The ＂defamiliarization theory＂ has undergone a process of continuous improvement, with its focus shifting from the plain text to the world concerned. A similar process was experienced by scholars who apply the theor...The ＂defamiliarization theory＂ has undergone a process of continuous improvement, with its focus shifting from the plain text to the world concerned. A similar process was experienced by scholars who apply the theory. In this paper, the author explores Gary Snyder＇s ＂defamiliarization＂ technique of translating classic Chinese poems Departing from the traditional critique of the form and structure of the text, the author applies the ＂defamiliarization theory＂ itself towards the understanding of Snyder＇s art and thinking and a discussion of his literature, ideology, and creativity, thereby restoring a true image of Gary Snyder as a poet and a translator展开更多
In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing....In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing.It presents Zhang’s latest theory and praxis of translating classical Chinese poems.As a kind of rewriting,Zhang’s translations are similar to modern English poems—with creative expressions in contemporary English,the enjambments from free verses,the form of concrete poetry,and the artistic conceptions of classical Chinese poetry,but without the rhymes in original works.How this poetry translation as rewriting generates in the constraints of ideology,poetics,and patronage is to be analyzed in the light of AndréLefevere’s rewriting theory.By examining the non-textual factors related to Zhang’s rewriting,it aims to reveal how this rewriting,as an experimental approach to poetry translation,can shed light on the global circulation of Chinese poetry.展开更多
Based on the theory of translational action of the functionalism,this paper selects three aspects,translation as an inter-cultural and communicative action,a purposeful text-processing action and an inter-personal act...Based on the theory of translational action of the functionalism,this paper selects three aspects,translation as an inter-cultural and communicative action,a purposeful text-processing action and an inter-personal action,to analyze the important issues as well as the translation strategies,methods and techniques adopted in the translation of Chinese allusions.The study shows that the theory of translational action is important for the translation of allusions and that it helps to modify the target text.The translator,also the author of this paper,hopes that this study will be useful for the translation of allusions and the publicity of traditional Chinese culture across the world.展开更多
Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu...Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.展开更多
Theoretically, the Chinese-English dictionary （CED） is vitally important to the translation of Chinese classics into English（TOCCIE）. In reality, however, many CEDs in general use fail more or less to function as ...Theoretically, the Chinese-English dictionary （CED） is vitally important to the translation of Chinese classics into English（TOCCIE）. In reality, however, many CEDs in general use fail more or less to function as an indispensable aid in TOCCIE actions by offering either inadequate information or, more alarmingly, partial or even total misinformation in Chinese-civilization-specific entries that defy easy rendering. This paper attempts to illustrate this deplorable fact with a case study of the Buddhism-related entries （BILE） in three CEDs representative of state-of-the-art Chinese bilingual lexicography. The conclusion is that it is high time to substantially improve the CED as an important TOCCIE aid, so that a large-scale, systematic execution of TOCCIE, which seems befitting the global image of present-day China as a rising power not only politico-economically but also culturally, will be performed with greater facility.展开更多
The Temple of Heaven is the place where the emperors of the Ming and Qing dynasties （1368-1911） worshipped heaven and prayed for good harvests. It is an axial arrangement of the Circular Mound Altar to the south wit...The Temple of Heaven is the place where the emperors of the Ming and Qing dynasties （1368-1911） worshipped heaven and prayed for good harvests. It is an axial arrangement of the Circular Mound Altar to the south with the conic.ally roofed Imperial Vault of Heaven immediately to its north. This is linked by a raised sacred way to the circular, three tiered, conically roofed Hall of Prayer for Good Harvests further to the north.展开更多
随着中国文化“走出去”战略的深入推进,汉英翻译成为讲述中国故事、传播中国声音的重要方式,相关研究也呈现繁荣活跃的态势。本文以CSSCI和Web of Science2013年至2022年发表中华典籍英译研究的期刊文章为对象,运用可视化软件CiteSpac...随着中国文化“走出去”战略的深入推进,汉英翻译成为讲述中国故事、传播中国声音的重要方式,相关研究也呈现繁荣活跃的态势。本文以CSSCI和Web of Science2013年至2022年发表中华典籍英译研究的期刊文章为对象,运用可视化软件CiteSpace分析国内外发表相关文章的数量、时间、期刊、关键词和被引文献等数据,研究发现国内外研究热点存在较多重合。在微观层面,学者不仅聚焦中华典籍译本的正文本,还将视野拓展到副文本,探讨副文本在翻译活动中发挥的作用。另有学者借助语料库分析译本,以提高结论的客观性和公正性。在宏观层面,译本在目标语国家的传播、出版和接受等情况也是学者关注的焦点。基于汉英翻译研究现状,未来应继续扩大汉英翻译研究范围,给予其他类典籍更多关注;创新研究理论、方法和视角,拓宽研究深度和广度;打破学科界限,加强跨学科研究和翻译研究团队建设。展开更多
文摘The ＂defamiliarization theory＂ has undergone a process of continuous improvement, with its focus shifting from the plain text to the world concerned. A similar process was experienced by scholars who apply the theory. In this paper, the author explores Gary Snyder＇s ＂defamiliarization＂ technique of translating classic Chinese poems Departing from the traditional critique of the form and structure of the text, the author applies the ＂defamiliarization theory＂ itself towards the understanding of Snyder＇s art and thinking and a discussion of his literature, ideology, and creativity, thereby restoring a true image of Gary Snyder as a poet and a translator
基金Tianjin Philosophy and Social Science Project“A Brief History of the English Translation of Classical Chinese Poetry”(ratification num.TJYY22-001).
文摘In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing.It presents Zhang’s latest theory and praxis of translating classical Chinese poems.As a kind of rewriting,Zhang’s translations are similar to modern English poems—with creative expressions in contemporary English,the enjambments from free verses,the form of concrete poetry,and the artistic conceptions of classical Chinese poetry,but without the rhymes in original works.How this poetry translation as rewriting generates in the constraints of ideology,poetics,and patronage is to be analyzed in the light of AndréLefevere’s rewriting theory.By examining the non-textual factors related to Zhang’s rewriting,it aims to reveal how this rewriting,as an experimental approach to poetry translation,can shed light on the global circulation of Chinese poetry.
基金Thanks to the committee of Jiangsu Social Science.This paper is funded by Jiangsu Social Science Fund:The Iconography of The Decorated Writing-Paper of the Ten Bamboo Studio,which number is 20YYB005.Meanwhile,it is also the findings of Comparative Analysis of International Media Discourse on SARS and COVID-19 and Countermeasure Studies(No.:2020SJZDA013)Major Projects of Philosophy and Social Science Research in Colleges and Universities of Jiangsu ProvinceThis paper is also funded by the Education Science and Reform Special Project:A study on Curriculum Setting of Industry Translation Training for MTI(No.:2019JYKX-11),which is organized by the Center of Faculty Development and Teaching Evaluation of NUAA.
文摘Based on the theory of translational action of the functionalism,this paper selects three aspects,translation as an inter-cultural and communicative action,a purposeful text-processing action and an inter-personal action,to analyze the important issues as well as the translation strategies,methods and techniques adopted in the translation of Chinese allusions.The study shows that the theory of translational action is important for the translation of allusions and that it helps to modify the target text.The translator,also the author of this paper,hopes that this study will be useful for the translation of allusions and the publicity of traditional Chinese culture across the world.
基金sponsored by the“Overseas Reception of Suzhou Local Culture”fund(No.2019SJA1330)the Jiangsu Social Sciences and Humanities Fund(No.18WWD005)。
文摘Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.
文摘Theoretically, the Chinese-English dictionary （CED） is vitally important to the translation of Chinese classics into English（TOCCIE）. In reality, however, many CEDs in general use fail more or less to function as an indispensable aid in TOCCIE actions by offering either inadequate information or, more alarmingly, partial or even total misinformation in Chinese-civilization-specific entries that defy easy rendering. This paper attempts to illustrate this deplorable fact with a case study of the Buddhism-related entries （BILE） in three CEDs representative of state-of-the-art Chinese bilingual lexicography. The conclusion is that it is high time to substantially improve the CED as an important TOCCIE aid, so that a large-scale, systematic execution of TOCCIE, which seems befitting the global image of present-day China as a rising power not only politico-economically but also culturally, will be performed with greater facility.
文摘The Temple of Heaven is the place where the emperors of the Ming and Qing dynasties （1368-1911） worshipped heaven and prayed for good harvests. It is an axial arrangement of the Circular Mound Altar to the south with the conic.ally roofed Imperial Vault of Heaven immediately to its north. This is linked by a raised sacred way to the circular, three tiered, conically roofed Hall of Prayer for Good Harvests further to the north.
文摘随着中国文化“走出去”战略的深入推进,汉英翻译成为讲述中国故事、传播中国声音的重要方式,相关研究也呈现繁荣活跃的态势。本文以CSSCI和Web of Science2013年至2022年发表中华典籍英译研究的期刊文章为对象,运用可视化软件CiteSpace分析国内外发表相关文章的数量、时间、期刊、关键词和被引文献等数据,研究发现国内外研究热点存在较多重合。在微观层面,学者不仅聚焦中华典籍译本的正文本,还将视野拓展到副文本,探讨副文本在翻译活动中发挥的作用。另有学者借助语料库分析译本,以提高结论的客观性和公正性。在宏观层面,译本在目标语国家的传播、出版和接受等情况也是学者关注的焦点。基于汉英翻译研究现状,未来应继续扩大汉英翻译研究范围,给予其他类典籍更多关注;创新研究理论、方法和视角,拓宽研究深度和广度;打破学科界限,加强跨学科研究和翻译研究团队建设。
