This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijia...This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.展开更多
Ceramic relief mural is a contemporary landscape art that is carefully designed based on human nature,culture,and architectural wall space,combined with social customs,visual sensibility,and art.It may also become the...Ceramic relief mural is a contemporary landscape art that is carefully designed based on human nature,culture,and architectural wall space,combined with social customs,visual sensibility,and art.It may also become the main axis of ceramic art in the future.Taiwan public ceramic relief murals(PCRM)are most distinctive with the PCRM pioneered by Pan-Hsiung Chu of Meinong Kiln in 1987.In addition to breaking through the limitations of traditional public ceramic murals,Chu leveraged local culture and sensibility.The theme of art gives PCRM its unique style and innovative value throughout the Taiwan region.This study mainly analyzes and understands the design image of public ceramic murals,taking Taiwan PCRM’s design and creation as the scope,and applies STEEP analysis,that is,the social,technological,economic,ecological,and political-legal environments are analyzed as core factors;eight main important factors in the artistic design image of ceramic murals are evaluated.Then,interpretive structural modeling(ISM)is used to establish five levels,analyze the four main problems in the main core factor area and the four main target results in the affected factor area;and analyze the problem points and target points as well as their causal relationships.It is expected to sort out the relationship between these factors,obtain the hierarchical relationship of each factor,and provide a reference basis and research methods.展开更多
敦煌壁画图像含有丰富的纹理和结构信息,在破损壁画修复过程中,容易忽略受损特征信息与完整特征信息之间的区别,从而误导修复过程生成不合理的壁画内容。针对该问题,提出一种融合动态特征选择和像素级通道注意力的壁画修复模型。设计基...敦煌壁画图像含有丰富的纹理和结构信息,在破损壁画修复过程中,容易忽略受损特征信息与完整特征信息之间的区别,从而误导修复过程生成不合理的壁画内容。针对该问题,提出一种融合动态特征选择和像素级通道注意力的壁画修复模型。设计基于U-Net的网络生成器,实现对破损图像的编码与解码操作;采用有效可迁移卷积模块,通过动态选择采样空间位置,实现对有效特征信息的灵活提取,采用区域综合归一化模块减少修复区域与完整区域的期望和方差的偏移,从而加强对有效特征信息的选择和利用;在解码层设计像素级通道注意力模块,在增强有效特征权重的同时使模型可从相隔较远的空间位置学习有效特征。在敦煌壁画数据集上的实验结果表明,该算法能够利用有效信息修复掩膜区域比例不一的不规则破损壁画图像,相比PConv、PRVS、DSNet算法,在峰值信噪比(PSNR)指标上平均提升0.502 d B,在结构相似性(SSIM)指标上平均提升1.384%。展开更多
文摘This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.
文摘Ceramic relief mural is a contemporary landscape art that is carefully designed based on human nature,culture,and architectural wall space,combined with social customs,visual sensibility,and art.It may also become the main axis of ceramic art in the future.Taiwan public ceramic relief murals(PCRM)are most distinctive with the PCRM pioneered by Pan-Hsiung Chu of Meinong Kiln in 1987.In addition to breaking through the limitations of traditional public ceramic murals,Chu leveraged local culture and sensibility.The theme of art gives PCRM its unique style and innovative value throughout the Taiwan region.This study mainly analyzes and understands the design image of public ceramic murals,taking Taiwan PCRM’s design and creation as the scope,and applies STEEP analysis,that is,the social,technological,economic,ecological,and political-legal environments are analyzed as core factors;eight main important factors in the artistic design image of ceramic murals are evaluated.Then,interpretive structural modeling(ISM)is used to establish five levels,analyze the four main problems in the main core factor area and the four main target results in the affected factor area;and analyze the problem points and target points as well as their causal relationships.It is expected to sort out the relationship between these factors,obtain the hierarchical relationship of each factor,and provide a reference basis and research methods.
文摘敦煌壁画图像含有丰富的纹理和结构信息,在破损壁画修复过程中,容易忽略受损特征信息与完整特征信息之间的区别,从而误导修复过程生成不合理的壁画内容。针对该问题,提出一种融合动态特征选择和像素级通道注意力的壁画修复模型。设计基于U-Net的网络生成器,实现对破损图像的编码与解码操作;采用有效可迁移卷积模块,通过动态选择采样空间位置,实现对有效特征信息的灵活提取,采用区域综合归一化模块减少修复区域与完整区域的期望和方差的偏移,从而加强对有效特征信息的选择和利用;在解码层设计像素级通道注意力模块,在增强有效特征权重的同时使模型可从相隔较远的空间位置学习有效特征。在敦煌壁画数据集上的实验结果表明,该算法能够利用有效信息修复掩膜区域比例不一的不规则破损壁画图像,相比PConv、PRVS、DSNet算法,在峰值信噪比(PSNR)指标上平均提升0.502 d B,在结构相似性(SSIM)指标上平均提升1.384%。