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Carrying on Memories of Dignified Labor: Reading Na'er, Heroes Everywhere, and The Piano in a Factory
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作者 Zhen ZHANG 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2016年第2期234-254,共21页
In the context of a global subcontracting system that pushes workers toward a race to the bottom, the present article explores assertions for dignified labor in the Foxconn workers' actions and in the literary texts... In the context of a global subcontracting system that pushes workers toward a race to the bottom, the present article explores assertions for dignified labor in the Foxconn workers' actions and in the literary texts Na'ar (2004) and Heroes Everywhere (2005), as well as in the film The Piano in a Factory(2011). By tracing the dialectical relationship between memories of dignified labor during the high socialist era, and critical expressions of present day degradation, the article finds a shift from the critique of global capital to proactive nostalgia for the previous era. Proactive nostalgia goes beyond the perception of China's high socialist era as traumatic. What is absent in the Foxconn labor experience, but still alive in workers' unconscious, is a world of dignified labor. By documenting how labor was once imbued with dignity in the recent past, these texts function as prosthetic memories for the next generation of workers, and a cultural resource for overcoming the current trauma of dehumanizing working conditions. 展开更多
关键词 The Piano in a Factory na'er Heroes Everywhere Foxconn dignified labor proactive nostalgia prosthetic memory socialist legacy
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《那儿》与当代中国的“底层文学” 被引量:5
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作者 钟雪萍 王晴 黄蕾 《杭州师范大学学报(社会科学版)》 CSSCI 北大核心 2012年第4期50-55,共6页
作为21世纪"底层文学"的开山之作,《那儿》通过第一人称叙述者看似玩世不恭的口吻和主人公悲剧命运之间的内在关联,呈示出21世纪中国"底层文学"的历史感。"底层"这一措辞的变化往往将中国的革命话语、社... 作为21世纪"底层文学"的开山之作,《那儿》通过第一人称叙述者看似玩世不恭的口吻和主人公悲剧命运之间的内在关联,呈示出21世纪中国"底层文学"的历史感。"底层"这一措辞的变化往往将中国的革命话语、社会主义文化与西方的后殖民理论混淆起来。这一混淆不仅遮蔽了不同社会的社会、文化和政治条件及其实践,同时也带来了基本的和重要的革命话语和观念的边缘化。 展开更多
关键词 底层文学 《那儿》 《国际歌》
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