New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative ...New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative companies use multiple materials in the development of their activities,such as solid stone,fiber glass,concrete,and glass reinforced concrete,for example.Based on bibliographic research,the article examines the synergy between materials science&engineering and creative economy.The main argument indicates that this synergy creates solutions and functionalities that add value to existing products and allow the development of new products with competitive advantages.It may also contribute to the preservation of cultural values and promote sustainability.展开更多
The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as pa...The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as part of their own activities,as well as procedures,technologies,and routines in business models,which increase the efficiency or the quality of the results.Creative professionals can support innovation and the generation of experiences.展开更多
The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The d...The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The definitions that reinforce the organizational and social aspects understand creativity as a process,which requires knowledge,networks,and technologies that interconnect novel ideas and contexts.The perspectives which reinforce the political aspect see that creativity took the status of a doctrine to secure collaboration between government and industry.However,these notions of creativity stress its instrumental utility and undermine fantasy,play,or uselessness.展开更多
Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions fo...Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions for do-it-yourself sexualities,based on bodily stereotypes disseminated by creative industries, which reflect dominant heteronormative discourses. People shapetheir bodies, enhance sexual experiences, and foster sexual hygiene and prevention of sexually transmitted infections.展开更多
The aim of the article is to explore the relation among capitalism,creative economy,and the end of rest in Gustavo Vinagre’s movie Unlearning to Sleep.The main argument indicates that,in the context of the imperative...The aim of the article is to explore the relation among capitalism,creative economy,and the end of rest in Gustavo Vinagre’s movie Unlearning to Sleep.The main argument indicates that,in the context of the imperatives within the inhumane temporalities of the 24/7 society,sleep and rest may represent an inevitable and anomalous resistance to the demands of the capitalist order in which creative economy is immersed and exposed in the movie.展开更多
The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy ...The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy during the COVID-19 pandemic,Brazilian creative workers may be open to exploitation and lower wages and show lower levels of satisfaction compared to the creative activities they used to have before the pandemic.The workers became even more exposed to the lack of long-standing protections-such as a minimum wage,safety and health regulation,retirement income,health insurance,and worker compensation-and risks that were previously shouldered by employers and the state,including responsibility for bodily injury,damage to tools and assets,coverage between paid gigs,financial malfeasance by customers,and harassment.展开更多
A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural indus...A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.展开更多
The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneur...The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneurial skills.Although work in creative industries is typically characterized by expressive,intrinsically motivating,and autonomous content,socio-occupational conditions are typically unfavorable.The adverse work conditions of the Brazilian creative class,in the context of globalization,can be identified in precarious contracts,the lack of social guarantees,the management of fear and moral harassment,and the imposition of unattainable production goals on workers.展开更多
文摘New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative companies use multiple materials in the development of their activities,such as solid stone,fiber glass,concrete,and glass reinforced concrete,for example.Based on bibliographic research,the article examines the synergy between materials science&engineering and creative economy.The main argument indicates that this synergy creates solutions and functionalities that add value to existing products and allow the development of new products with competitive advantages.It may also contribute to the preservation of cultural values and promote sustainability.
文摘The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as part of their own activities,as well as procedures,technologies,and routines in business models,which increase the efficiency or the quality of the results.Creative professionals can support innovation and the generation of experiences.
文摘The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The definitions that reinforce the organizational and social aspects understand creativity as a process,which requires knowledge,networks,and technologies that interconnect novel ideas and contexts.The perspectives which reinforce the political aspect see that creativity took the status of a doctrine to secure collaboration between government and industry.However,these notions of creativity stress its instrumental utility and undermine fantasy,play,or uselessness.
文摘Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions for do-it-yourself sexualities,based on bodily stereotypes disseminated by creative industries, which reflect dominant heteronormative discourses. People shapetheir bodies, enhance sexual experiences, and foster sexual hygiene and prevention of sexually transmitted infections.
文摘The aim of the article is to explore the relation among capitalism,creative economy,and the end of rest in Gustavo Vinagre’s movie Unlearning to Sleep.The main argument indicates that,in the context of the imperatives within the inhumane temporalities of the 24/7 society,sleep and rest may represent an inevitable and anomalous resistance to the demands of the capitalist order in which creative economy is immersed and exposed in the movie.
文摘The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy during the COVID-19 pandemic,Brazilian creative workers may be open to exploitation and lower wages and show lower levels of satisfaction compared to the creative activities they used to have before the pandemic.The workers became even more exposed to the lack of long-standing protections-such as a minimum wage,safety and health regulation,retirement income,health insurance,and worker compensation-and risks that were previously shouldered by employers and the state,including responsibility for bodily injury,damage to tools and assets,coverage between paid gigs,financial malfeasance by customers,and harassment.
文摘A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.
文摘The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneurial skills.Although work in creative industries is typically characterized by expressive,intrinsically motivating,and autonomous content,socio-occupational conditions are typically unfavorable.The adverse work conditions of the Brazilian creative class,in the context of globalization,can be identified in precarious contracts,the lack of social guarantees,the management of fear and moral harassment,and the imposition of unattainable production goals on workers.
