Analysis of Aesthetic Communication Barriers in English Translation of Classic Chinese Poetry

Aesthetic communication plays significant role in poetry translation,for it affects the target text in both internal structure and external structure. This paper analyzes the comparison of nine versions of English translation of classic Chinese poem —Jing Ye Si written by Li Bai(李白) from the perspective of aesthetic communication barriers and reiterates the factors which influence the translation target texts.

A brief analysis of the classical poetry Chinese-English translation： From the perspective of ＂Beauty in three aspects＂

With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chinese poetry, major classical Chinese poetry translation schools and their representatives, and professor XU Yuan-zhong＇s famous principle of ＂Beauty in three aspects＂. In order to help disseminate this part of Chinese culture through discussing how the reader of the translation may be inspired, moved and aesthetically entertained in the same way as one reads the original, this paper will analyze the classical poetry Chinese-English translation from the perspective of ＂Beauty in three aspects＂, namely, in three parts--beauty in meaning, beauty in sound and beauty in form. Thus, it serves the purpose to offer a relatively comprehensive view of the classical poetry Chinese-English translation.

Poetry Translation and Cultural Transmission——the English Version of the Classical Chinese Poem “Bring in the Wine”

This article,based on the English version of Li Bai's Classical Chinese Poem“Bring in the Wine”,explores the important position of cultural transmission in the English translation of the Classical Chinese Poem through the comparison of the cultural translation,and finally draws the rationality and feasibility of the creative translation techniques in the English translation of the Classical Chinese Poems.It points out that the alienation of the Chinese culture's external communication has ignored the reader's cultural acceptance ability and position of the western countries and regions dominated by the foreign countries.It is believed that in a long period of time,Chinese culture needs the translation of Chinese translators to dissimilation,the translation of foreign sinologists,domestication,and alienation,to meet the needs of different types of readers and to promote the Chinese culture to go out.

Noun-Inspiring Theme in Poetic Translation—On Noun Translation Governed by Theme of Classical Chinese Poetry

The presence of poetic noun is very common in classical Chinese poetry. And the absence of preposition and conjunction leading to noun juxtaposition is one of the poetic aesthetic features. At present, most researches of poetic translatio on n base individual impression and perception, fail to comprehend the nouns of source text in categorization, and critical analysis on the translated nouns is not interpretable and verifiable. This paper, taking a perspective of poetic theme relevance, categorizes the poetic noun from the indicative, descriptive and symbolic dimensions, proposes a poetic translation strategy called"aesthetic reproduction of poetic theme", and proves its necessity and rationality.

A Stylistic Perspective on Translation of Reduplicated Words in Classical Chinese Poetry

Chinese poetry has a very long and remarkable history.It is one of the most important representatives of China's ancient civilization of 5000 years.Chinese poetry utilizes quite a large number of methods in order to be more melodious and charming.Reduplicated words,as a figure of speech,are one of the most frequently used form among them.Reduplicated words as an active rhetorical device can add more flavor and taste to poems.They have the advantages of expressing the stylistic beauty effectively in form,sound and sense,thus push the article to its topmost aesthetic beauty.This paper,from a stylistic perspective,first discusses and argues the translatability of reduplicated words and then the importance to maintain the style of reduplicated words.After that it tries hard to put forward some favorable ways of dealing with the translation of reduplicated words so that reduplicated words in classical Chinese poetry can be appropriately translated without damage to the original style and flavor.

A Tentative Study of Translation Evaluation System of Chinese Classical Poetry Form: From the Perspective of Functional Linguistics

Chinese classical poetry is the special form of literature. The translated texts of various qualities hinder the foreign read-ers from appreciating of CCP and even from correctly understanding of the Chinese unique culture, which presents obstacles to thetransmission of Chinese great culture. Tentatively establishing an evaluation system of CCP from the perspective of functional lin-guistics,based on three meta-functions proposed by Halliday, by applying the translation evaluation system, the quality of six trans-lated versions of 清明, a poem by Du Mu are assessed. By this case study, it is intended to prove the feasibility and practicability ofthis translation evaluation system, and then provide the suggestions on bettering the translated versions.

On untranslatability of classical Chinese poetry： From the perspective of aesthetic function of language

The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language.

Strategies of Teaching English Poetry

This paper deals with how to teach appreciation of English poetry in college by analyzing the following items： introduction of the concept, content and writing style, the realistic meaning, multi-media aided teaching and translating English poetry into Chinese.

Research on English Canadian Poetry in China,1982-2022:A Comprehensive Overview

The study of English Canadian poetry in Chinese academia began with translation in the 1950s.However,due to the country’s unique social,historical and cultural circumstances,the research stalled for approximately two decades before picking up again in the 1980s.Since the 1980s,it has transitioned from a process of pure translation to the combination of translation and criticism,meanwhile,the research perspectives and contents demonstrate a tendency of richness and diversification.The major findings suggest that,despite current emphasis on regional and national literary studies in Chinese academia,English Canadian poetry is still not received much attention.This study aims to investigate and review the research trends and focus of English Canadian poetry in China from 1982 to 2022 and to point out its achievements and limitations.

A Study on the Untranslatability of Classical Chinese Poems and Untranslatability Compensation

Classical Chinese poems（CCP） is regarded as the inheritance and treasure of Chinese culture. CCP translation, on one hand, makes us have access to explore the linguistic charming and the cultural value of classical Chinese poems; on the other hand, it provides an opportunity to transmit Chinese classical culture into western culture. While translatability of CCP translation, coupled with its untranslatability is considered a contentious topic in translation circle. Admittedly, in the process of CCP translation, some problems or barriers turn out to be our stumbling stone. But generally speaking, most of the poetry are translatable and untranslatability can be transformed into translatability with certain strategies. This thesis have compared the similarities and differences between Chinese and western poems to analyze the reasons why CCP can or cannot be translated and lays much emphasis on untranslatability as well as the compensation of untranslatability. Lastly, foreignization and domestication are recommended as two strategies in CCP translation when untranslatability occurs.

中国古诗英译的可译性——赏读Transplanting the Seed:Poetry and Translation

在SusanBassnett的TransplantingtheSeed一文中提出诗歌翻译的可译性的基础上,简要介绍中国古诗英译的可译性和不可译性的客观存在;通过对一些古诗的英译文本进行研读,着重分析可译的客观性,并介绍了对不可译的处理方法,如风格、音韵和文化的移植。

On the Translation of Iconography of the Decorated Writing-Paper of the Ten Bamboo Studio Based on the Theory of Translational Action

Based on the theory of translational action of the functionalism,this paper selects three aspects,translation as an inter-cultural and communicative action,a purposeful text-processing action and an inter-personal action,to analyze the important issues as well as the translation strategies,methods and techniques adopted in the translation of Chinese allusions.The study shows that the theory of translational action is important for the translation of allusions and that it helps to modify the target text.The translator,also the author of this paper,hopes that this study will be useful for the translation of allusions and the publicity of traditional Chinese culture across the world.

A Study on the Translation Aesthetics in Cathay based on Pound's Translation Theory of Recreation

This article expounds on Ezra Pound's translation anthology,Cathay by elaborating how he recreated classic Chinese poetry in modem English with his own translation aesthetics and theory.As both translation practice and recreation,Cathay exerts profound impact on global literatures and translations,conveying enlightenment to cultural exchanges between different civilizations.Based on Pound's translation theory,this article intends to unfold the aesthetics in Cathay including the beauty of exotic oriental culture,emotions that travels across time and space,and concise imagery through his recreation of connotations,themes,and text forms.Distinguishing from the precedents,Pound has made breakthroughs in the translation process,form,and criteria,valuing the translator's subjectivity.Nowadays,as overseas Chinese learners are increasingly keen in the Chinese culture,Pound's re-conceptualization of translation and cultural understanding can serve as rich references to cross-cultural exchanges and mutual learnings.

中国农学典籍英译研究:回顾与展望

作为世界农业发源地之一,中国的农耕文明在历史上长期居于世界先进水平。农业生产实践上的优势催生了大批宝贵的、种类繁多的农学文化古籍,对世界农作物种植、生产工具和技术的开发影响深远,是现今中国“文化外译”战略的重要组成部分。基于这一事实,本文将回顾我国农学典籍英译的发展历程,统计国内与农学典籍英译相关的研究论文,从发文概况、文本考察、研究主题、理论视角、期刊来源分布等方面梳理农学典籍英译的研究现状。分析发现,当前研究存在诸如译本数量少、文本考察单一、宏观研究欠缺、研究方法传统等问题。据此,本文最后对我国农学典籍的译介提出了展望与建议。

中华典籍外译的易读性与可读性研究——以《西游记》韦利译本和蓝诗玲译本为例

本文以《西游记》韦利译本和蓝诗玲译本为例,通过软件量化分析和文本细读研究,比较了两节译本的易读性和可读性。结果发现,两节译本均遵循“一致性”原则和“缩短距离”原则以提高译本易读性,同时利用副文本构建叙事语境,采用编译结合或译创结合策略以增强文本故事性和时代性,从而提高译本可读性。两节译本的成功经验或可为今后中华典籍外译提供一些新的启示。

汪榕培典籍英译“三化”研究

中国典籍英译专家汪榕培从文学角度英译《老子》和《庄子》,使道家典籍文学化,接受效果良好。他将中国传统文学作品译为当代英语,使中国文学当代化,展现中国文学魅力。他借用中国传统哲学理论和绘画理论提出“译可译,非常译”复译观和“传神达意”翻译标准,使典籍翻译理论古典化,丰富了中国传统译论研究。汪榕培典籍英译的“三化”实践有助于中国典籍英译水平的提高及翻译理论研究的深化,也有助于中国传统文化走出去。

A Statistical Approach to Annotation in the English Translation of Chinese Classics:A Case Study of the Four English Versions of Fushengliuji

Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.

On the Imperfection and Improvement of the Chinese-English Dictionary as an Important Aid in the Translation of Chinese Classics into English： A Case Study of Buddhism-Related Entries

Theoretically, the Chinese-English dictionary （CED） is vitally important to the translation of Chinese classics into English（TOCCIE）. In reality, however, many CEDs in general use fail more or less to function as an indispensable aid in TOCCIE actions by offering either inadequate information or, more alarmingly, partial or even total misinformation in Chinese-civilization-specific entries that defy easy rendering. This paper attempts to illustrate this deplorable fact with a case study of the Buddhism-related entries （BILE） in three CEDs representative of state-of-the-art Chinese bilingual lexicography. The conclusion is that it is high time to substantially improve the CED as an important TOCCIE aid, so that a large-scale, systematic execution of TOCCIE, which seems befitting the global image of present-day China as a rising power not only politico-economically but also culturally, will be performed with greater facility.

《离骚》英译的符号美学分析

诗歌是具备美学功能的符号艺术形式。以霍克思英译《离骚》为例,从符号美学视角分析了译诗对原诗美学特征的传达策略和翻译效果。《离骚》原诗语言具有能指感性美、所指含蓄美和叙述新奇美,而霍克思的译诗对原诗美学特征既有呼应也有改换,在音韵美感、多义语符、象喻修辞和叙述方式层面均衡考量翻译的充分性和可接受性,体现了中西诗学审美的和谐碰撞。

接受美学视域下的中国古典散文英译分析——以《项脊轩志》的两个译本为例

接受美学理论是以审美主体欣赏、接受审美客体的具体过程为研究中心的美学流派,该理论以读者为中心,强调读者阅读过程中对文本空白和不确定性填补的重要性,对文学创作和文学研究都有重要影响。而在翻译实践中,接受美学理论同样有启示作用,其重要概念引起译者对读者的关注,进而影响译者翻译过程中对文本的解读和翻译策略的选择。该文基于接受美学理论,选取中国古典散文《项脊轩志》的两个英译本为对比研究材料,分析译者对期待视野或召唤结构的关注度,以及接受美学的重要概念在译本中的具体体现和相应影响,旨在探究接受美学理论之于散文英译的指导意义,为中国文学“走出去”提供一定的借鉴。