In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve clas...In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolution of the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy is so far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre that presents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores the literature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paper proposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more.展开更多
In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve class...In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolutionof the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy isso far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre thatpresents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores theliterature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paperproposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more.展开更多
In the volume of Chinese literature of Ming and Qing dynasties, there are a lot of well-known figures of women rebels, who have been highly spoken of by many later critics for their braveness in breaking the conventio...In the volume of Chinese literature of Ming and Qing dynasties, there are a lot of well-known figures of women rebels, who have been highly spoken of by many later critics for their braveness in breaking the conventional and unfair rules made for women in that male-centered society. In the traditional point of view, the appearance of these literary figures marks the awareness of self-consciousness of women. But this paper, by analyzing two of the representative figures of them, Miss Du Liniang （杜丽娘） in Tang Xianzu＇s drama The Peony Pavilion （牡丹亭） and the women in the Women＇s Kingdom （女儿国） in Li Ruzhen＇s novel Flowers in the Mirror （镜花缘）, tries to figure out and distinguish the superficial gender dependence and the real but hidden role of ＂the other＂ in these characters. It purports to convince that such processes of rebellion are none the less women＇s tragedies, for they serve only to show Chinese women＇s unchangeable position of ＂the second sex＂ in the traditional male-centered society of old China, but merely in some new and different ways.展开更多
文摘In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolution of the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy is so far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre that presents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores the literature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paper proposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more.
文摘In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolutionof the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy isso far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre thatpresents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores theliterature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paperproposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more.
文摘In the volume of Chinese literature of Ming and Qing dynasties, there are a lot of well-known figures of women rebels, who have been highly spoken of by many later critics for their braveness in breaking the conventional and unfair rules made for women in that male-centered society. In the traditional point of view, the appearance of these literary figures marks the awareness of self-consciousness of women. But this paper, by analyzing two of the representative figures of them, Miss Du Liniang （杜丽娘） in Tang Xianzu＇s drama The Peony Pavilion （牡丹亭） and the women in the Women＇s Kingdom （女儿国） in Li Ruzhen＇s novel Flowers in the Mirror （镜花缘）, tries to figure out and distinguish the superficial gender dependence and the real but hidden role of ＂the other＂ in these characters. It purports to convince that such processes of rebellion are none the less women＇s tragedies, for they serve only to show Chinese women＇s unchangeable position of ＂the second sex＂ in the traditional male-centered society of old China, but merely in some new and different ways.
