This paper deals with the Mangal Kavyas of Bengal, folk epics arising out of an oral tradition practiced by rural women. The female deities to whom these epics are devoted, like the snake goddess Manasa, are also part...This paper deals with the Mangal Kavyas of Bengal, folk epics arising out of an oral tradition practiced by rural women. The female deities to whom these epics are devoted, like the snake goddess Manasa, are also part of the folk tradition, far removed from the Hindu pantheon of gods or the Vedic ways of worship and are related to the particular fears of village life. There is therefore, a de-mythologized version of these deities represented in these epics, a crystallization of the desires, wants, and ways of life of the rural population through the figure of the goddess, a version these village women can readily empathize with, making these epics rich in social documentation of contemporary village life.展开更多
Winesburg Ohio , by Sherwood Anderson, depicts a group of people living in a transitional period where the human society was undergoing a sudden change from an agrarian society into a modern industrial one. This artic...Winesburg Ohio , by Sherwood Anderson, depicts a group of people living in a transitional period where the human society was undergoing a sudden change from an agrarian society into a modern industrial one. This article will interpret Anderson's call from the aspect of"Goddess Revival".展开更多
The objective of the essay is to show that Portia is an incarnation of beauty and wisdom. Through the analysis of Shakespeare’s creative intent, the author reaches a conclusion in the end, that is as a united charact...The objective of the essay is to show that Portia is an incarnation of beauty and wisdom. Through the analysis of Shakespeare’s creative intent, the author reaches a conclusion in the end, that is as a united character of the infinite and the finite, Portia is far richer in content than her image.展开更多
Initiated by Chinese Red Cross Foundation and sponsored by American .General Business Association, Chinese Nuwa （a goddess-creator of the Chinese nation） Culture Large-scale Activities for Public Interests undertake...Initiated by Chinese Red Cross Foundation and sponsored by American .General Business Association, Chinese Nuwa （a goddess-creator of the Chinese nation） Culture Large-scale Activities for Public Interests undertaken by Beijing Absolute Challenge International Advertising Co., Ltd. has recently commenced in an all-round way. A grand ceremony will be held at Nuwa Plaza in Shexian County, Hebei Province on Septemper 24, 2007.展开更多
Scroll of "On Goddess of the Luo River" was painted by Gu Kaizhi, a master during the Eastern Jin Dynasty. He took the poem "On Goddess of the Luo River" by Cao Zhi, a great literary work from the ...Scroll of "On Goddess of the Luo River" was painted by Gu Kaizhi, a master during the Eastern Jin Dynasty. He took the poem "On Goddess of the Luo River" by Cao Zhi, a great literary work from the Three Kingdoms period (220-265), as its chief subject. This poem illustrates the theme that true love between men and women is repressed and destroyed by the feudal ethical code and the feudal forces in feudal society. It depicts the poet’s love for a goddess of the Luo River, Mi Fei, who is actually the reincarnation of the poet’s favorite concubine, Zhen Fei, who had passed away.展开更多
The Hongshan cultural relics at Niuheliang, Liaoning Province is a large scale ruin where sacrifices used to be offered to the goddess and ancestors. It is composed of a goddess temple, a sacrificial altar and many st...The Hongshan cultural relics at Niuheliang, Liaoning Province is a large scale ruin where sacrifices used to be offered to the goddess and ancestors. It is composed of a goddess temple, a sacrificial altar and many stone graves. From the ruins of the goddess temple, a clay sculpture of a goddess head has been unearthed.展开更多
文摘This paper deals with the Mangal Kavyas of Bengal, folk epics arising out of an oral tradition practiced by rural women. The female deities to whom these epics are devoted, like the snake goddess Manasa, are also part of the folk tradition, far removed from the Hindu pantheon of gods or the Vedic ways of worship and are related to the particular fears of village life. There is therefore, a de-mythologized version of these deities represented in these epics, a crystallization of the desires, wants, and ways of life of the rural population through the figure of the goddess, a version these village women can readily empathize with, making these epics rich in social documentation of contemporary village life.
文摘Winesburg Ohio , by Sherwood Anderson, depicts a group of people living in a transitional period where the human society was undergoing a sudden change from an agrarian society into a modern industrial one. This article will interpret Anderson's call from the aspect of"Goddess Revival".
文摘The objective of the essay is to show that Portia is an incarnation of beauty and wisdom. Through the analysis of Shakespeare’s creative intent, the author reaches a conclusion in the end, that is as a united character of the infinite and the finite, Portia is far richer in content than her image.
文摘Initiated by Chinese Red Cross Foundation and sponsored by American .General Business Association, Chinese Nuwa （a goddess-creator of the Chinese nation） Culture Large-scale Activities for Public Interests undertaken by Beijing Absolute Challenge International Advertising Co., Ltd. has recently commenced in an all-round way. A grand ceremony will be held at Nuwa Plaza in Shexian County, Hebei Province on Septemper 24, 2007.
文摘Scroll of "On Goddess of the Luo River" was painted by Gu Kaizhi, a master during the Eastern Jin Dynasty. He took the poem "On Goddess of the Luo River" by Cao Zhi, a great literary work from the Three Kingdoms period (220-265), as its chief subject. This poem illustrates the theme that true love between men and women is repressed and destroyed by the feudal ethical code and the feudal forces in feudal society. It depicts the poet’s love for a goddess of the Luo River, Mi Fei, who is actually the reincarnation of the poet’s favorite concubine, Zhen Fei, who had passed away.
文摘The Hongshan cultural relics at Niuheliang, Liaoning Province is a large scale ruin where sacrifices used to be offered to the goddess and ancestors. It is composed of a goddess temple, a sacrificial altar and many stone graves. From the ruins of the goddess temple, a clay sculpture of a goddess head has been unearthed.
