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Application of Color Psychology in Korean Brand Identity Design-Etude House
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作者 Jingyao Luo Choi Albort Young 《Cultural and Religious Studies》 2024年第1期24-31,共8页
The purpose of this analysis is to delve into the application of color psychology in the logo design of Korean cosmetic brands,using Etude House as an example for an exhaustive analysis.By examining the history of the... The purpose of this analysis is to delve into the application of color psychology in the logo design of Korean cosmetic brands,using Etude House as an example for an exhaustive analysis.By examining the history of the Etude House brand,the evolution of the logo design,and the changes in color choices,we analyze the traditional concepts of color symbolism in Korean culture and the culture of color in contemporary society in order to reveal the important role of color in cosmetic brand image.Through an in-depth analysis of the use of color in Etude House’s brand identity,we further analyze the impact of color on consumer emotions and purchasing behavior,as well as the potential impact of brand identity changes on market performance.Finally,the conclusions of the analysis summarize the practical application of color psychology in Etude House’s brand logo design,suggest recommendations for other Korean cosmetic brands to draw upon in their logo design,and discuss future directions. 展开更多
关键词 color psychology brand identity design Etude House Korean cosmetics consumer emotions market performance
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Analysis of the Brand Visual Needs System from the Perspective of Contemporary Market Demands
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作者 Yuanfang Gao Qian Rong 《Journal of Contemporary Educational Research》 2024年第6期22-35,共14页
Brand visual design is not only an essential bridge for companies to convey their ideas and values but also a key factor in shaping the brand image and enhancing market competitiveness.However,a pervasive concern has ... Brand visual design is not only an essential bridge for companies to convey their ideas and values but also a key factor in shaping the brand image and enhancing market competitiveness.However,a pervasive concern has arisen in society that many recent graduates in brand design and visual design cannot immediately meet the demands of the design industry.Despite attempts by scholars to reform courses and teaching philosophies,there are still significant shortcomings and gaps.Therefore,based on market orientation and supply-demand concepts,this study collected in-depth recruitment demands for brand design from 74 companies and conducted systematic summarization and analysis.It synthesized a demand model consisting of three major modules and 55 content points required by companies for brand design students.Based on these demands,adjustments and plans were made to the curriculum content,aiming to construct a teaching system that not only meets market demands but also enhances students’comprehensive qualities.The goal is to cultivate more outstanding talents capable of quickly adapting to and excelling in brand design work. 展开更多
关键词 brand design Design requirements Course content Enterprise needs
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Brand ONLY Ex-Senior Designer Signs Project with Jintian
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《China Textile》 2009年第8期16-16,共1页
On the afternoon of Aug.24th,Aurelien Lecour,an ex-senior designer of the famous brand ONLY,appears at a news conference in Shanghai to attend signing ceremony for his design consulting service project with
关键词 PROJECT designer brand ONLY Ex-Senior designer Signs Project with Jintian ONLY
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Fashion and Brand Awareness: An Evidence-Based Approach to the Analysis of Distinctive Elements in Communication
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作者 Giovanni Maria Conti Alessandra Mazzola +1 位作者 Martina Motta Margherita Pillan 《Journal of Textile Science and Technology》 2020年第4期177-189,共13页
Brand identity is a key topic in fashion design and communication. It relies on several tangible and intangible elements, such as recognisability of trademarks and styles, of materials and processing details, on story... Brand identity is a key topic in fashion design and communication. It relies on several tangible and intangible elements, such as recognisability of trademarks and styles, of materials and processing details, on storytelling, values, testimonials, company history and so on. The evolution of communication strategies in the digital era, and of globalised markets, demands rational, evidence-based management of the public image of brands. This article offers a theoretical discussion of the structural elements which play a part in establishing the public identity of fashion brands in the era of digital communication, and an innovative approach to the evidence-based investigation of the identity of a number of fashion brands as perceived by customers. The approach proposed here is based on a mix of interviews exploring subjective brand awareness, and objective monitoring of visual attention through eye-tracking. The article also summarises findings obtained by applying this approach to several subjects exposed to communication artefacts produced by fashion brands in order to obtain some information of general interest regarding the factors that influence customers’ mental models. 展开更多
关键词 FASHION brand Design Eye Tracking brand Identity COMMUNICATION EXPERIENCE
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The Enlightenment and Impact of Western Culture in Brand Design on the Cultural and Creative Industry
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作者 Yi Lin Jing Zhou 《Journal of Contemporary Educational Research》 2022年第4期7-10,共4页
As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but ... As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but also a product in the process of continuous cultural development,which can positively interpret human’s innovative spirit and innovative concept.Therefore,a systematic study on the effective use of western culture in brand design and a detailed analysis on the impact as well as enlightenment of the use of western culture in brand design on the cultural and creative industry are carried out,so as to lay a solid foundation for the improvement of the cultural innovation level in the field of brand design and the all-round development of cultural and creative industry in China. 展开更多
关键词 Western culture brand design Cultural and creative industry
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Creative Design Fulfills Brand and Fashion China Fashion Week A/W 2010-2011 Collection held in Beijing
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作者 Wang Ting 《China Textile》 2010年第4期36-38,共3页
March is a right party time for friends to get together to enjoy the smell of early spring. Moreover, people would like to take off the thick winter coat to showcase their colorful attitude towards the warm spring sun... March is a right party time for friends to get together to enjoy the smell of early spring. Moreover, people would like to take off the thick winter coat to showcase their colorful attitude towards the warm spring sunshine. Here, an annual fashion feast in Beijing not only could provide you a visual inspiration of trend, but also would tell you what’s the most "in" factors in the coming season. 展开更多
关键词 2010 time Creative Design Fulfills brand and Fashion China Fashion Week A/W 2010-2011 Collection held in Beijing Design
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