This article presents a geometric exploration of the reconstruction of a model of the three-dimensional space that Leonardo da Vinci had before him or imagined when he created The Last Supper. The purpose is to reveal...This article presents a geometric exploration of the reconstruction of a model of the three-dimensional space that Leonardo da Vinci had before him or imagined when he created The Last Supper. The purpose is to reveal the geometrical principles inherent in this work of art, as well as to propose an invert geometrical method, from 2D to 3D space reconstruction.展开更多
Leonardo da Vinci was the ultimate Renaissance manartist, architect, scientist, inventor, mathematician, philosopher, and sculptor. His notebooks are full of sketches and innovative ideas spanning a variety of subject...Leonardo da Vinci was the ultimate Renaissance manartist, architect, scientist, inventor, mathematician, philosopher, and sculptor. His notebooks are full of sketches and innovative ideas spanning a variety of subjects, sometimes too advanced for his time. He invented various types of special compasses capable of producing parabolas, ellipses, and proportional figures. He is also credited with the invention of perspectograph, used by artists, such as Albrecht Dürer, to help draw objects in perspective. H...展开更多
Leonardo da Vinci was the ultimate Renaissance man- artist．architect,scientist,inventor,mathematician, philosopher,sculptor．His note-books are full of sketches and inno- vative ideas spanning a variety of subjects, ...Leonardo da Vinci was the ultimate Renaissance man- artist．architect,scientist,inventor,mathematician, philosopher,sculptor．His note-books are full of sketches and inno- vative ideas spanning a variety of subjects, sometimes too ad- vanced for his time．He invented various types of special com- pass capable of produ- cing parabolas,ellip- ses and proportional figures．He is展开更多
The object of this study is the impact of technology in four exhibitions held to celebrate the 500 years of the death of Leonardo da Vinci on 2019.Two exhibitions took place in Milan,Italy,one took place in Rio de Jan...The object of this study is the impact of technology in four exhibitions held to celebrate the 500 years of the death of Leonardo da Vinci on 2019.Two exhibitions took place in Milan,Italy,one took place in Rio de Janeiro,Brazil and the last one took place in São Paulo,also in Brazil.This study aims to explore the empirical evidences found during the field research in three of the four exhibitions object of this study(one of the exhibitions could not be observed to the museum being closed as a result of the pandemic caused by the coronavirus).This study is based on references and recent secondary researches that analyzed the aspects of quantity and quality in exhibitions sites,and also on other data available on websites and in the media.This study aims to question the importance of the original work in digital exhibitions and a possibly a further extension on the word“experience”not specifically through technological immersion.Lastly,these subjects are revisited once we look at the museums amid the world pandemic.展开更多
以喀斯特峰丛洼地不同植被恢复阶段灌丛、次生林、原生林为研究对象,采用全挖法分析了各阶段4个优势种的根系构型参数,探讨该特殊生境条件下植物根系构型的差异性、相似性以及资源合理高效的利用方式。结果表明:(1)各个植被恢复阶段优...以喀斯特峰丛洼地不同植被恢复阶段灌丛、次生林、原生林为研究对象,采用全挖法分析了各阶段4个优势种的根系构型参数,探讨该特殊生境条件下植物根系构型的差异性、相似性以及资源合理高效的利用方式。结果表明:(1)各个植被恢复阶段优势种拓扑指数TI均趋向于0.5,呈叉状分支结构,并表现为次生林(0.57)>原生林(0.49)>灌丛(0.46),有利于根系在贫瘠且浅薄的土壤环境中拓展生存空间。(2)3种植被恢复阶段优势种的根系平均连接长度在34.29cm以上,平均为37.01cm,增加连接长度对植物在养分贫瘠的喀斯特土壤环境的生存有利。(3)次生林根系分支率低于灌丛和原生林,这是不同植被恢复阶段优势种对环境所采取的不同适应策略。(4)3种植被恢复阶段优势种根系的横截面积比均符合Leonardo da Vinci法则,且不随直径的变化而变化。(5)3种植被恢复阶段优势种在土壤养分、水分获取及土壤空间拓展方面没有显著差异性。研究认为,在喀斯特峰丛洼地异质性很强的生境下,3种植被恢复阶段优势种的根系均为叉状分支结构,且均以较长的连接长度和较低的分支率策略适应其特殊的生态环境。展开更多
文摘This article presents a geometric exploration of the reconstruction of a model of the three-dimensional space that Leonardo da Vinci had before him or imagined when he created The Last Supper. The purpose is to reveal the geometrical principles inherent in this work of art, as well as to propose an invert geometrical method, from 2D to 3D space reconstruction.
文摘Leonardo da Vinci was the ultimate Renaissance manartist, architect, scientist, inventor, mathematician, philosopher, and sculptor. His notebooks are full of sketches and innovative ideas spanning a variety of subjects, sometimes too advanced for his time. He invented various types of special compasses capable of producing parabolas, ellipses, and proportional figures. He is also credited with the invention of perspectograph, used by artists, such as Albrecht Dürer, to help draw objects in perspective. H...
文摘Leonardo da Vinci was the ultimate Renaissance man- artist．architect,scientist,inventor,mathematician, philosopher,sculptor．His note-books are full of sketches and inno- vative ideas spanning a variety of subjects, sometimes too ad- vanced for his time．He invented various types of special com- pass capable of produ- cing parabolas,ellip- ses and proportional figures．He is
文摘The object of this study is the impact of technology in four exhibitions held to celebrate the 500 years of the death of Leonardo da Vinci on 2019.Two exhibitions took place in Milan,Italy,one took place in Rio de Janeiro,Brazil and the last one took place in São Paulo,also in Brazil.This study aims to explore the empirical evidences found during the field research in three of the four exhibitions object of this study(one of the exhibitions could not be observed to the museum being closed as a result of the pandemic caused by the coronavirus).This study is based on references and recent secondary researches that analyzed the aspects of quantity and quality in exhibitions sites,and also on other data available on websites and in the media.This study aims to question the importance of the original work in digital exhibitions and a possibly a further extension on the word“experience”not specifically through technological immersion.Lastly,these subjects are revisited once we look at the museums amid the world pandemic.
文摘以喀斯特峰丛洼地不同植被恢复阶段灌丛、次生林、原生林为研究对象,采用全挖法分析了各阶段4个优势种的根系构型参数,探讨该特殊生境条件下植物根系构型的差异性、相似性以及资源合理高效的利用方式。结果表明:(1)各个植被恢复阶段优势种拓扑指数TI均趋向于0.5,呈叉状分支结构,并表现为次生林(0.57)>原生林(0.49)>灌丛(0.46),有利于根系在贫瘠且浅薄的土壤环境中拓展生存空间。(2)3种植被恢复阶段优势种的根系平均连接长度在34.29cm以上,平均为37.01cm,增加连接长度对植物在养分贫瘠的喀斯特土壤环境的生存有利。(3)次生林根系分支率低于灌丛和原生林,这是不同植被恢复阶段优势种对环境所采取的不同适应策略。(4)3种植被恢复阶段优势种根系的横截面积比均符合Leonardo da Vinci法则,且不随直径的变化而变化。(5)3种植被恢复阶段优势种在土壤养分、水分获取及土壤空间拓展方面没有显著差异性。研究认为,在喀斯特峰丛洼地异质性很强的生境下,3种植被恢复阶段优势种的根系均为叉状分支结构,且均以较长的连接长度和较低的分支率策略适应其特殊的生态环境。
