To watch English Chinese Translation of online language from the perspective of the theory of dynamic

English and Chinese belong to different language families, so they have difference on their own characteristics, habits expression, syntactic structure and many other aspects. Nida＇ s dynamic equivalence theory thinks that translation is not Simple literal equivalence, but it is corresponding to two languages meanings and styles that are not rigidly adhered to forms. Therefore, we also need consider the cultural context in addition to understanding features of two languages in the process of translation, This paper makes a preliminary summary research on the parts of speech translation of English and Chinese translation to help translators better to deal with the parts of speech translation in the English and Chinese translation under the guidance of dynamic equivalence.

Shift of Parts of Speech in English-Chinese Translation

Shift of parts of speech in translation is one of the important significance of E-C translation.Because of there are great differences between English and Chinese,such as words structure,grammar,phrases,then translators will use shift of parts of speech to make the essays more fluent,accurate and semantic smooth.That means,when translators translate some passages,some words can not be translated completely equality.This thesis will summarize the four most common shift of parts of speech in E-C translation.

A Brief Discussion on the Cultural Differences Reflected in the Translation between Chinese and English in the Film Works

With the increasingly frequent economic and political exchanges and close ties between countries in the world, the cul-tural carriers represented by film works have become an important form of communication between countries. In this context, moreand more attention has been paid to the translation of film works, and practitioners in this field also want to bring more smooth anddeep viewing experience to other audiences. Starting from the difference between Chinese translation and English translation, thispaper explores the specific elements of cultural differences and the reasons for this phenomenon, hoping to contribute to a compre-hensive and in-depth exchange of world culture.

Poetry Translation as Rewriting:A Case Study of Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems

In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing.It presents Zhang’s latest theory and praxis of translating classical Chinese poems.As a kind of rewriting,Zhang’s translations are similar to modern English poems—with creative expressions in contemporary English,the enjambments from free verses,the form of concrete poetry,and the artistic conceptions of classical Chinese poetry,but without the rhymes in original works.How this poetry translation as rewriting generates in the constraints of ideology,poetics,and patronage is to be analyzed in the light of AndréLefevere’s rewriting theory.By examining the non-textual factors related to Zhang’s rewriting,it aims to reveal how this rewriting,as an experimental approach to poetry translation,can shed light on the global circulation of Chinese poetry.

Strategies of Teaching English Poetry

This paper deals with how to teach appreciation of English poetry in college by analyzing the following items： introduction of the concept, content and writing style, the realistic meaning, multi-media aided teaching and translating English poetry into Chinese.

On the Translation of Iconography of the Decorated Writing-Paper of the Ten Bamboo Studio Based on the Theory of Translational Action

Based on the theory of translational action of the functionalism,this paper selects three aspects,translation as an inter-cultural and communicative action,a purposeful text-processing action and an inter-personal action,to analyze the important issues as well as the translation strategies,methods and techniques adopted in the translation of Chinese allusions.The study shows that the theory of translational action is important for the translation of allusions and that it helps to modify the target text.The translator,also the author of this paper,hopes that this study will be useful for the translation of allusions and the publicity of traditional Chinese culture across the world.

A Statistical Approach to Annotation in the English Translation of Chinese Classics:A Case Study of the Four English Versions of Fushengliuji

Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.

Services China ABC

The"Chinese Classics"series published by Foreign Languages Press is a collection of ancient Chinese classics and great works of modern Chinese authors.The first set comprises nine ancient classic works including Selected Elegies of the State of Chu,Selections from Records of the Historian,Tao Yuanming Selected Poems,Du Fu Selected Poems,and Selected Tang Dynasty Stories,and five works by Lu Xun(1881-1936),a leading figure of modern Chinese literature,which include Dawn Blossoms

Collisions of the Past with the Present： Translation, Texts, and History

This article begins by articulating a new perspective on the translation of Chinese poetry, arguing that the most important of the three well-known ＂difficulties＂ in the translation of Chinese poetry outlined by Yan Fu 严复 （1854-1921）--namely, faithfulness （xin 信）, conveyance （da 达）, and elegance （ya 雅）--should in fact be the one that is least often discussed, da. The author principally interprets da as ＂conveying＂ the mood and then the meaning of the original work into the target language. This position is then illustrated by specific examples from Lu Xun＇s （1881-1936） emotive and highly allusive classical-style poetry, engaging issues regarding its annotation, exegesis, and translation which have arisen in Chinese literary and scholarly circles. The author suggests that since the deployment of affective images has often been designated as an essential and distinguishing characteristic of Chinese poetry, the translation of Chinese poetry into Western languages must make an effort to engage with the original images--not simply resorting to paraphrases or substitutions--and concludes that poetry in translation can and does have important and lasting effects on the literature of the target language.