A revival of ci writing was witnessed in the qing dynasty. Emerging with this resurgence was the founding of scores of ci societies. After the fall of the Qing, some loyalists and traditional literati, following the e...A revival of ci writing was witnessed in the qing dynasty. Emerging with this resurgence was the founding of scores of ci societies. After the fall of the Qing, some loyalists and traditional literati, following the examples of their predecessors, joined together to form a number of ci societies in Republican China. For loyalist-lyricists such as Zhu Zumou, ci writing was not just one of the effective ways to convey their memories of the past. It also meant to be a gesture of practicing and preserving traditional Chinese culture. However, due to ideological bias, their works and the vitality of c/she did not receive sufficient attention from literary historians in the past. This paper attempts to reveal and examine the interesting features of c/she in the Republican era, asserting that within the collective voice of and harmonious correspondence among the traditional lyricists, there were always some dissonances occurred. First I delineate a general picture of ci societies in Republican China, explicating the geographical distribution and social networks of ci lyricists and why lyricists from the Qing loyalist faction can associate with members of the anti-Manchu Southern Society （Nanshe）, and what this phenomenon means to us. Then I focus on the Foam Society （Oushe）, the ci society formed in Shanghai before the Japanese occupation of the city, and its group ci composition. Besides recounting Oushe members＇ backgrounds and the details of their ＂refined gatherings,＂ I will bring into light the multifaceted thematic and stylistic features displayed in the members＇ works.展开更多
文摘A revival of ci writing was witnessed in the qing dynasty. Emerging with this resurgence was the founding of scores of ci societies. After the fall of the Qing, some loyalists and traditional literati, following the examples of their predecessors, joined together to form a number of ci societies in Republican China. For loyalist-lyricists such as Zhu Zumou, ci writing was not just one of the effective ways to convey their memories of the past. It also meant to be a gesture of practicing and preserving traditional Chinese culture. However, due to ideological bias, their works and the vitality of c/she did not receive sufficient attention from literary historians in the past. This paper attempts to reveal and examine the interesting features of c/she in the Republican era, asserting that within the collective voice of and harmonious correspondence among the traditional lyricists, there were always some dissonances occurred. First I delineate a general picture of ci societies in Republican China, explicating the geographical distribution and social networks of ci lyricists and why lyricists from the Qing loyalist faction can associate with members of the anti-Manchu Southern Society （Nanshe）, and what this phenomenon means to us. Then I focus on the Foam Society （Oushe）, the ci society formed in Shanghai before the Japanese occupation of the city, and its group ci composition. Besides recounting Oushe members＇ backgrounds and the details of their ＂refined gatherings,＂ I will bring into light the multifaceted thematic and stylistic features displayed in the members＇ works.
