哈莱姆文艺复兴主流作家以各种为由责罚左拉·赫斯顿使之埋没了将近三十年,本文试图探讨这种责难背后的真相——赫斯顿所持的"另类"种族观。通过浓缩版自传Slavery Gave Me Nothing To Lose和其他作品研读,对比赫斯顿与...哈莱姆文艺复兴主流作家以各种为由责罚左拉·赫斯顿使之埋没了将近三十年,本文试图探讨这种责难背后的真相——赫斯顿所持的"另类"种族观。通过浓缩版自传Slavery Gave Me Nothing To Lose和其他作品研读,对比赫斯顿与兰斯顿·休斯、理查德·怀特作品中的种族观差异,并探究差异缘由。展开更多
Cecily Swanson argues that“modernism's Gurdjieff craze in fact played a surprising role in the development of an overlooked canon of popular autobiographies:Muriel Draper's memoir,Music at Midnight;Margaret A...Cecily Swanson argues that“modernism's Gurdjieff craze in fact played a surprising role in the development of an overlooked canon of popular autobiographies:Muriel Draper's memoir,Music at Midnight;Margaret Anderson's memoir,My Thirty Years'War;and Kathryn Hulme's autobiographical novel,We Lived As Children.”Swanson reads Draper,Anderson,and Hulme because they wrote as esotericists,while she divorces the memoirs from any overt esoteric influences,contents,or aesthetics.There is no need to search further for the source of the mode of the popular autobiographies by Anderson and Draper than what of Loos's novel comes through the Peggy Hopkins Joyce/Zora Neale Hurston memoir.Marriage,Men,and Me appears near the commencement of a line of esoteric memoirs that becomes visible in the best-selling works by Draper and Anderson but then continues expansively.展开更多
Hurston's work Their Eyes Were Watching God receives much attention and has been analyzed from different angles.This paper tries to explore the double consciousness in it to shown how the blacks can survive under ...Hurston's work Their Eyes Were Watching God receives much attention and has been analyzed from different angles.This paper tries to explore the double consciousness in it to shown how the blacks can survive under the influence of double con?sciousness.展开更多
文摘哈莱姆文艺复兴主流作家以各种为由责罚左拉·赫斯顿使之埋没了将近三十年,本文试图探讨这种责难背后的真相——赫斯顿所持的"另类"种族观。通过浓缩版自传Slavery Gave Me Nothing To Lose和其他作品研读,对比赫斯顿与兰斯顿·休斯、理查德·怀特作品中的种族观差异,并探究差异缘由。
文摘Cecily Swanson argues that“modernism's Gurdjieff craze in fact played a surprising role in the development of an overlooked canon of popular autobiographies:Muriel Draper's memoir,Music at Midnight;Margaret Anderson's memoir,My Thirty Years'War;and Kathryn Hulme's autobiographical novel,We Lived As Children.”Swanson reads Draper,Anderson,and Hulme because they wrote as esotericists,while she divorces the memoirs from any overt esoteric influences,contents,or aesthetics.There is no need to search further for the source of the mode of the popular autobiographies by Anderson and Draper than what of Loos's novel comes through the Peggy Hopkins Joyce/Zora Neale Hurston memoir.Marriage,Men,and Me appears near the commencement of a line of esoteric memoirs that becomes visible in the best-selling works by Draper and Anderson but then continues expansively.
文摘Hurston's work Their Eyes Were Watching God receives much attention and has been analyzed from different angles.This paper tries to explore the double consciousness in it to shown how the blacks can survive under the influence of double con?sciousness.
