Kunqu is a comprehensive art which is considered to be an epitome of the achievements of Chinese Xiqu.It was unanimously selected by UNESCO from the first round of entrants for the category of"Oral and Intangible...Kunqu is a comprehensive art which is considered to be an epitome of the achievements of Chinese Xiqu.It was unanimously selected by UNESCO from the first round of entrants for the category of"Oral and Intangible Heritage of Humanity",with emphasis on its heritage value as embodied in language,literature,music,singing technique,dance,performance,set design,makeup,and more,and has been given the status of living fossil by artists both in China and abroad.Based on the relationship between the intonation of Chinese characters and singing techniques,especially the criterion in Kunqu that the"singing technique follows the intonation of a Chinese character",we attempt to deduce the intonation of Chinese characters in the Suzhou-Zhongzhou dialect based on its singing technique.Specifically,we deduce the archaic intonations of Chinese characters by the exclusive singing techniques in Kunqu for the purpose of exploring a new approach to Chinese phonology of the Ming and Qing dynasties from an interdisciplinary perspective of artistic criterion and linguistics.展开更多
“[ã44 kã44 paʔ5 lã44 tã53]”(Chinese characters transcription“昂更八冷打”)is an colloquial expression in Tongxiang dialect of Suzhou-Jiaxing-Huzhou Sub-branch,Taihu Branch,Wu.It describes an awkward state with ...“[ã44 kã44 paʔ5 lã44 tã53]”(Chinese characters transcription“昂更八冷打”)is an colloquial expression in Tongxiang dialect of Suzhou-Jiaxing-Huzhou Sub-branch,Taihu Branch,Wu.It describes an awkward state with unfinished tasks.Its similar expressions can be found in other regions of Taihu Branch,including Yixing,Changzhou,Shaoxing and Ningbo,usually serving as“all”,while the expression“[hÃɲ33 paʔ3 lÃɲ33 tÃɲ31]”(“亨八冷打”)in Shanghai Sub-branch indicates“the remaining parts”when used alone.“[hÃɲ33 paʔ3 lÃɲ33 tÃɲ31]”stands for“all”only when followed by a word with meaning of“adding together”.In this paper,it is concluded and deduced from other similar morphemes that the contradictory connotations are related to an“inner split”process of an original word.Considering similar morphemes in other Chinese dialects(including Cantonese,Hakka,Jianghuai and Min),the following analysis proposes three possible original expressions and correlating trajectories of this inner phonetic-semantic split process,and selects a most credible way based on the rhyming dictionary and previous reconstructive models of ancient Chinese phonology.This presumptive analysis indicates that a broader“split and derivate”process generating new morphemes exists widely in Sinitic dialects as a natural company of phonetic features in Chinese language flow.展开更多
基金sponsored by the Major Project of the National Social Science Fund The History of Chinese Xiqu in the 70th Anniversary of the Founding of New China(Jiangsu Province Volume)(Grant Number:19ZD05)the Social Science Youth Fund of Jiangsu Province Translation Studies of Kunqu under the Strategy of Chinese Culture Going Out(Grant Number:16YSC004)。
文摘Kunqu is a comprehensive art which is considered to be an epitome of the achievements of Chinese Xiqu.It was unanimously selected by UNESCO from the first round of entrants for the category of"Oral and Intangible Heritage of Humanity",with emphasis on its heritage value as embodied in language,literature,music,singing technique,dance,performance,set design,makeup,and more,and has been given the status of living fossil by artists both in China and abroad.Based on the relationship between the intonation of Chinese characters and singing techniques,especially the criterion in Kunqu that the"singing technique follows the intonation of a Chinese character",we attempt to deduce the intonation of Chinese characters in the Suzhou-Zhongzhou dialect based on its singing technique.Specifically,we deduce the archaic intonations of Chinese characters by the exclusive singing techniques in Kunqu for the purpose of exploring a new approach to Chinese phonology of the Ming and Qing dynasties from an interdisciplinary perspective of artistic criterion and linguistics.
文摘“[ã44 kã44 paʔ5 lã44 tã53]”(Chinese characters transcription“昂更八冷打”)is an colloquial expression in Tongxiang dialect of Suzhou-Jiaxing-Huzhou Sub-branch,Taihu Branch,Wu.It describes an awkward state with unfinished tasks.Its similar expressions can be found in other regions of Taihu Branch,including Yixing,Changzhou,Shaoxing and Ningbo,usually serving as“all”,while the expression“[hÃɲ33 paʔ3 lÃɲ33 tÃɲ31]”(“亨八冷打”)in Shanghai Sub-branch indicates“the remaining parts”when used alone.“[hÃɲ33 paʔ3 lÃɲ33 tÃɲ31]”stands for“all”only when followed by a word with meaning of“adding together”.In this paper,it is concluded and deduced from other similar morphemes that the contradictory connotations are related to an“inner split”process of an original word.Considering similar morphemes in other Chinese dialects(including Cantonese,Hakka,Jianghuai and Min),the following analysis proposes three possible original expressions and correlating trajectories of this inner phonetic-semantic split process,and selects a most credible way based on the rhyming dictionary and previous reconstructive models of ancient Chinese phonology.This presumptive analysis indicates that a broader“split and derivate”process generating new morphemes exists widely in Sinitic dialects as a natural company of phonetic features in Chinese language flow.
