complement to translation theories, translation norms thus open up a descriptive and target-oriented perspective for the translation practice and study. For the successful access of the translation text into the target culture, the translator has to make choices between two languages, texts and cultures, etc.. Thus the translation norms are revealed. This paper shows the operation of translation norms as seen from the English version of Chinese classics by KU Hung-ming and analyzes why KU Hung-ming＇s translation of Confucian classics such as Lun Yu and Zhong Yong enjoyed greater popularity among Western readers than the translation of Western missionaries. The paper also holds that the unfaithful translations regarded by a source text-oriented approach were actually where KU was most successful in implementing his translation strategies to achieve expressiveness.

Clinical research report on traditional Chinese patent medicines and traditional Chinese classic famous prescriptions(2022)

Objective:The paper is to comprehensively summarize and analyze the basic situation and methodological quality of clinical randomized controlled trials(RCTs)of traditional Chinese patent medicines and traditional Chinese classic famous prescriptions published in 2022,to provide evidence and reasonable suggestions for the advancement of clinical research and the formulation of policies and guidelines.Methods:The Evidence Database System of clinical evidence-based evaluation of traditional Chinese medicine was searched,and data from China National Knowledge Infrastructure(CNKI),PubMed,and other databases were supplemented.The search duration was from January 1,2022,to December 31,2022.RCTs of traditional Chinese patent medicines and traditional Chinese classic famous prescriptions were included as the source of clinical evidence,and published information,sample size,intervention,control measures,treatment course,methodological quality,and key link report were analyzed and evaluated.Results:A total of 1,464 RCTs of traditional Chinese patent medicines were included,which comprised 667 types of traditional Chinese patent medicines;“traditional Chinese patent medicines+Western medicine vs.Western medicine”was the most widely used intervention and control setting,involving 417 RCTs(28.48%).A total of 245 RCTs of traditional Chinese classic famous prescriptions were included,comprising 55 types of traditional Chinese classic famous prescriptions.“Decoction+conventional treatment vs.conventional treatment”was the most widely used intervention and control setting,with 87 RCTs(35.51%).Published RCTs on traditional Chinese patent medicines and traditional Chinese classic famous prescriptions were limited by the study design and implementation.Most“allocation concealment”and“blinding of patients and personnel”were rated as medium to high risk.There are insufficient reports on key research links such as experimental registration and ethical approval.Conclusions:The number of RCTs on traditional Chinese patent medicines has decreased in 2022,but there has been a slight improvement in the research quality and impact.There are relatively few studies on traditional Chinese classic famous prescriptions.Measures must be taken to improve clinical trial design,implementation,and reporting.Methodological experts should be invited to provide professional technical guidance on the trial design.In the research implementation process,attention should be paid to quality control,particularly the standardization of the randomized execution.

Guidance and Application of Chinese Classical Gardens in Modern Gardens

As a representative of Eastern gardens,Chinese classical gardens have always held an extremely important position in world gardens.They not only carry the profound cultural and ideological connotations of China,but also have great aesthetic achievements that are worth exploring.In the process of urbanization,the construction of urban gardens is also progressing rapidly with the development of the city,and modern gardens are reflected more.Gradually,people began to realize that the aesthetics of Chinese classical gardens can collide with the design concepts of modern gardens,in order to conform to the current development trend of the new era.This paper compares and analyzes the differences and connections between Chinese classical gardens and modern gardens from three aspects:gardening concepts,gardening elements,and gardening techniques.Combined with relevant cases,it studies the practical application of Chinese classical garden design techniques in modern gardens,and explores and promotes the art of Chinese classical garden design.

A Statistical Approach to Annotation in the English Translation of Chinese Classics:A Case Study of the Four English Versions of Fushengliuji

Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.

On the Imperfection and Improvement of the Chinese-English Dictionary as an Important Aid in the Translation of Chinese Classics into English： A Case Study of Buddhism-Related Entries

Theoretically, the Chinese-English dictionary （CED） is vitally important to the translation of Chinese classics into English（TOCCIE）. In reality, however, many CEDs in general use fail more or less to function as an indispensable aid in TOCCIE actions by offering either inadequate information or, more alarmingly, partial or even total misinformation in Chinese-civilization-specific entries that defy easy rendering. This paper attempts to illustrate this deplorable fact with a case study of the Buddhism-related entries （BILE） in three CEDs representative of state-of-the-art Chinese bilingual lexicography. The conclusion is that it is high time to substantially improve the CED as an important TOCCIE aid, so that a large-scale, systematic execution of TOCCIE, which seems befitting the global image of present-day China as a rising power not only politico-economically but also culturally, will be performed with greater facility.

Thomas Cleary's Translation of Chinese Military Classics & Its Implication for Translation Teaching

No research has been done to explore how the Chinese military classics have been studied and translated in the west.In order to fill the void,this paper tries to study Thomas Cleary’s translation of Chinese military classics.

Reception of Translated Classics of Traditional Chinese Medicine in the Spanish-speaking World:A Survey of Seven Spanish Versions of Huangdi Neijing(The Yellow Emperor’s Inner Classic)

Previous studies on translations of Huangdi Neijing(The Yellow Emperor’s Inner Classic)have focused on English versions;little attention has been given to non-English translations.The present study is the first investigation of the reception of the seven Spanish versions of Huangdi Neijing in terms of three parameters:collection records in libraries worldwide;book reviews and citation counts in international journals;and customer reviews on Amazon.The results revealed four features of Spanish translations and communication of Huangdi Neijing in terms of reception of academia,reception of general readers,the center of translation and communication,and the role of Chinese scholars.These factors demonstrate the marginal status of Spanish translations of traditional Chinese medicine(TCM)classics.The implications are summarized in hopes of promoting the translation and communication of TCM classics in the Spanish-speaking world and to provide insights into the communication of TCM culture in the non-English-speaking world.

Interpretation and Translation of Chinese Ancient Primer Classics in China Review

China Review was an important medium for cultural exchange between China and the West in the late 19th century.China Review was first published in Hong Kong.It mainly reports on languages,literature,local customs,and geography in the Far East,known as“the first genuine sinological journal in the Western World”.There are many translations and comments on Chinese Ancient Primer classics in China Review.Representative sinologists such as James Legge and Herbert Giles have and primer classics and published many research works.It had played a significant role in the overseas dissemination of primer classics in the century dissemination.

A Study of the Impact of the Dissemination of Ancient Chinese Primer Classic in the United States

Carrying the roots of Chinese civilization to its origins,the Chinese Primer classic has received considerable attention in the international community’s cultural diffusion.The spread of the Chinese Primer class studies in the United States,aided by missionaries such as E.C.Bridgeman,Samuel Wells Williams,and William Alexander Parsons Martin,sinologists such as Witter Bynner and David Hinton,has been characterized by unidirectionality,permeability,and pluralism.

Summary of the Studies on Classical Chinese Folk Houses

Research fruits in classical Chinese folk houses since 1980s were summarized in this study from various perspectives,such as architectural structure,spatial layout,decoration,aesthetic value,regional features and historical attributes,meanwhile,the future study orientation in this field was also discussed.

On untranslatability of classical Chinese poetry： From the perspective of aesthetic function of language

The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language.

Transmission Routes of Chinese Classical Culture in Cross-Cultural Communication

Chinese classical culture is an organic system shared by Chinese nation for 5000 years,taking Confu-cianism as the base and including various other ideological and cultural contents.This article introduces the transmission of Chinese classical culture from Confucian classics translation,promotion of Chinese cultural spirit,writing academic dissertations on the subject of China,translation of Chinese classical literature,introduction of Chinese painting and cal-ligraphy,and ilustration of Chinese local religions.

Gary Snyder＇s Defamiliarization Translation of Chinese Classic Poems

The ＂defamiliarization theory＂ has undergone a process of continuous improvement, with its focus shifting from the plain text to the world concerned. A similar process was experienced by scholars who apply the theory. In this paper, the author explores Gary Snyder＇s ＂defamiliarization＂ technique of translating classic Chinese poems Departing from the traditional critique of the form and structure of the text, the author applies the ＂defamiliarization theory＂ itself towards the understanding of Snyder＇s art and thinking and a discussion of his literature, ideology, and creativity, thereby restoring a true image of Gary Snyder as a poet and a translator

The Travelling Muse Cathay and the Influence of Chinese Classical Poems on Ezra Pound＇s Poetics＊

This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way

Artistic Conception of Chinese Classical Gardens

The artistic conception of the garden is the visual and typical natural environment and the ideological implication of the garden landscape expressed by the designer’s conception and creation.This paper analyzed the artistic conception of Chinese classical gardens from four aspects:the types,functions,creative techniques and contemporary factors restricting the development of artistic conception of gardens.It showed the charm of artistic conception of classical Chinese gardens,the important role of artistic conception of gardens,the current situation and problems encountered in the development of artistic conception of contemporary Chinese gardens.The paper also put forward some thoughts on the development status and problems of garden artistic conception,and explored the fusion method of Chinese classical garden artistic conception and modern garden.

Postmodernism and Classical Chinese Philosophy

While over two thousand years apart, Western postmodernism and ancient Chinese philosophy share some extraordinary similarities, especially epistemology wise. For example, they both recognize the role of language in constructing, and limiting, knowledge and reality. This is because thinkers of different cultures and geographical regions, and of different historical periods, can possibly come up with similar philosophical conclusions when addressing what is commonly known as the ＂human condition＂. The paper will discuss, in general terms, some of the philosophical similarities between postmodemism and classical Chinese philosophy; it will also take a close look at three concepts in Chinese philosophy that register strong affinity with Western postmodernism： namely, change, dialectic, and relativism.

Research on the Development Dilemma and Response Strategy of Contemporary Chinese Classical Dance

Chinese classical dance contains a profound connotation of Chinese traditional culture, with distinctive forms of performance and aesthetic characteristics. In the world of multi-cultttral communion, the development of Chinese classical dance needs to be inherited on the basis of traditional culture to inject more innovation, highlight its unique artistic aesthetic value and deep national culture contains. In this paper, the development course, aesthetic characteristics and classical dance form of Chinese classical dance are expounded. From the perspectives of historical cultural inheritance, classical dance culture cultivation and dance culture innovation, the feasibility measures and measures are put forward in order to explore the effective path and methods to developing Chinese classical dance, which gives excellent national dance art inheritance, development and innovation.

A brief analysis of the classical poetry Chinese-English translation： From the perspective of ＂Beauty in three aspects＂

With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chinese poetry, major classical Chinese poetry translation schools and their representatives, and professor XU Yuan-zhong＇s famous principle of ＂Beauty in three aspects＂. In order to help disseminate this part of Chinese culture through discussing how the reader of the translation may be inspired, moved and aesthetically entertained in the same way as one reads the original, this paper will analyze the classical poetry Chinese-English translation from the perspective of ＂Beauty in three aspects＂, namely, in three parts--beauty in meaning, beauty in sound and beauty in form. Thus, it serves the purpose to offer a relatively comprehensive view of the classical poetry Chinese-English translation.

Analysis of Waterscape Engineering Skills of Classical Chinese Gardens

In classical Chinese gardens,the waterscape has its own unique style of expression,which is to highlight the simulation of the natural water landscape and its combination with the elements of the garden.As a pole of classical garden theory,waterscape plays an important role in organizing space and creating the overall landscape effect.In addition to the landscape concept and water management method,the combination of engineering practices and landscape aesthetics involved guarantees Artistic presentation of water bodies in gardens.Based on the existing research,this study cut in from the perspective of engineering technology,and conducted detailed research on engineering techniques,materials application and artistic expression under different water body functions and forms,and explored the fusion of "making" "technique" and "art" in the waterscape construction.