Musical Event Structure Metaphors in Beckett＇s Ghost Trio

Samuel Beckett＇ s dramaticles are permeated with musical aesthetic thought, which is one of his unique writing styles. Exploration of such style is beneficial and conducive to deepen our understanding of the abstract and fragmented dramatic discourse. This thesis makes attempt to investigate musical aesthetic thought from the angle of the Event Structure Metaphor.

Research on the Developmental Trend of Computer Music Composition under the Background of Popular Music and Aesthetics

In this paper, we conduct research on developmental trend of computer music composition under the background of popular music and aesthetics. In the process of the Chinese modem music history, popular music communication for the selection of music ontology, the audience for popular music transmission and delivery of the music ontology selection process fully the outline of Chinese modem society people＇ s psychology and value concept of the construction of the trajectory and people value consciousness and change. Under this historical background, we propose novel computer music composition paradigm that will enhance and optimize the musical creation procedures.

Discussion on The Value Embodiment of Vocal Music Aesthetics in The Art of Vocal Music

With the continuous development of social economy in our country,communication between international culture,artistic and other aspects is also increasingly frequent.The improvement of material life inevitably bring the change of mental life.As a cross discipline between musical aesthetics and artistic aesthetics,vocal music aesthetics has gradually become the core content of vocal music art,and has been paid more and more attention by experts and scholars,the research on vocal music aesthetics has become an important subject in the ？ eld of theoretical research.By discussing the value of vocal music aesthetics in vocal music art,this paper further explores the connotation and function of vocal music aesthetics,in order to make a contribution to the prosperity and development of vocal music art of our country.

Exploration on the Foundations of Contemporary Education and Ethnic Music Education from the Perspective of Traditional Chinese Musical Instruments

With the rapid development of multicultural arts,music education has become an important component of the educational research system.However,the teaching of traditional Chinese folk musical instruments,as an essential branch of music education teaching,has been neglected.This paper discusses the significance of Chinese folk musical instrument education from three aspects:the history of Chinese folk musical instruments,the development of folk musical instrument teaching,and the integration of modern musical instrument education with folk musical instrument education.

The phenomenon of the ＂variants of the same tune＂ of the Shanxi folk songs and its cultural interpretation

The ＂variants of the same tune＂ is the unique musical phenomenon produced in the process of the communication of the Chinese folk songs. A piece of the folk song, in the process of spreading to the different regions, will be constantly changing and creating a number of the variants of the folk songs, and these songs ＂with changes in the similarities＂ together constitute the songs of the ＂variants of the same tune＂. However, what musical elements are ＂the same＂ in the songs of the ＂variants of the same tune＂？ What musical elements have been changed？ What are the reasons for the ＂similarities＂ and the ＂changes＂？ These are the questions worth considering. To answer these questions, it is necessary to deeply explore the aesthetic and cultural psychologies of the folk groups in the areas of the spread of the folk songs. Therefore, this paper will select the typical folk songs of the ＂variants of the same tune＂ of＂For friends＂, ＂Hitting the wild jujube＂, and ＂Pouch Embroidering＂ in the Shanxi area as an example to carry out the analysis of the music and art and sort out the evolutionary tracks, and point out the feasibility to reveal the regional people＇s aesthetic and cultural psychologies with the help of the research on the folk songs of the ＂variants of the same tune＂ and the potential significance in the promotion of the creation of the current national folk music.

An analysis of the music symbols in Pascal Quignard’s Tous les matins du monde

This research paper delves into the intricate role of music as a symbolic form in Pascal Quignard’s novel Tous les matins du monde,exploring its capacity to convey profound human emotions and experiences.Set against the backdrop of 17th-century France,the narrative follows the lives of Monsieur de Sainte Colombe and Marin Marais,renowned viola da gamba players,to contemplate the essence of music and its representation of human sentiment.The paper examines the semiotic nature of music,its relationship with memory and emotion,and the philosophical inquiry into music’s intrinsic value as an art form.It also discusses the novel’s adaptation into a film and its impact on the revival of Baroque music.Furthermore,the paper draws parallels between the myth of Orpheus and the characters’personal journeys,highlighting the transformative power of music and its ability to transcend reality.The analysis is grounded in the works of various scholars,including Ferdinand de Saussure,Suzanne Langer,and Charles Sanders Peirce,to provide a comprehensive understanding of music’s symbolic essence in Quignard’s literary creation.

Non-linear theory of vibration and aesthetics of raga music

The non-linear theory of vibration has recently been applied to a number of problems in physics and was found to give many interesting results which were absent in the case of linear vibration. It is natural to think of the outcome of application of non-linear theory to raga music, a topic which has hitherto been unexplored. It has been found that a new realm of musical idea is obtained if one considers the effects of non-linearity in physics on the understanding of the aesthetics and beauty in raga music when two notes are sounded simultaneously.