Practical Applications of the Understanding of Foreign Cultures in Japanese-language Teachings

Due to differences in cultural patterns,backgrounds,and thinking styles,it is difficult to learn foreign languages.By integrating the understanding of foreign culture into Japanese-language teachings,students may be able to use Japanese in a more standardized manner based on the understanding of Japanese culture;hence,improving their Japanese proficiency.This article explored the practical strategies of understanding foreign cultures in Japanese-language teachings in hope of helping students improve their Japanese proficiency.

Self and Other in Contemporary German Literature Confrontation With the Foreign World in the Novels by Renate Ahrens

The experience of＂The Other＂ has become a common one for people in the 21st century, and yet it continues to be a major problem for everyone involved. Increasingly, however, immigrants and their descendants adjust and soon participate in and with the new culture（s）. At the same time, those who encounter ＂The Other＂ through the contact with immigrants, have also to adapt, to learn, and to realize considerable changes in themselves in that process. Recently, a new German novelist, Renate Ahrens, has created several major works in which she reflects on this intricate phenomenon typical of our times. The present study might well be the first critical analysis of her last two novels, Zeit der Wahrheit （Time of Truth, 2005） and Fremde Schwestern （Alienated Sisters, 2011）, which prove to be outstanding and first-rate literary treatments of the theme of＂The Other＂ in an intercultural context. As Ahrens illustrates in both novels, each individual carries a heavy baggage imposed on them by the own family history, and so in both cases the confrontation with ＂The Other＂ serves exceedingly well to break open the shell of self-isolation and self-alienation. Love finally overcomes ancient conflicts and paves the way for new integrative forces supporting the formation of the ＂global village＂ we all are really living in.

Nanjing’s Cultural Exchanges with Foreign Countries

AS an ancient capital city,Nanj-ing has a long history of cul-tural exchanges with foreigncountries.The ruler of the Kingdom ofEastern Wu(222-280 A.D.)sent en-voys to over 100 states in Hainan andSoutheast Asian islands.Some of thestates paid return visits.For instance,in243 the ruler of Funan(present-dayCambodia)sent a musical group to theEastern Wu King,who then built aFunan Music Hall for court maids tolearn Funan music and dances.Dur-ing the Southem Dynasties(420-589A.D.)exchanges with foreign countriesincreased and Funan sent envoysto Jianye and Jiankang(present-dayNanjing)over 30 times.Ancient SriLanka,which was known as the LionState in ancient China,Tianzhu(an-cient India).Persia,the Korean Penin-

China's Regulations on Cultural Exchanges with Foreign Countries

China's cultural exchanges with foreign countries follow cen- tralized administration by the Ministry of Culture.On June 27,1997,the Ministry of Culture promul- gated the Regulations on Foreign Cultural and Artistic Performances and Exhibi-

Bright Prospect in Public Diplomacy and People-to-People and Cultural Exchanges for Local Foreign Affairs Office

The report of the 18th National Congress of the CPC for the first time put forward that "We will take solid steps to promote public diplomacy as well as people-to-people and cultural exchanges",and has elevated public diplomacy and people-topeople and cultural exchanges to the status of consolidating the social foundation for state-tostate relations,which highlights the

CULTURE LEARNING IN FOREIGN LANGUAGE CLASSROOM

Ⅰ. Introduction Foreign language teachers in China nowadays are well aware that language learning cannot be separated from cultural learning. They start to deal with intercultural communication in the classroom and have undergone significant progress in the past two decades. A lot of excellent work has been done (see Hu Wenzhong 1990, 1997) on raising cultural awareness and pragmatic insights.

The Chinese Contemporary Ar Explosion at the Tate in Britain

TEN years ago the notion that Chinese contemporary art could so much as raise a flicker of interest in foreign climes - never mind drive Western cultural pundits into a delirious frenzy - would have been dismissed as pure fancy. At that time Chinese art was assumed to be nothing more than classical calligraphy,

Chinese Culture in A Foreign Land

ALTHOUGH Zong Hua isn’s a professional coach of taiji shadow boxing, she practices every morning to help stay in shape. She didn’t stop practicing even after she went to Japan as a representative of her company in China Impressed by her good health and slim, flexible figure, some of her Japanese colleagues asked if

Cultural Challenges for Foreign Teachers

As an educator and linguist, I often feel that foreign teachers of English as a Second Language(ESL) misunderstand their Chinese students. Clearly, throughout history, around the globe, there has always existed the teacher-student relationship. It is an archetypal

Study on the glasswares discovered in the underground palace of the Da Bao En Temple in the North Song Dynasty(AD960 AD1127) in Nanjing,China

Built by the royal family in the Ming Dynasty,the Da Bao En Temple is known as the greatest temple in ancient Nanjing,whose predecessor is the Chang Gan Temple built in the Six Dynasties.Archaeological excavations of the Da Bao En Temple and the underground palace of Chang Gan Temple built in the North Song Dynasty(AD960 AD1127) have been appraised as one of the 10 greatest archaeological discoveries in 2010 in China.Many artefacts discovered in the underground palace have shown their important historical meanings and scientific values,such as the Qibao King Asoka Tower,golden and silver coffins,Buddhist relics,the silk textiles,glasses,and spices etc.In this paper,stereomicroscope,SEM-EDS and LA-ICP-AES are used to investigate chemical composition,microstructure and current preservation status for the unearthed glasswares.The results indicate that the glass bottle coded as TH1 and the glass calyx coded as TN5 are made of lead-silicate glass,while the chemical composition of the glass bottle coded as TN9 is quite distinct from that of native glasswares.All three articles have been weathered in some degrees.Given the shape,it is deduced that TH1 is a typical glassware used in burying Buddhist relics at that time,TN5 a domestic glassware with typical Sassanian style,and TN9 an imported Islamic glass,providing important information about culture exchanges between China and the foreign countries in the North Song Dynasty.