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Bursting with Mountain Songs: Gender Resistance and Class Struggle in Liu Sanjie
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作者 Yunqian Chen 《Frontiers of History in China》 2016年第1期133-158,共26页
The creation of the classic 1960s film Liu Sanjiewas a complex process, and the intentions and meanings quite varied. In essence, the localized, marginalized, and decentralized folk legend about Liu Sanjie was discove... The creation of the classic 1960s film Liu Sanjiewas a complex process, and the intentions and meanings quite varied. In essence, the localized, marginalized, and decentralized folk legend about Liu Sanjie was discovered and transformed into a representation of the Guangxi area and even of China proper--a product of its era's emphasis on folk culture and state-sponsored policies in the 1950s concerning the production of art and literature. Liu Sanjie underwent a series of adaptations from folk legend to Guangxi caiagao opera, music and dance opera, and finally to film. It was not just a product made under those policies, but also Liu Sanjie became a model for later revolutionary operas. This paper applies a textual narrative strategy to examine how artists, guided by the literature and art policies, incorporated, adapted, and reiterated the legend of Liu Sanjie to express gender awareness and class struggle. 展开更多
关键词 Lit SanjJe textual narrative mass art and literature gender awareness class struggle
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