Research on the Comparison and Integration of Chinese and Western Music Cultures

This research undertakes a nuanced examination of the intersections and distinctions between these two diverse musical traditions.Employing a meticulous comparative analysis,the study scrutinizes fundamental musical elements such as scales,modes,and compositional styles,illuminating shared threads and distinctive attributes that characterize Chinese and Western music.Against the backdrop of contemporary global dynamics,the research investigates the ongoing integration of these musical cultures.It explores the impact of globalization and technological advancements,revealing instances of cross-cultural collaboration and the emergence of hybrid musical forms.Augmenting theoretical discussions with concrete case studies,the paper offers illuminating examples of how Chinese and Western musical elements interweave,contributing to the evolving landscape of global music.This research not only advances scholarly understanding but also contributes practical insights for musicians,educators,and enthusiasts navigating the evolving dynamics of cross-cultural musical expression.By elucidating the intricate relationship between Chinese and Western music cultures,the paper underscores the richness borne out of their interaction and the cultural synthesis that defines contemporary musical landscapes.

Some Remarks Regarding Originality and Historical Transformations of Chopin＇s Mazurkas, as Based on the Mathematical Systematic Method of the Tonal Structure Analysis

Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony （including tonality）. Thanks to musical analysis we are able to trace the compos technique, or assess the artistic value of given work. In addition to traditional, descriptive methods of e it ody, onal music analysis, we can observe in 20th century the development of methods based on science （mathematics, otherwise statistics）. Such methodologies allow us to obtain a strict understanding of the structure of musical pieces Applying mathematical methods for musical analysis seems very reasonable in relation to the output of Frederic Chopin, due to large originality of the elements of musical pieces of this composer. Present paper was written as a result of research related to the applying of numerical method of analysis for exploring the tonal structure of Chopin＇s works. The author＇s research method enables a strict analysis of the chord＇s domination that can be classified under given key （range）--taking into consideration the harmonic functions. By the method of analysis we can get charts that depict whole diatonic vertical music material of the given piece. The main objective of the present study is to describe observations on the high uniqueness in the tonal construction of selected Chopin＇s mazurkas, especially, when compared to the miniatures of other composers of the first half of the 19th century and previously analyzed Chopin＇s pieces： etudes, preludes, and songs.