This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H6...This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.展开更多
Few people read Tess from Maurice Merleau-Ponty's"body theory".In Phenomenology of Perception,Merleau-Ponty states that it is body as the subject that perceives the world;such body is a phenomenal body i...Few people read Tess from Maurice Merleau-Ponty's"body theory".In Phenomenology of Perception,Merleau-Ponty states that it is body as the subject that perceives the world;such body is a phenomenal body in contrast to an objective body.Tess's"being in the world"through the body connotates a new way of looking at the classic Tess.Tess's way of perceiving and understanding the world also enlightens us about relationship between human and self,human and other,human and society,human and nature.展开更多
There is a harmony between Andre Bazin＇s and Maurice Merleau-Ponty＇s approaches to cinema. They both see cinema as a new imperative language to express the being, capable of reflecting on our promiscuity with the wo...There is a harmony between Andre Bazin＇s and Maurice Merleau-Ponty＇s approaches to cinema. They both see cinema as a new imperative language to express the being, capable of reflecting on our promiscuity with the world and things. Both realized the ontological bet that the game of imagination contains： the emergence of the image wrapped in a back and forth movement, from things to form, from fact to sense and meaning, and vice versa. The purpose of this article is to discuss Merleau-Ponty＇s and Bazin＇s interest in an ontological investigation of the cinema, analyzing their affinities and differences, identifying paths to be explored and affirming a certain idea of cinema.展开更多
The essence of Husserfs intentionality does not lie in any object,but in the marginal horizon presupposed by intentional acts.This characteristic can be seen whether on the level of intensional act or that of noema(in...The essence of Husserfs intentionality does not lie in any object,but in the marginal horizon presupposed by intentional acts.This characteristic can be seen whether on the level of intensional act or that of noema(intentional object).The reason is that all intentional act and noema come from the stream of internal time consciousness,and thus have Zeithof(time halo or time aureole),while the original meaning constituted by such a halo is prior to the object they are concretized into,and the noema that contains the possibility of meaning will also be intuited together with the perceived adumbration.Using Husserl9 s idea that the meaning of non-objectification is prior to the object,Scheier breaks through HusserPs dogma that the presentation of an object must precede the giving of value to the object,and thus puts forward the new train of thought that the feeling of value is not later than the objectification,or even prior to it.Heidegger deepens and expands the sense of the marginal horizon,revealing in all human behaviors and world presentation such an ontological structure,that is,halo-like meaning or the act of Being itself precedes objects and beings created by the separation of subject and object.Maurice MerleaPonty states that the body field is prior to the separation of body and mind,and the body's perception of external phenomena is first carried out in the manner of field rather than definite objects,therefore,it must have the original ambiguity and be realized in the fonn of body schema instead of a causal chain.So,the philosophical vitality of phenomenology does not significantly lie in the explanation of the levels and functions of intentional objects,but in the construction premise of such objects,namely,the spatio-temporal halo manifested as marginal horizon,time stream,and the displaying of existential vista.展开更多
文摘This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.
文摘Few people read Tess from Maurice Merleau-Ponty's"body theory".In Phenomenology of Perception,Merleau-Ponty states that it is body as the subject that perceives the world;such body is a phenomenal body in contrast to an objective body.Tess's"being in the world"through the body connotates a new way of looking at the classic Tess.Tess's way of perceiving and understanding the world also enlightens us about relationship between human and self,human and other,human and society,human and nature.
文摘There is a harmony between Andre Bazin＇s and Maurice Merleau-Ponty＇s approaches to cinema. They both see cinema as a new imperative language to express the being, capable of reflecting on our promiscuity with the world and things. Both realized the ontological bet that the game of imagination contains： the emergence of the image wrapped in a back and forth movement, from things to form, from fact to sense and meaning, and vice versa. The purpose of this article is to discuss Merleau-Ponty＇s and Bazin＇s interest in an ontological investigation of the cinema, analyzing their affinities and differences, identifying paths to be explored and affirming a certain idea of cinema.
文摘The essence of Husserfs intentionality does not lie in any object,but in the marginal horizon presupposed by intentional acts.This characteristic can be seen whether on the level of intensional act or that of noema(intentional object).The reason is that all intentional act and noema come from the stream of internal time consciousness,and thus have Zeithof(time halo or time aureole),while the original meaning constituted by such a halo is prior to the object they are concretized into,and the noema that contains the possibility of meaning will also be intuited together with the perceived adumbration.Using Husserl9 s idea that the meaning of non-objectification is prior to the object,Scheier breaks through HusserPs dogma that the presentation of an object must precede the giving of value to the object,and thus puts forward the new train of thought that the feeling of value is not later than the objectification,or even prior to it.Heidegger deepens and expands the sense of the marginal horizon,revealing in all human behaviors and world presentation such an ontological structure,that is,halo-like meaning or the act of Being itself precedes objects and beings created by the separation of subject and object.Maurice MerleaPonty states that the body field is prior to the separation of body and mind,and the body's perception of external phenomena is first carried out in the manner of field rather than definite objects,therefore,it must have the original ambiguity and be realized in the fonn of body schema instead of a causal chain.So,the philosophical vitality of phenomenology does not significantly lie in the explanation of the levels and functions of intentional objects,but in the construction premise of such objects,namely,the spatio-temporal halo manifested as marginal horizon,time stream,and the displaying of existential vista.
