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顺应论视域下The Picture of Dorian Gray中译本的对比研究
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作者 滕璐 《现代语言学》 2024年第6期265-271,共7页
The Picture of Dorian Gray是王尔德唯一一部长篇小说,小说语言唯美自然。本文从顺应论的角度出发,从语境顺应、结构顺应以及动态顺应三个方面分析孙宜学译本与荣如德译本的差异。文章发现,两译者对于自己的定位不同,即前者是源语文化... The Picture of Dorian Gray是王尔德唯一一部长篇小说,小说语言唯美自然。本文从顺应论的角度出发,从语境顺应、结构顺应以及动态顺应三个方面分析孙宜学译本与荣如德译本的差异。文章发现,两译者对于自己的定位不同,即前者是源语文化的传播者,后者则是文学作品的传播者,译者的意识程度以及自身定位影响着译者采取的翻译方法,只有找准定位才能更好地翻译,获得更大的阅读价值以及参考价值。 展开更多
关键词 The Picture of dorian Gray 英汉对比 顺应论 翻译对比
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On the Aesthetic Views of Oscar Wilde—A Brief Analysis of The Picture of Dorian Gray
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作者 胡启芸 《英语广场(学术研究)》 2013年第3期42-46,共5页
The objective of this paper is to discuss Oscar Wilde's aesthetic views. The paper concentrates on the analysis of The Picture of Dorian Gray, the only novel written by Oscar Wilde, and elaborates his aesthetic vi... The objective of this paper is to discuss Oscar Wilde's aesthetic views. The paper concentrates on the analysis of The Picture of Dorian Gray, the only novel written by Oscar Wilde, and elaborates his aesthetic views as well as the great influence of his aesthetic views. The first part of the paper talks about the background of this novel: the aesthetic movement in the 19th century and Wilde's experience, then proceeds to discuss his aesthetic views. The main part discusses the different characters in the novel and how they reveal the aesthetic views of Wilde. The last part talks about the significances of his views. This paper is written in the hope that it can help readers develop an interest and appreciation for aestheticism and help them to get a further and better understanding of the novel. 展开更多
关键词 The Picture of dorian Gray AESTHETICISM MODERNISM
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Paradox of the Characters in The Picture of Dorian Gray
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作者 张东博 《英语广场(学术研究)》 2014年第9期40-41,共2页
Oscar Wilde is a brilliant Irish dramatist, novelist and critic. His only novel ― The Picture of Dorian Gray— is one of the most influential works by Wilde. This paper aims to study the paradox of the three main cha... Oscar Wilde is a brilliant Irish dramatist, novelist and critic. His only novel ― The Picture of Dorian Gray— is one of the most influential works by Wilde. This paper aims to study the paradox of the three main characters' life in this novel through close reading in order to achieve a better understanding of this controversial book. 展开更多
关键词 Oscar Wilde The Picture of dorian Gray PARADOX
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Dorian Gray:From Eros to Death
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作者 王洁蕊 《海外英语》 2012年第24期197-199,227,共4页
The Picture of Dorian Gray is the only novel of Oscar Wilde. In the book, Dorian Gray, Basil Hallward and Lord Henry all deserve wide analyses. It has also attracted a large number of readers because of its beautiful ... The Picture of Dorian Gray is the only novel of Oscar Wilde. In the book, Dorian Gray, Basil Hallward and Lord Henry all deserve wide analyses. It has also attracted a large number of readers because of its beautiful language, affluent images, dramatic plot and strong sense of aestheticism. However, besides from such perspective of art, comparatively, seldom are there analyses focusing on the hero’s mental process to reveal his corruption. In this paper, the author attempts to explain Dorian Gray’s gradual mental erosion through Freudian theory of Eros and study of death instinct. Besides his ideas of hedonism which originates from his Eros, the death of Basil Hallward further reveals his cruel psychology which is part of Eros. And his final tragedy reflects his death instinct. By specific exploration, it is discovered that Dorian’s ending is mainly caused by his Eros, which calls for his cruel mentality to commit crimes and later leads to his death instinct with development. 展开更多
关键词 dorian GRAY EROS Sibyl VANE BASIL Hallward DEATH I
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On Wilde's View of Love from The Picture of Dorian Gray
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作者 张奕羽 《海外英语》 2016年第11期204-206,共3页
The picture of Dorian Gray is the classic work of Oscar Wilde, the representative personage of Aestheticism. Since the novel was published in 1891, scholars have been studying it from various perspectives. Wilde expre... The picture of Dorian Gray is the classic work of Oscar Wilde, the representative personage of Aestheticism. Since the novel was published in 1891, scholars have been studying it from various perspectives. Wilde expressed plentiful epigrams about love by conversations in the novel, and he once compared himself with characters in it, which provides possibility and clues for probing into his view of love through the novel. Starting from the description of women characters, Dorian's relationship with Basil and Henry, and some stories of marriage in the novel, the paper analyzes Wilde's aesthetic and pessimistic view of love and his advocacy for Greek love based on the British society then and Wilde's own experiences. 展开更多
关键词 the PICTURE of dorian GRAY OSCAR wilde VIEW of LOVE
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Pursuing Beauty in Utopia: A Defence of The Picture of Dorian Gray
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作者 田紫娟 《海外英语》 2016年第1期177-178,181,共3页
The Picture of Dorian Gray, Oscar Wilde's only novel, has created a great sensation after its publication. This article tries to justify the righteousness of Wilde's declamation—art for art's sake rather ... The Picture of Dorian Gray, Oscar Wilde's only novel, has created a great sensation after its publication. This article tries to justify the righteousness of Wilde's declamation—art for art's sake rather than for morality. Facing the dilemma of the coexistent Realism and Romanticism and restricted by the prevailed Puritan doctrine, Wilde chose to evade into the shelter of Utopia. In his Utopian world, there's no morality or immorality, there's only beauty. With his self-fashioning aestheticism, Oscar Wilde pursues beauty in his own Utopian world. 展开更多
关键词 pursuing BEAUTY UTOPIA DEFENCE The PICTURE of dorian GRAY
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A Tentative Interpretation of the Picture of Dorian Gray with Psychoanalytical Method
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作者 郇怡彬 《双语学习》 2007年第12M期195-197,199,共4页
This paper applies Freudian psychoanalytical method to interpreting the characteristics of the three heroes in the Picture of Dorian Gray.Based on Freud's theory of psychoanalysis,the paper presents that the harmo... This paper applies Freudian psychoanalytical method to interpreting the characteristics of the three heroes in the Picture of Dorian Gray.Based on Freud's theory of psychoanalysis,the paper presents that the harmony of the tripartite personality is the underlying highlight of the novel and concludes that the concepts of the id,the ego,and the superego correspond with the images of Lord Henry,Dorian Gray and Basil Hallward respectively.And this paper claims that Dorian Gray's self-destruction is the most extreme development of the imbalance between the superego and the id. 展开更多
关键词 心理治疗 弗洛伊德 三重人格 超自我 本我 自我 人性 格雷
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Aestheticism in the Picture of Dorian Gray
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作者 康妮芝 《科技信息》 2009年第4期107-108,共2页
Aestheticism or aestheticism movement was an important phenomenon during the later nineteenth century.Aestheticism advocated the phrase"art for art's sake".Oscar Wilde was the most famous aestheticism wr... Aestheticism or aestheticism movement was an important phenomenon during the later nineteenth century.Aestheticism advocated the phrase"art for art's sake".Oscar Wilde was the most famous aestheticism writer during the later nineteenth century in England.His novel the Picture of Dorian Gray was the representative show of his aestheticism thought.The passage mainly shows Wilde 's aestheticism thought of the novel in three aspects. 展开更多
关键词 英语 唯美主义 文学评论 文学作品 课外阅读
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Literary Appreciation of Oedipus the King and The Picture of Dorian Gray
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作者 张慧 《海外英语》 2017年第22期177-178,186,共3页
Oedipus the King, written by Sophocles, is a perfect tragedy according to Aristotle. Even though Oedipus was pride and bad-tempered, I still admire him for he is a man of truth. And the fate of Oedipus is not the key ... Oedipus the King, written by Sophocles, is a perfect tragedy according to Aristotle. Even though Oedipus was pride and bad-tempered, I still admire him for he is a man of truth. And the fate of Oedipus is not the key that leads his downfall but his pride. Oscar Wilde and his famous long novel The Picture of Dorian Gray is mentioned next. Wilde stresses the autonomy of art,and holds up the banner of individualism in literary writing. He also suggests a new criterion to judge a work of art, which is"the intensification of personality". 展开更多
关键词 OEDIPUS FATE PRIDE Oscar Wilde The Picture of dorian Gray
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Dorian Ho秋冬系列
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《中国服装(北京)》 2003年第9期22-22,共1页
Dorian Ho何国钲2003-2004秋冬系列灵感来源于著名芭蕾舞剧“天鹅湖”,充满丰富的戏剧色彩。以突出优美线条为设计重点,并混合舞台戏服出众的剪裁技巧,把舞台剧及芭蕾舞中女主角迷人的姿采从设计中展现眼前。
关键词 dorian Ho秋冬系列 何国钲 2003-2004秋冬系列 服装设计 设计灵感
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Dorian' s Love ——the analysis of the true love in the novel The Picture of Dorian Gray
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作者 何文婷 杨玉洁 《魅力中国》 2011年第2期265-265,共1页
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Lacanian Interpretation of Dorian Gray’s Self-Identifying under the Influence of Others
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作者 Shiting Lu 《Language and Semiotic Studies》 2021年第2期86-100,共15页
In Oscar Wilde's only novel The Picture of Dorian Gray,the protagonist Dorian Gray undergoes the psychological journey from ignorance to self-realization under the influence of Others including Lord Henry Wotton,a... In Oscar Wilde's only novel The Picture of Dorian Gray,the protagonist Dorian Gray undergoes the psychological journey from ignorance to self-realization under the influence of Others including Lord Henry Wotton,artist Basil Hallward,and the magic portrait.It is due to the profound impact from the outside world that Dorian Gray alienates from his original self and remolds himself into an entity that is guided by Others.In interacting with Others,especially the intrusive patriarchal signifier,Dorian Gray acquires his self-identity through accepting and modulating his various images reflected in others'discourses,which can be interpreted in relation to the progression of three phases of Jacques Lacan's Mirror Stage Theory and three levels of semiotic complexity.A Lacanian reading of the early mirror stage of ego formation can be extended to better understand Dorian Gray's self-construction process on both a psychoanalytical and semiotic level,with an emphasis that Dorian Gray's journey to search for self is based on the powerful influence of the Others.The paper suggests that characters around Dorian Gray are playing respective roles of mother,father,and the mirror that dominate an infanfs seilf-identification between Lacanian Imaginary and Symbolic orders. 展开更多
关键词 Lacan dorian Gray mirror stage SELF OTHER
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《道林·格雷的画像》中人画换脸的悲剧新解 被引量:1
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作者 赵嘉琦 高超 《山西大同大学学报(社会科学版)》 2024年第1期112-117,共6页
王尔德在《道林·格雷的画像》中对肖像画的艺术处理和情节设定更加复杂和成熟,他以肖像画为核心构建了一场人画换脸的悲剧,设定了三个与肖像画相关的三个谜题,这表明王尔德已认识到肖像画的独特意义,而肖像画也成为他表达唯美主义... 王尔德在《道林·格雷的画像》中对肖像画的艺术处理和情节设定更加复杂和成熟,他以肖像画为核心构建了一场人画换脸的悲剧,设定了三个与肖像画相关的三个谜题,这表明王尔德已认识到肖像画的独特意义,而肖像画也成为他表达唯美主义理念的常用媒介和解读作品的关键。《道林·格雷的画像》中以肖像画为核心串联起与身体、道德和自我相关的议题,肖像画对模特的相似性再现和肖像画具有的典范性和相对独立性使小说中人画换脸的情节设定成为可能,人画换脸的实质是主体脸的置换、感官的丧失和身体的缺席,以及由此造成的人的生命力和可能性的丧失。同时,道林对肖像画的刺杀从根本上源于本就不甚稳固的认知基础和价值建构的坍塌。 展开更多
关键词 《道林·格雷的画像》 肖像画 身体 自我 道德 面具
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哥特式唯美主义作品中的画像元素探究
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作者 李俊邑 《哈尔滨学院学报》 2024年第2期80-83,共4页
爱伦·坡的《椭圆形画像》和奥斯卡·王尔德的《道连·格雷的画像》都将画像作为核心元素进行文本叙事。同时,两部小说又同属哥特式唯美主义作品。因此,文章通过分析比较画像元素在两部小说中的应用及其取得的艺术效果,探... 爱伦·坡的《椭圆形画像》和奥斯卡·王尔德的《道连·格雷的画像》都将画像作为核心元素进行文本叙事。同时,两部小说又同属哥特式唯美主义作品。因此,文章通过分析比较画像元素在两部小说中的应用及其取得的艺术效果,探索其在表现哥特风格和唯美主义时的优点和模式。 展开更多
关键词 《椭圆形画像》 《道连·格雷的画像》 画像动机 哥特式唯美主义
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The Destructive Effect of Lawlessness on Man's Soul
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作者 余天敏 《海外英语》 2014年第10X期216-217,223,共3页
This paper analyzes the destructive effect of lawlessness on Dorian Gray in The Picture of Dorian Gray and Kurtz in Heart of Darkness.Under the protection of his portrait,Dorian Gray is lost in his seeking for pleasur... This paper analyzes the destructive effect of lawlessness on Dorian Gray in The Picture of Dorian Gray and Kurtz in Heart of Darkness.Under the protection of his portrait,Dorian Gray is lost in his seeking for pleasure and corrupts from a good angel into a vicious devil.As an oppressor in Africa,Kurtz can make his law and can do anything without punishment and is thus destroyed by his insatiable desire for ivory.The corruption of Dorian Gray and Kurtz shows that without observation,man may expose his evil side to an extreme. 展开更多
关键词 Lawlessness SOUL Destructive EFFECT dorian GRAY KU
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悖论与统一:《道连·格雷的画像》中的谋杀案分析 被引量:7
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作者 李志艳 《外国文学研究》 CSSCI 北大核心 2007年第1期89-95,共7页
《道连.格雷的画像》是王尔德本人及其艺术思想的集中体现,该小说的情节冲突主要反映在谋杀贝泽尔和谋杀画像而导致道连.格雷之死这两桩命案上。从这两桩谋杀案入手,剖析王尔德关于艺术与生活、艺术与道德、艺术与人生的艺术思想,其中... 《道连.格雷的画像》是王尔德本人及其艺术思想的集中体现,该小说的情节冲突主要反映在谋杀贝泽尔和谋杀画像而导致道连.格雷之死这两桩命案上。从这两桩谋杀案入手,剖析王尔德关于艺术与生活、艺术与道德、艺术与人生的艺术思想,其中隐含的悖论性及统一性展示了王尔德唯美主义思想的矛盾性与深刻性,这也是王尔德及其艺术思想影响深远的原因所在。 展开更多
关键词 王尔德 小说 《道连·格雷的画像》 谋杀案 唯美主义
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从《道连·格雷画像》看王尔德的文学道德观 被引量:11
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作者 杨霓 《云南民族大学学报(哲学社会科学版)》 CSSCI 北大核心 2007年第3期133-135,共3页
王尔德的《道连.格雷画像》既揭露和批判了英国维多利亚时代资产阶级上流社会道德的堕落,又对人们进行了严肃的道德教育;而他提出的“艺术不应受道德的约束”,是他反叛资产阶级时代道德的策略武器。更难能可贵的是,王尔德明知该小说要... 王尔德的《道连.格雷画像》既揭露和批判了英国维多利亚时代资产阶级上流社会道德的堕落,又对人们进行了严肃的道德教育;而他提出的“艺术不应受道德的约束”,是他反叛资产阶级时代道德的策略武器。更难能可贵的是,王尔德明知该小说要遭到非议,但他却冒着巨大的风险,将小说展示给人们。他是一位反叛资产阶级上流社会的斗士。 展开更多
关键词 王尔德 《道连·格雷画像》 小说主题 文学创作与道德
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《道林·格雷的画像》:一种拉康式的解读 被引量:7
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作者 马翔 《浙江社会科学》 CSSCI 北大核心 2014年第6期136-141,97,共7页
作为王尔德本人乃至唯美主义文学的代表作,《道林·格雷的画像》对艺术与美的思索和表达极具风格化,也留下了广阔的阐释空间。结合拉康精神分析学说中的某些理论对其进行文本细读,可以发现隐含于文本结构裂隙处的关于"艺术&qu... 作为王尔德本人乃至唯美主义文学的代表作,《道林·格雷的画像》对艺术与美的思索和表达极具风格化,也留下了广阔的阐释空间。结合拉康精神分析学说中的某些理论对其进行文本细读,可以发现隐含于文本结构裂隙处的关于"艺术"、"自恋"、"凝视"、"欲望"等路标,指涉着文本深层结构中的关于"艺术与凝视"、"欲望的在场与缺席"、"自由与表演"之间的微妙关系,这些微妙关系之间产生的张力是对当时西方文学"人"的母题的深化。 展开更多
关键词 王尔德 《道林·格雷的画像》 拉康 精神分析 “人”的母题
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唯美主义与同性恋视野中的王尔德 被引量:5
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作者 何昌邑 《云南民族大学学报(哲学社会科学版)》 CSSCI 北大核心 2007年第6期128-132,共5页
国内对奥斯卡.王尔德的研究集中在他的唯美主义观和戏剧方面,而对其蕴涵的同性恋倾向和寓意往往是批评性地一笔带过。在王尔德的《W.H.先生的肖像》和《道连.格雷的画像》中,可以看出:前者是王尔德对同性恋历史的追溯和对莎翁十四行诗... 国内对奥斯卡.王尔德的研究集中在他的唯美主义观和戏剧方面,而对其蕴涵的同性恋倾向和寓意往往是批评性地一笔带过。在王尔德的《W.H.先生的肖像》和《道连.格雷的画像》中,可以看出:前者是王尔德对同性恋历史的追溯和对莎翁十四行诗中隐含同性恋内涵的证实;后者表征了王尔德对同性恋的困惑和探索以及在同性恋视野中王尔德的人生底蕴和美学观。 展开更多
关键词 王尔德 同性恋 《W.H.先生的肖像》 《道连·格雷的画像》
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试析《道林·格雷画像》中的柏拉图式爱情 被引量:2
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作者 秦起秀 刘长江 《西华师范大学学报(哲学社会科学版)》 2007年第5期41-43,共3页
唯美主义是19世纪末流行于西欧的资产阶级文艺思潮。作为唯美主义大师的王尔德自幼深受古希腊文化的影响,他的作品也不可避免的有着古希腊精神的影子。解析《道林.格雷画像》中体现出的柏拉图式爱情,不仅有利于把握王尔德的内心情感世界... 唯美主义是19世纪末流行于西欧的资产阶级文艺思潮。作为唯美主义大师的王尔德自幼深受古希腊文化的影响,他的作品也不可避免的有着古希腊精神的影子。解析《道林.格雷画像》中体现出的柏拉图式爱情,不仅有利于把握王尔德的内心情感世界,更有助于研究在唯美主义中所透露出的希腊精神。 展开更多
关键词 柏拉图式爱情 《道林·格雷画像》 王尔德 唯美主义
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