In a poetic tradition where the male poet takes the female as the aesthetic object,Li Qingzhao has made remarkable achievements by employing delicate style in her poems,esp.her love poems to present her life experienc...In a poetic tradition where the male poet takes the female as the aesthetic object,Li Qingzhao has made remarkable achievements by employing delicate style in her poems,esp.her love poems to present her life experience and boldly express a woman’s own desire.Emily Dickinson makes up a world of love in her poems to experience love and gain emotional satisfaction from it,which induces more and more passionate yearning for love in her poems.As a result,many of Dickinson’s poems display a self-denial that is close to violence and hence opens up a way for Dickinson to express herself as a woman poet.The two poets’love poems demonstrate that unique life experience and the desire of self-expression are the fundamental reasons that they become great women poets.展开更多
Christine de Pican and Qingzhao Li were both highly valued due to their unique visions, more importantly, beyond their gender visions in the context of humanity. Both of them shared some similar family background, sim...Christine de Pican and Qingzhao Li were both highly valued due to their unique visions, more importantly, beyond their gender visions in the context of humanity. Both of them shared some similar family background, similar stimulus to write challenging and wonderful articles, similar theme in their later writings.展开更多
20世纪30年代,美国汉学家艾思柯在《中国女性今与昔》(Chinese Women Yesterday and Today)一书中对李清照进行了介绍和作品翻译,从翻译史来看,这是美国汉学家首次对李清照进行译介。从英语世界读者反应来看,此次译介意义重大。本文借...20世纪30年代,美国汉学家艾思柯在《中国女性今与昔》(Chinese Women Yesterday and Today)一书中对李清照进行了介绍和作品翻译,从翻译史来看,这是美国汉学家首次对李清照进行译介。从英语世界读者反应来看,此次译介意义重大。本文借助译者行为批评理论,从“文本—行为—社会”维度,对其译者行为进行探究。研究发现艾思柯译介李清照是出于向西方读者介绍中国女性的务实动机,艾思柯对李清照的译介秉持务实原则的同时也尽力求真,形式的保留、文化内容的显化以及诗境的再现,都使得译文最大程度地还原原文。不仅如此,艾思柯还利用丰厚的副文本力求李清照女性形象之真。展开更多
文摘In a poetic tradition where the male poet takes the female as the aesthetic object,Li Qingzhao has made remarkable achievements by employing delicate style in her poems,esp.her love poems to present her life experience and boldly express a woman’s own desire.Emily Dickinson makes up a world of love in her poems to experience love and gain emotional satisfaction from it,which induces more and more passionate yearning for love in her poems.As a result,many of Dickinson’s poems display a self-denial that is close to violence and hence opens up a way for Dickinson to express herself as a woman poet.The two poets’love poems demonstrate that unique life experience and the desire of self-expression are the fundamental reasons that they become great women poets.
文摘Christine de Pican and Qingzhao Li were both highly valued due to their unique visions, more importantly, beyond their gender visions in the context of humanity. Both of them shared some similar family background, similar stimulus to write challenging and wonderful articles, similar theme in their later writings.
文摘20世纪30年代,美国汉学家艾思柯在《中国女性今与昔》(Chinese Women Yesterday and Today)一书中对李清照进行了介绍和作品翻译,从翻译史来看,这是美国汉学家首次对李清照进行译介。从英语世界读者反应来看,此次译介意义重大。本文借助译者行为批评理论,从“文本—行为—社会”维度,对其译者行为进行探究。研究发现艾思柯译介李清照是出于向西方读者介绍中国女性的务实动机,艾思柯对李清照的译介秉持务实原则的同时也尽力求真,形式的保留、文化内容的显化以及诗境的再现,都使得译文最大程度地还原原文。不仅如此,艾思柯还利用丰厚的副文本力求李清照女性形象之真。
