Chinese festivals,some of which date back thousands of years ago,are rich in content and possess various forms.A good understanding of Chinese festivals and their culture is very helpful in learning how to do business...Chinese festivals,some of which date back thousands of years ago,are rich in content and possess various forms.A good understanding of Chinese festivals and their culture is very helpful in learning how to do business in China,展开更多
In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese...In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.展开更多
Spring Festival,also known as Chinese lunar New Year,is the country’smost important cultural holiday.Lantern Festival,the 15th day of the first lunar month,is celebrated at
The solvent extractable organic compounds (SEOC), including n-alkanes, polycylic aromatic hydrocarbons, fatty acids, and dicarboxylic acids in PM2.5 during the 2007 Chinese Spring Festival in Beijing, were measured ...The solvent extractable organic compounds (SEOC), including n-alkanes, polycylic aromatic hydrocarbons, fatty acids, and dicarboxylic acids in PM2.5 during the 2007 Chinese Spring Festival in Beijing, were measured via gas chromatography-mass spectrometry for determining the characteristics and sources of these organic pollutants. The concentrations of total n-alkanes, PAHs, and organic acids before Chinese Spring Festival Eve (1025.5, 95.9, and 543.3 ng/m3, respectively) were higher than those after (536.6, 58.9, and 331.8 ng/m3, respectively), n-Aalkanes and PAHs had much higher concentration in nighttime than those in daytime because of high relative humidity and low wind speed during the night. Combustion of coal and exhaust emission were major sources of n- alkanes. It could be concluded by the characteristic ratios that the primary source of PAHs in fine particles was the combustion of coal, but the combustion of gasoline was in the next place. The ratios of C18:0/C16 indicated the contribution of vehicular emissions to the fatty acids. Dicarboxylic and aromatic acids were abundant in daytime than in nighttime because these acids were secondary organic acid and the photochemical degradation of aromatic hydrocarbons was the main source.展开更多
On October 1,co-spon- sored by the China Council for the Pro- motion of Intenational Trade(CCPIT),the All-China Women's Federation(ACWF) and the Brand China Industry Alliance(Brand China),the 2nd Chinese Brand Fes...On October 1,co-spon- sored by the China Council for the Pro- motion of Intenational Trade(CCPIT),the All-China Women's Federation(ACWF) and the Brand China Industry Alliance(Brand China),the 2nd Chinese Brand Festival was solemnly opened at the National Indoor Stadium.Nearly 20,000 entrepreneurs,brand experts,展开更多
Tang-suits, traditional Chinese clothing, always inadvertently reveal a sort of classical flavor that let us enjoy tasting the strong oriental charm to our hearts’ content thanks to
At the end of the competition and during the closing ceremony of the Cannes Film Festival, the official juries award the Palme d'Or for best feature film and Grand Prix for the film that shows the most originality...At the end of the competition and during the closing ceremony of the Cannes Film Festival, the official juries award the Palme d'Or for best feature film and Grand Prix for the film that shows the most originality and research. Awards for the best actress, actor, director and screenplay, Short Film Palme d'Or, two Prix du Jury awards and the Camera d'Or round out the presentations. The following are the awards won by Chinese films and filmmakers.展开更多
文摘Chinese festivals,some of which date back thousands of years ago,are rich in content and possess various forms.A good understanding of Chinese festivals and their culture is very helpful in learning how to do business in China,
基金the project“Research on the Digitalized Living Inheritance and Development of the Yellow River Cultural Gene,”a project of Humanities and Social Sciences Research of Higher Education Institutes in Henan Province(Project No.2024-ZDJH-770).
文摘In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.
文摘Spring Festival,also known as Chinese lunar New Year,is the country’smost important cultural holiday.Lantern Festival,the 15th day of the first lunar month,is celebrated at
基金supported by the National Basic Re-search Program (973) of China (No. 2007CB407303)the National Natural Science Foundation of China (No.40525016)the Hi-Tech Research and Development Program (863) of China (No. 2006AA06A301).
文摘The solvent extractable organic compounds (SEOC), including n-alkanes, polycylic aromatic hydrocarbons, fatty acids, and dicarboxylic acids in PM2.5 during the 2007 Chinese Spring Festival in Beijing, were measured via gas chromatography-mass spectrometry for determining the characteristics and sources of these organic pollutants. The concentrations of total n-alkanes, PAHs, and organic acids before Chinese Spring Festival Eve (1025.5, 95.9, and 543.3 ng/m3, respectively) were higher than those after (536.6, 58.9, and 331.8 ng/m3, respectively), n-Aalkanes and PAHs had much higher concentration in nighttime than those in daytime because of high relative humidity and low wind speed during the night. Combustion of coal and exhaust emission were major sources of n- alkanes. It could be concluded by the characteristic ratios that the primary source of PAHs in fine particles was the combustion of coal, but the combustion of gasoline was in the next place. The ratios of C18:0/C16 indicated the contribution of vehicular emissions to the fatty acids. Dicarboxylic and aromatic acids were abundant in daytime than in nighttime because these acids were secondary organic acid and the photochemical degradation of aromatic hydrocarbons was the main source.
文摘On October 1,co-spon- sored by the China Council for the Pro- motion of Intenational Trade(CCPIT),the All-China Women's Federation(ACWF) and the Brand China Industry Alliance(Brand China),the 2nd Chinese Brand Festival was solemnly opened at the National Indoor Stadium.Nearly 20,000 entrepreneurs,brand experts,
文摘Tang-suits, traditional Chinese clothing, always inadvertently reveal a sort of classical flavor that let us enjoy tasting the strong oriental charm to our hearts’ content thanks to
文摘At the end of the competition and during the closing ceremony of the Cannes Film Festival, the official juries award the Palme d'Or for best feature film and Grand Prix for the film that shows the most originality and research. Awards for the best actress, actor, director and screenplay, Short Film Palme d'Or, two Prix du Jury awards and the Camera d'Or round out the presentations. The following are the awards won by Chinese films and filmmakers.