Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transfor...Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transformation of literary styles differs from the prevailing notion at that time,which advocated prioritizing poetry and prose that conveyed aspirations and ideals while considering other literary genres such as ci(a form of lyric poetry),qu(drama),and novels as inferior.Instead,Jiao Xun advocated using the“nature”and“events”of objects as criteria and awakened a more traditional“poetic teaching tradition”characterized by metaphorical expression and emotional resonance,which aligned with the concept of literature conveying aspirations and ideals.This enabled the standard of“nature”to transcend the boundaries of literary genres,establishing new criteria for the hierarchy of genres and encapsulating Jiao Xun’s intention to summon emerging literary genres that were in harmony with the“present”.展开更多
Jiao Xun’s drama edification concept emphasizes“morality”and“emotion”at the same time,which expresses his tendency for drama conception to move closer to classics.Jiao Xun thinks that drama creation values the au...Jiao Xun’s drama edification concept emphasizes“morality”and“emotion”at the same time,which expresses his tendency for drama conception to move closer to classics.Jiao Xun thinks that drama creation values the audience’s acceptance,which also makes drama an effective testing ground for re-processing the relationship between“morality”and“emotion”in Confucianism;and Jiao Xun respects folk daily life in popular literary forms to promote moral enlightenment,which shows that drama research has become one of his practical methods of“changing customs”.展开更多
文摘Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transformation of literary styles differs from the prevailing notion at that time,which advocated prioritizing poetry and prose that conveyed aspirations and ideals while considering other literary genres such as ci(a form of lyric poetry),qu(drama),and novels as inferior.Instead,Jiao Xun advocated using the“nature”and“events”of objects as criteria and awakened a more traditional“poetic teaching tradition”characterized by metaphorical expression and emotional resonance,which aligned with the concept of literature conveying aspirations and ideals.This enabled the standard of“nature”to transcend the boundaries of literary genres,establishing new criteria for the hierarchy of genres and encapsulating Jiao Xun’s intention to summon emerging literary genres that were in harmony with the“present”.
文摘Jiao Xun’s drama edification concept emphasizes“morality”and“emotion”at the same time,which expresses his tendency for drama conception to move closer to classics.Jiao Xun thinks that drama creation values the audience’s acceptance,which also makes drama an effective testing ground for re-processing the relationship between“morality”and“emotion”in Confucianism;and Jiao Xun respects folk daily life in popular literary forms to promote moral enlightenment,which shows that drama research has become one of his practical methods of“changing customs”.
