This article analyzes the connotation of Shen in Confucianism and Taoism and Shen in Nei Jing by using the method of literature review,and it raises:the two are closely related.First of all,on the basis of the meaning...This article analyzes the connotation of Shen in Confucianism and Taoism and Shen in Nei Jing by using the method of literature review,and it raises:the two are closely related.First of all,on the basis of the meaning of"god"before the pre-Qin period,the study of Confucianism and Taoism enriches the connotation of Shen,it extracts many implications,such as"magic","unpredictable","mental spirits","Xin Shen","intelligence","laws"etc.,endowing Shen with philosophy meanings.Secondly,Nei Jing introduces Shen with philosophy meanings into the field of Chinese medicine to explain phenomena related to life,at the same time,it confirms the reality of Shen and constructs a complete Shen theory system.展开更多
A harmonious culture is not supposed to be a monologue of one voice but a dialogue of many voices. Chinese ancient culture doesn＇t mean one-dimensional notion of nature transforming to human like that in western phil...A harmonious culture is not supposed to be a monologue of one voice but a dialogue of many voices. Chinese ancient culture doesn＇t mean one-dimensional notion of nature transforming to human like that in western philosophy, but means the hiding and dialogue between the nature and the human body. Specifically, Wen hua just means a dialogue based on the body. Heaven Unitfied With the Human and Complement of Confucianism and Taoism provide this opinion. Sense of Harmony in Chinese traditional culture provides us important ideological resources for building a harmonious culture and promoting the harmonious development of mankind.展开更多
The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In t...The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the ＂morality＂, ＂elegant banter＂, ＂super shape＂, and ＂fun＂ of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.展开更多
This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first a...This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first analyze the three important supporting columns of Confucian literary theory： the importance of virtue/morality, the authority of literary sages and the ontology of the classics, and then we will examine the metaphysical masters＇ subversion of the Confucian classics by misreading with their Daoist literary theory and concepts. In their hermeneutic misreading of the Confucian classics, the metaphysical masters in fact fused the original concepts of the Confucian classics with their contemporary Daoist hermeneutics, and the result of such a fusion is that the original meanings as the signified parted from the signifiers--the texts of the classics themselves--and were turned into repositories of contemporary Daoist meanings. In such a hermeneutic misreading, the Daoist theorists forced the Confucian theory and its ontology to gloomily withdraw from the cultural center, and gradually took the spotlight on the historical stage of the Wei and Jin Dynasties. In their open attitudes and flexible system, the metaphysical theorists constructed an age of enlightenment for the development of literary theory. With their hermeneutic misreading, the metaphys- ical literary theorists indeed broke through the world of Confucianism, won the right of expression, and voluntarily moved toward the self-fulfillment of their own system in the Wei and Jin Dynasties.展开更多
文摘This article analyzes the connotation of Shen in Confucianism and Taoism and Shen in Nei Jing by using the method of literature review,and it raises:the two are closely related.First of all,on the basis of the meaning of"god"before the pre-Qin period,the study of Confucianism and Taoism enriches the connotation of Shen,it extracts many implications,such as"magic","unpredictable","mental spirits","Xin Shen","intelligence","laws"etc.,endowing Shen with philosophy meanings.Secondly,Nei Jing introduces Shen with philosophy meanings into the field of Chinese medicine to explain phenomena related to life,at the same time,it confirms the reality of Shen and constructs a complete Shen theory system.
文摘A harmonious culture is not supposed to be a monologue of one voice but a dialogue of many voices. Chinese ancient culture doesn＇t mean one-dimensional notion of nature transforming to human like that in western philosophy, but means the hiding and dialogue between the nature and the human body. Specifically, Wen hua just means a dialogue based on the body. Heaven Unitfied With the Human and Complement of Confucianism and Taoism provide this opinion. Sense of Harmony in Chinese traditional culture provides us important ideological resources for building a harmonious culture and promoting the harmonious development of mankind.
文摘The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the ＂morality＂, ＂elegant banter＂, ＂super shape＂, and ＂fun＂ of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.
文摘This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first analyze the three important supporting columns of Confucian literary theory： the importance of virtue/morality, the authority of literary sages and the ontology of the classics, and then we will examine the metaphysical masters＇ subversion of the Confucian classics by misreading with their Daoist literary theory and concepts. In their hermeneutic misreading of the Confucian classics, the metaphysical masters in fact fused the original concepts of the Confucian classics with their contemporary Daoist hermeneutics, and the result of such a fusion is that the original meanings as the signified parted from the signifiers--the texts of the classics themselves--and were turned into repositories of contemporary Daoist meanings. In such a hermeneutic misreading, the Daoist theorists forced the Confucian theory and its ontology to gloomily withdraw from the cultural center, and gradually took the spotlight on the historical stage of the Wei and Jin Dynasties. In their open attitudes and flexible system, the metaphysical theorists constructed an age of enlightenment for the development of literary theory. With their hermeneutic misreading, the metaphys- ical literary theorists indeed broke through the world of Confucianism, won the right of expression, and voluntarily moved toward the self-fulfillment of their own system in the Wei and Jin Dynasties.
