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From Savior to Restrictive Mother——Transformation of Mary Rambo in Invisible Man
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作者 王丽君 《英语广场(学术研究)》 2012年第5期19-21,共3页
Invisible Man is Ralph Ellison's most important work,the hero of which is confused by the problem of his identity.This thesis will discuss the transformation of Mary Rambo in the novel.At the beginning,Mary Rambo ... Invisible Man is Ralph Ellison's most important work,the hero of which is confused by the problem of his identity.This thesis will discuss the transformation of Mary Rambo in the novel.At the beginning,Mary Rambo was a symbol of hope and encouragement for the hero and a kind of salvation and redemption to him both materially and spiritually.But later,she changed from a savior to a restrictive mother.The hero became restive and guilty under her watchful and anxious care.Thus,the hero must escape her in order to continue his search for identity. 展开更多
关键词 invisible man TRANSFORMATION Mary Rambo
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The Discussion of Racial Identity of the Protagonist in the Invisible Man from Post-Colonial Perspective
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作者 张倩 《疯狂英语(理论版)》 2016年第4期175-177,共3页
The African-American novel Invisible Man written by Ralph Ellison is about the miserable suffering of black people in the white society.The black people were invisible in the white world.This thesis analyzes this nove... The African-American novel Invisible Man written by Ralph Ellison is about the miserable suffering of black people in the white society.The black people were invisible in the white world.This thesis analyzes this novel from post-colonialism perspective to discuss the process of looking for the racial identity of the protagonist. 展开更多
关键词 IDENTITY POST-COLONIALISM invisible man
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A History of Personal Identification-- Growth of the Orator in Invisible Man
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作者 ZHANG Ting 《Journal of Literature and Art Studies》 2016年第1期1-9,共9页
The notion of invisibility in Invisible Man is spoken out by the protagonist's growth as an orator. Rather than a recursive retrieving of his identity throughout the narrative, the invisible man reinvents his identit... The notion of invisibility in Invisible Man is spoken out by the protagonist's growth as an orator. Rather than a recursive retrieving of his identity throughout the narrative, the invisible man reinvents his identity in his pursuit of pure persuasion. Both being terms in the Burkean system of literature rhetoric, pure persuasion, and identification become one for the unconscious purpose and the other for the symbolic action respectively in the protagonist-speaker's growth from an ideal emulator to speaker-audience mediator. In his identification with the audience and his ardent pursuit of pure persuasion, he paradoxically finds himself distanced from both his identity-to-be and the identity of his audience, with great division in-between. Though temporary corporation is achieved and occasional identification is resolved in the last two speeches, the protagonist only finds himself in a rhetorical context which is much more varied and more manipulative than he imagined. Such a realization renders the invisible man invisible again from the public stadium, who decides to resort to the pen for a life-long identification with the broader battlefield of racial discontinuity 展开更多
关键词 invisible man Kenneth Burke pure persuasion identification DIVISION RACE
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The American Quest for Identity: Theme and Form in the Catcher in the Rye, Invisible Man and Slaughterhouse Five
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作者 Abdulaziz H. AlAbdullah 《Cultural and Religious Studies》 2014年第2期69-77,共9页
American society went through some especially speedy and drastic changes, after the World War II. Its transformation into a significant superpower as well as the horrors of the recent conflict is reflected in specific... American society went through some especially speedy and drastic changes, after the World War II. Its transformation into a significant superpower as well as the horrors of the recent conflict is reflected in specific American novels and in the writing of certain elite novelists. They focus on human loss and a consequent search for identity and problematic belonging in a world of prejudice and hostility. This search for identity and aspiration to conformity with the new change is among of the main features of Salinger's the Catcher in the Rye, Ellison's Invisible Man and Vonnegut's Slaughterhouse Five. The paper focuses on certain similarities in theme and form which link these three novels and examines the extent of presentation of the style of narration set in motion by all three writers. 展开更多
关键词 IDENTITY THEME FORM the Catcher in the Rye invisible man Slaughterhouse Five
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