This paper compares 18th and 19th century travelogues written by women and men travelling the cultural contact zones of the empire, as well as fictional recreations of such first encounters. A juxtaposition of the wri...This paper compares 18th and 19th century travelogues written by women and men travelling the cultural contact zones of the empire, as well as fictional recreations of such first encounters. A juxtaposition of the writers＇ reaction to the dynamics of gazing and the ethics of touch yields surprising results. Many women travellers have no problem to acknowledge the reciprocity of the gaze, accepting, as a matter of course, that the objects of their ethnological interest will gaze at them in return. In comparison, male travellers often exhibit unease at becoming an object of appraisal and observation. Even more interestingly, male travellers often shy away from haptic contact with members of the indigenous population, whereas many （though not all） women are more tolerant of touch and proximity. Regarded as ＂unwomanly＂ by their contemporaries, they carved out for themselves roles which allowed for a more intimate interaction with foreign ethnicities; also, they wrote in different genres--private memoirs instead of official reports. But even in their （semi） fictional writings male authors seem to imagine inter-cultural encounters in different terms from women and tend not let their protagonists enter into close bodily contact with the indigenous population.展开更多
Throughout American literary history,women have experienced more transition in their roles,as a result of changing social norms,than any other class.At first,both society and the literary circles preached that women s...Throughout American literary history,women have experienced more transition in their roles,as a result of changing social norms,than any other class.At first,both society and the literary circles preached that women should be dependent on men and remain in the home,in order to guarantee stability in the community and the family.As time passed and attitudes changed,women were beginning to be depicted as characters that were eager to break away from convention.However,the subject role of women was never improved during the turbulent feminism movement.展开更多
This paper analyzes how the themes of magical realism and female divinity intersect in the novel The Puttermesser Papers （1997） by Cynthia Ozick. In the ＂Introduction＂, the writer defines magical realism and discu...This paper analyzes how the themes of magical realism and female divinity intersect in the novel The Puttermesser Papers （1997） by Cynthia Ozick. In the ＂Introduction＂, the writer defines magical realism and discusses its connections to Women＇s Studies. The next section, ＂The Bitter Butter Knife＂, discusses the protagonist＇s （Ruth Puttermesser） boring existence and pathetic attempts to connect to her Jewish ancestry. In ＂The Problematic Paradise＂, the author focuses on Puttermesser＇s attempts to take control of her life by creating the first female golem and the ups and downs of paradise. This author argues that the female protagonist of the novel utilizes magical realism as a tool of empowerment over personal oppression.展开更多
●In the early 20th century, awakening women who ran from their feudalistic families found that the male-dominated society, where men managed the exterior affairs and women managed the interior ones, was indestructible.
文摘This paper compares 18th and 19th century travelogues written by women and men travelling the cultural contact zones of the empire, as well as fictional recreations of such first encounters. A juxtaposition of the writers＇ reaction to the dynamics of gazing and the ethics of touch yields surprising results. Many women travellers have no problem to acknowledge the reciprocity of the gaze, accepting, as a matter of course, that the objects of their ethnological interest will gaze at them in return. In comparison, male travellers often exhibit unease at becoming an object of appraisal and observation. Even more interestingly, male travellers often shy away from haptic contact with members of the indigenous population, whereas many （though not all） women are more tolerant of touch and proximity. Regarded as ＂unwomanly＂ by their contemporaries, they carved out for themselves roles which allowed for a more intimate interaction with foreign ethnicities; also, they wrote in different genres--private memoirs instead of official reports. But even in their （semi） fictional writings male authors seem to imagine inter-cultural encounters in different terms from women and tend not let their protagonists enter into close bodily contact with the indigenous population.
文摘Throughout American literary history,women have experienced more transition in their roles,as a result of changing social norms,than any other class.At first,both society and the literary circles preached that women should be dependent on men and remain in the home,in order to guarantee stability in the community and the family.As time passed and attitudes changed,women were beginning to be depicted as characters that were eager to break away from convention.However,the subject role of women was never improved during the turbulent feminism movement.
文摘This paper analyzes how the themes of magical realism and female divinity intersect in the novel The Puttermesser Papers （1997） by Cynthia Ozick. In the ＂Introduction＂, the writer defines magical realism and discusses its connections to Women＇s Studies. The next section, ＂The Bitter Butter Knife＂, discusses the protagonist＇s （Ruth Puttermesser） boring existence and pathetic attempts to connect to her Jewish ancestry. In ＂The Problematic Paradise＂, the author focuses on Puttermesser＇s attempts to take control of her life by creating the first female golem and the ups and downs of paradise. This author argues that the female protagonist of the novel utilizes magical realism as a tool of empowerment over personal oppression.
文摘●In the early 20th century, awakening women who ran from their feudalistic families found that the male-dominated society, where men managed the exterior affairs and women managed the interior ones, was indestructible.
