Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneu...Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.展开更多
Jose Garcia Villa’s "comma poem,"in which he introduces“a new,special and poetic use”for the comma,is arguably the poet's most contentious innovation.Starting from an appropriation of Leonard Caspar’...Jose Garcia Villa’s "comma poem,"in which he introduces“a new,special and poetic use”for the comma,is arguably the poet's most contentious innovation.Starting from an appropriation of Leonard Caspar’s description of the comma poems as "demonstrably malfunctional as a dragging foot,"this essay argues that the comma poem was a visual performance whereby Villa dis-oriented and de-naturalized poetic“flows”through a quccr/crip aesthetic of hesitation and brokenness.Read as footsteps and/or footnotes,the comma’s minor mark interrupts and dis-ablcs normative flow,forcing the reader to adopt a nonnormative“gait.”Utilizing Sara Ahmed’s phenomenological theory of "queer orientation,"I examine how the comma poems’specific incongruity extends beyond modem grammars:anticipating readings of his“foreignness”and"insensitivity"to the English language.Villa performs the essentiality of the“minor mark”through linguistic experimentation.In doing so,he queers not only the“direction”of modem poetry and its canonicity,but also a contemporary politics of recuperation.展开更多
文摘Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.
文摘Jose Garcia Villa’s "comma poem,"in which he introduces“a new,special and poetic use”for the comma,is arguably the poet's most contentious innovation.Starting from an appropriation of Leonard Caspar’s description of the comma poems as "demonstrably malfunctional as a dragging foot,"this essay argues that the comma poem was a visual performance whereby Villa dis-oriented and de-naturalized poetic“flows”through a quccr/crip aesthetic of hesitation and brokenness.Read as footsteps and/or footnotes,the comma’s minor mark interrupts and dis-ablcs normative flow,forcing the reader to adopt a nonnormative“gait.”Utilizing Sara Ahmed’s phenomenological theory of "queer orientation,"I examine how the comma poems’specific incongruity extends beyond modem grammars:anticipating readings of his“foreignness”and"insensitivity"to the English language.Villa performs the essentiality of the“minor mark”through linguistic experimentation.In doing so,he queers not only the“direction”of modem poetry and its canonicity,but also a contemporary politics of recuperation.
