The Aghajari Formation, called also the Upper Fars, develops throughout the Folded Zagros Zone and its thickness in the type section in southwest of Iran is 2966 meters. To analyze the sedimentary basin of this Format...The Aghajari Formation, called also the Upper Fars, develops throughout the Folded Zagros Zone and its thickness in the type section in southwest of Iran is 2966 meters. To analyze the sedimentary basin of this Formation, lithofacies, architectural elements and petrofacies of the related deposits in a section in southeast of Sarvestan in Fars Province of Iran with a thickness of 2221.45 meters were examined. Microscopically studying thin sections, the petrography and the occurrence of the deposits were determined. In this section, 16 lithofacies, 10 architectural elements and 2 sandstone petrofacies were identified. The lithofacies were divided into two major and minor groups, in which the major lithofacies consist of coarse-grained (Gh, Gp, Gt and Gm), medium-grained (Sh, Sp, St, Sl, Sm, Sr and Ss and fine-grained ones (Fm, Fl and Fsm), and the minor lithofacies were evaporative and mixed silisiclastic-carbonate. The identified architectural elements are CH, SB, GB, LA, DA, CR, CS, LV, LS, CH (FF) and FF. By combining evidences from facies analysis and architectural elements together, the Aghajari Formation was divided into three parts in which the related sedimentation environments, from top to bottom, are gravel, gravel-sand and fine-grained meandering river respectively. There have also been playas and shoreface in the lower part. Based on petrography, the sandstones of this formation were classified into two groups: litharenite and sublitharenite. The origin of these deposits (sandstones) was appointed to the recycled orogeny and the source of quartz is low and medium to high metamorphic rank. Using the field evidences, the paleocurrent direction was achieved indicating the direction of the paleocurrent from northwest to southeast at the time of deposition. It is hoped that these data can be used in the interpretation of the basin and reconstruction of the paleogeography in the local and regional scales.展开更多
In this paper, the survey method was used to systematically analyze the buildings and landscape gardens in Tibet, the characteristics of traditional Tibetan architectural elements and the regional cultural significanc...In this paper, the survey method was used to systematically analyze the buildings and landscape gardens in Tibet, the characteristics of traditional Tibetan architectural elements and the regional cultural significance they contain, as well as the status and trends of modern landscape planning and design were studied. The results showed that there were many unique elements in the traditional Tibetan architecture as the carrier of traditional regional culture, including the Tibetan architectural and decorative components, Tibetan paintings and symbols, and Tibetan architectural colors. By extracting these traditional Tibetan architectural elements and age-old and unique regional culture, and integrating them with modern landscape planning and design, and displaying them in modern, human and diverse ways, traditional Tibetan architecture elements and culture could be better inherited and developed.展开更多
Restoration of architectural formation elements is basically trying in estimating the optimization method which places it old architectural artist in his work. The article aims at rooting the methodology of restoratio...Restoration of architectural formation elements is basically trying in estimating the optimization method which places it old architectural artist in his work. The article aims at rooting the methodology of restoration of the architectural formation elements. It is essentially intellectual effort by the restorer in assessing the best way the artist and the old architect in his work. In order to reach the purpose behind this works and analyze the original available techniques in the creation period, the restoration process can be completed as fully as possible. The research is concerned with re-confidence in the classical methods in the restoration of buildings as consolidation and reconstruction. The classical method is a real way to restore the building to its original form especially in the availability of all technological tools to achieve reporting and documentation. It is not necessary to extension in using unapplied materials and technique. In this regard, the research was able to provide solutions, ideas and techniques that helped preserve and restore elements of architectural formation. The research also pointed to the importance of linking the physical and plastic aspects of the archaeological element.展开更多
Colors are the core element of architectural interior design.The most demand of user to colors is the greatest feeling of beauty brought by colors,meets the purpose of design,and enhances the space value after colors ...Colors are the core element of architectural interior design.The most demand of user to colors is the greatest feeling of beauty brought by colors,meets the purpose of design,and enhances the space value after colors used.In this paper,the functions of colors in architectural interior design,design principles,combination of colors,and the innovation measures are analyzed.展开更多
At present,the architecture modeling method of fluvial reservoirs are still developing.Traditional methods usually use grids to characterize architecture interbeds within the reservoir.Due to the thin thickness of thi...At present,the architecture modeling method of fluvial reservoirs are still developing.Traditional methods usually use grids to characterize architecture interbeds within the reservoir.Due to the thin thickness of this type of the interlayers,the number of the model grids must be greatly expanded.The number of grids in the tens of millions often makes an expensive computation;however,upscaling the model will generate a misleading model.The above confusion is the major reason that restricts the largescale industrialization of fluvial reservoir architecture models in oilfield development and production.Therefore,this paper explores an intelligent architecture modeling method for multilevel fluvial reservoirs based on architecture interface and element.Based on the superpositional relationship of different architectural elements within the fluvial reservoir,this method uses a combination of multilevel interface constraints and non-uniform grid techniques to build a high-resolution 3D geological model for reservoir architecture.Through the grid upscaling technology of heterogeneous architecture elements,different upscaling densities are given to the lateral-accretion bedding and lateral-accretion bodies to simplify the model gridding.This new method greatly reduces the number of model grids while ensuring the accuracy of lateral-accretion bedding models,laying a foundation for large-scale numerical simulation of the subsequent industrialization of the architecture model.This method has been validated in A layer of X oilfield with meandering fluvial channel sands as reservoirs and B layer of Y oilfield with braided river sands as reservoirs.The simulation results show that it has a higher accuracy of production history matching and remaining oil distribution forecast of the targeted sand body.The numerical simulation results show that in the actual development process of oilfield,the injected water will not displace oil in a uniform diffusive manner as traditionally assumed,but in a more complex pattern with oil in upper part of sand body being left behind as residual oil due to the influences of different levels of architecture interfaces.This investigation is important to guiding reservoir evaluation,remaining oil analysis,profile control and potential tapping and well pattern adjustment.展开更多
The Bracket Set(dougong)is an important aspect of traditional Chinese architecture known for its exquisite structure,complexity,and rich variations.This design element has been used since the Qin and Han Dynasties and...The Bracket Set(dougong)is an important aspect of traditional Chinese architecture known for its exquisite structure,complexity,and rich variations.This design element has been used since the Qin and Han Dynasties and is still prevalent today.It highlights hierarchy and spiritual connotations in the design of a building.This article explores the application of Bracket Set elements in modern architectural design.It analyzes the specific application strategies of this design element,highlighting its value in modern architecture.The goal is to provide modern architectural designers with multiple perspectives and strategies to fully utilize the advantages of Bracket Set elements in architectural design and enhance the artistic value of their work.展开更多
In Chinese ancient costume animation movies, there are problems of unreasonable cultural expression in many architectural scenes, such as not meticulous scene design and weak understanding of the relationship between ...In Chinese ancient costume animation movies, there are problems of unreasonable cultural expression in many architectural scenes, such as not meticulous scene design and weak understanding of the relationship between artistic design and image cultural expression. This is greatly different from the spirit of passing on national ethnic culture. In order to transform such situation, it is recommended to set up the concept of passing on the ethnic culture, follow the principle of creation of national art and practice of story creation, improve the style of domestic animation movies, and raise the concept of cultural creation.展开更多
To interpret spiritual language of architectural public art, architectural form was analyzed. Visual art space is based on spatial vision, artistic forms of point, line, surface and body are major visual elements of s...To interpret spiritual language of architectural public art, architectural form was analyzed. Visual art space is based on spatial vision, artistic forms of point, line, surface and body are major visual elements of spatial form. Visual elements can be demonstrated in various forms, and even more diversified in the context of spatial design, interact with each other according to the form principle of beauty, and construct artistic forms of the space. Manifestation of the nature of public art also relies on visual elements, and the public aesthetic experience and feelings about architectural public art are expressed by visual elements.展开更多
The relationship between architecture and people, architecture and city, architecture and nature has always been the soul of architectural design. In the architectural design, study on the relationship between archite...The relationship between architecture and people, architecture and city, architecture and nature has always been the soul of architectural design. In the architectural design, study on the relationship between architecture and nature needs "site analysis"(mapping), and "natural environment" tends to affect the design results[1]. In many special areas, the design needs analysis of geology, geomorphology, hydrology, vegetation and other landscape elements. Coal mining subsidence area is the product of the conf licts between human activities and natural environment in the process of industrialization. As the research object, coal mining subsidence area can be a good study object to demonstrate architectural design strategies and methods based on landscape, and fi eld defects of the site may be the origin of architectural space organization: architectural concept, structure, morphology, spatial organization are all from the landscape elements.展开更多
基金Islamic Azad University,Khorasgan(Esfahan)Branch grants commission(Grant No.238341892005)
文摘The Aghajari Formation, called also the Upper Fars, develops throughout the Folded Zagros Zone and its thickness in the type section in southwest of Iran is 2966 meters. To analyze the sedimentary basin of this Formation, lithofacies, architectural elements and petrofacies of the related deposits in a section in southeast of Sarvestan in Fars Province of Iran with a thickness of 2221.45 meters were examined. Microscopically studying thin sections, the petrography and the occurrence of the deposits were determined. In this section, 16 lithofacies, 10 architectural elements and 2 sandstone petrofacies were identified. The lithofacies were divided into two major and minor groups, in which the major lithofacies consist of coarse-grained (Gh, Gp, Gt and Gm), medium-grained (Sh, Sp, St, Sl, Sm, Sr and Ss and fine-grained ones (Fm, Fl and Fsm), and the minor lithofacies were evaporative and mixed silisiclastic-carbonate. The identified architectural elements are CH, SB, GB, LA, DA, CR, CS, LV, LS, CH (FF) and FF. By combining evidences from facies analysis and architectural elements together, the Aghajari Formation was divided into three parts in which the related sedimentation environments, from top to bottom, are gravel, gravel-sand and fine-grained meandering river respectively. There have also been playas and shoreface in the lower part. Based on petrography, the sandstones of this formation were classified into two groups: litharenite and sublitharenite. The origin of these deposits (sandstones) was appointed to the recycled orogeny and the source of quartz is low and medium to high metamorphic rank. Using the field evidences, the paleocurrent direction was achieved indicating the direction of the paleocurrent from northwest to southeast at the time of deposition. It is hoped that these data can be used in the interpretation of the basin and reconstruction of the paleogeography in the local and regional scales.
文摘In this paper, the survey method was used to systematically analyze the buildings and landscape gardens in Tibet, the characteristics of traditional Tibetan architectural elements and the regional cultural significance they contain, as well as the status and trends of modern landscape planning and design were studied. The results showed that there were many unique elements in the traditional Tibetan architecture as the carrier of traditional regional culture, including the Tibetan architectural and decorative components, Tibetan paintings and symbols, and Tibetan architectural colors. By extracting these traditional Tibetan architectural elements and age-old and unique regional culture, and integrating them with modern landscape planning and design, and displaying them in modern, human and diverse ways, traditional Tibetan architecture elements and culture could be better inherited and developed.
文摘Restoration of architectural formation elements is basically trying in estimating the optimization method which places it old architectural artist in his work. The article aims at rooting the methodology of restoration of the architectural formation elements. It is essentially intellectual effort by the restorer in assessing the best way the artist and the old architect in his work. In order to reach the purpose behind this works and analyze the original available techniques in the creation period, the restoration process can be completed as fully as possible. The research is concerned with re-confidence in the classical methods in the restoration of buildings as consolidation and reconstruction. The classical method is a real way to restore the building to its original form especially in the availability of all technological tools to achieve reporting and documentation. It is not necessary to extension in using unapplied materials and technique. In this regard, the research was able to provide solutions, ideas and techniques that helped preserve and restore elements of architectural formation. The research also pointed to the importance of linking the physical and plastic aspects of the archaeological element.
文摘Colors are the core element of architectural interior design.The most demand of user to colors is the greatest feeling of beauty brought by colors,meets the purpose of design,and enhances the space value after colors used.In this paper,the functions of colors in architectural interior design,design principles,combination of colors,and the innovation measures are analyzed.
文摘At present,the architecture modeling method of fluvial reservoirs are still developing.Traditional methods usually use grids to characterize architecture interbeds within the reservoir.Due to the thin thickness of this type of the interlayers,the number of the model grids must be greatly expanded.The number of grids in the tens of millions often makes an expensive computation;however,upscaling the model will generate a misleading model.The above confusion is the major reason that restricts the largescale industrialization of fluvial reservoir architecture models in oilfield development and production.Therefore,this paper explores an intelligent architecture modeling method for multilevel fluvial reservoirs based on architecture interface and element.Based on the superpositional relationship of different architectural elements within the fluvial reservoir,this method uses a combination of multilevel interface constraints and non-uniform grid techniques to build a high-resolution 3D geological model for reservoir architecture.Through the grid upscaling technology of heterogeneous architecture elements,different upscaling densities are given to the lateral-accretion bedding and lateral-accretion bodies to simplify the model gridding.This new method greatly reduces the number of model grids while ensuring the accuracy of lateral-accretion bedding models,laying a foundation for large-scale numerical simulation of the subsequent industrialization of the architecture model.This method has been validated in A layer of X oilfield with meandering fluvial channel sands as reservoirs and B layer of Y oilfield with braided river sands as reservoirs.The simulation results show that it has a higher accuracy of production history matching and remaining oil distribution forecast of the targeted sand body.The numerical simulation results show that in the actual development process of oilfield,the injected water will not displace oil in a uniform diffusive manner as traditionally assumed,but in a more complex pattern with oil in upper part of sand body being left behind as residual oil due to the influences of different levels of architecture interfaces.This investigation is important to guiding reservoir evaluation,remaining oil analysis,profile control and potential tapping and well pattern adjustment.
文摘The Bracket Set(dougong)is an important aspect of traditional Chinese architecture known for its exquisite structure,complexity,and rich variations.This design element has been used since the Qin and Han Dynasties and is still prevalent today.It highlights hierarchy and spiritual connotations in the design of a building.This article explores the application of Bracket Set elements in modern architectural design.It analyzes the specific application strategies of this design element,highlighting its value in modern architecture.The goal is to provide modern architectural designers with multiple perspectives and strategies to fully utilize the advantages of Bracket Set elements in architectural design and enhance the artistic value of their work.
文摘In Chinese ancient costume animation movies, there are problems of unreasonable cultural expression in many architectural scenes, such as not meticulous scene design and weak understanding of the relationship between artistic design and image cultural expression. This is greatly different from the spirit of passing on national ethnic culture. In order to transform such situation, it is recommended to set up the concept of passing on the ethnic culture, follow the principle of creation of national art and practice of story creation, improve the style of domestic animation movies, and raise the concept of cultural creation.
基金Sponsored by the High-end Talent Funded Project of the Ninth Batch of Jiangsu"Talent Summit from Six Sectors"(JZ-007)
文摘To interpret spiritual language of architectural public art, architectural form was analyzed. Visual art space is based on spatial vision, artistic forms of point, line, surface and body are major visual elements of spatial form. Visual elements can be demonstrated in various forms, and even more diversified in the context of spatial design, interact with each other according to the form principle of beauty, and construct artistic forms of the space. Manifestation of the nature of public art also relies on visual elements, and the public aesthetic experience and feelings about architectural public art are expressed by visual elements.
基金Sponsored by The National Natural Science Fund(51208347)Doctorial Program(New Teachers)Fund of the Ministry of Education(20120032120062)
文摘The relationship between architecture and people, architecture and city, architecture and nature has always been the soul of architectural design. In the architectural design, study on the relationship between architecture and nature needs "site analysis"(mapping), and "natural environment" tends to affect the design results[1]. In many special areas, the design needs analysis of geology, geomorphology, hydrology, vegetation and other landscape elements. Coal mining subsidence area is the product of the conf licts between human activities and natural environment in the process of industrialization. As the research object, coal mining subsidence area can be a good study object to demonstrate architectural design strategies and methods based on landscape, and fi eld defects of the site may be the origin of architectural space organization: architectural concept, structure, morphology, spatial organization are all from the landscape elements.