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I Sing, Therefore I am The Political Representation of Taiwan Residents K-pop Urban Fans at K-pop KTV (Karaoke)*
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作者 Haerang NOH 《Journal of Literature and Art Studies》 2014年第8期628-642,共15页
The Korean popular cultural waves have been spread into East Asia for more than a decade. In late of 2000, for most of the perspectives about Korean waves had been moved on the 3rd stage of the K-pop industrial struct... The Korean popular cultural waves have been spread into East Asia for more than a decade. In late of 2000, for most of the perspectives about Korean waves had been moved on the 3rd stage of the K-pop industrial structure, K-pop idol stars as contents of Korean popular music have turned the pivotal co.ntents in East Asia and West countries. This research examined how Taiwan Residents K-pop consumers are identified as the K-pop enthusiast legitimizing and what they represent the "prosumer" of Korean popular music. Moreover, the practice of K-pop is getting turn consumer in Korean song karaoke (KTV) in Taipei city. What sort of cultural form emerges the political representation in the cultural space, K-pop KTV in Taipei. Through how Taiwan Residents K-pop followers diverse K-pop music for singing K-pop in KTV, it could more elaborate the meaning of contents the culture form of space between production and consumption of the cultural mediation. 展开更多
关键词 K-pop cultural diversion Karaoke space practice marxist feminism
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