Research on Unreliable Narration of Love Writing in “The Bear Came over the Mountain”

Alice Munro,a famous Canadian Canadian short-story writer.She gained the Nobel Prize for Literature in 2013.Munro’s works focus on women and adolescents.She also writes about the illness and love of the elderly.“The Bear Came over the Mountain”is one of them.In this story,Munro adopts unreliable narration to depict love between Grant and Fiona.This paper aims to study the love writing and its unreliable narration in this story.Based on the text of love writing,this paper analyzes the specific strategies of unreliable narration.The author believes that the unreliable narration of the love text in the story can be divided into the unreliable narration of character type and information type.Through analysis of these two types of narration in the story,special meaning of unreliable narration to describe love can be found.Besides,Munro’s description also contains her own insight of love:the course of true love does not always run smooth.

An Interpretation of the Spontaneous Narration in "On the Road"

Jack Kerouac's"On the Road"breaks the unity and rigor in structural narration,and adopts a spontaneous writing.Based on the former interpretation and literary reviews on the narrative theory,spontaneous narration is interpreted from structure arrangement,dis playing plots and monologues.

Zigzag Narration,Intrusion of Second-Person Narration and Free Direct/Indirect Style:An Analysis of the Prominent Narrative Features of Selma Lagerlöf’s The Story of a Country House

The Story of a Country House is one of the Swedish novelist Selma Lagerlöf’s short stories collected in her work From a Swedish Homestead.One of the crucial features in the story’s narrative is its telling of certain events and immediate retelling of part of that events by adopting another perspective,resulting in the overlapping of the narration of events that occur either in parallel with each other in the same time period in the story or in sequential time periods that happen to have significance on one another,thus the zigzag narration.We can see that the zigzag rendering of narration that does not follow the linear time order not only highlights the importance of the time period overlapped,but also leaves room for the introduction of different perspectives of various characters,if the introduction of a different perspective and voice is not the only purpose of shifting back the narrative time.We readers are thus granted access to more than one individual’s mindset to come to terms with the experiences partially shared by these characters to form a fuller picture of the whole situation.

Brand Narration and Fashion Films

Starting from the new approaches of brand communication in New Millennium Era, we show why, according to us,the fashion film is a powerful tool in defining and strengthening the visual identity of a fashion brand. Our analysisis focused on ordering the different kinds of narration in this special category of orl-line videos and we discover thatthey work about the three fundamental parameters of the Visual Identity Model.

In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration

The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.

The Analysis of Color Narration of Animated Film Ne Zha

Color has an intuitive expression of the material world,and is often used by creators of animated films in the narrative process of the film to express a creator’s subjective feelings.Color narration is a special mental imagination activity.It mainly refers to human beings perceiving colors in the external environment,and judging by their own rich life experience,and finally achieving a comprehensive cognition of external things.The animated film Ne Zha has attracted the attention of the audience since its release.That is because the film uses color narration ingeniously to innovate traditional stories and familiar characters,it displays the story through shocking visual expression,so that the audience can feel the influence of traditional culture while understanding the story,reflecting the unique artistic charm of color narration.This paper analyzes three aspects of color narration in showing the binary oppositions of goodness and evil,portraying vivid characters,promoting the development of narration,and highlighting the tension of the film,and fully expounds the importance of color narration in animated films.

Marginal narration in Town and Country Lovers

Town and Country Lovers is the masterpiece of the prominent South African writer Nadine Gordimer.Trying to illustrate the discrimination bore by native African women in the 20th century from the perspective of marginal narration,it is going to ex?plore how the character suffers from the multiple oppressions in patriarchal and the whites’society.The three sets of marginal nar?rations:racial marginalization,gender marginalization and emotional marginalization will reveal the miserable encounter and sur?vival predicament of colored women in South Africa.

Irrational Narration in The Black Cat

Edgar Allan Poe,a writer of American Romantic period,is a forerunner in the use of irrational narration,especially in his dark tales,opening up a new approach for literature.Whether from narration perspective,plot or theme,The Black Cat,one of his masterpiece,is the typical manifestation of this narration.

A Rhetorical Analysis of Unreliable Narration in The Loudest Voice

Based on rhetorical research methods of the unreliability,the paper intends to explore the unreliable narrative strategies of the narrator in Grace Paley's The Loudest Voice from the perspectives of the Wayne Booth's criterion of the distance between the narrator and the implied author and James Phelan's extension of unreliability on the basis of classical rhetorical narratology,point⁃ing out that the unreliability serves as the narrative trap which is set up to reveal the inner theme of the work:"The loudest voice"-what the protagonist thought she certainly possessed was only her illusion instead of the truth,and Eastern European Jewish com⁃munity was de facto marginalized by the mainstream culture at that time.

Application of Narration in QR Code Image Design

Narrative design was originated in the 20th century.As a kind of design thinking,it runs through various fields such as architecture,environment,and new media.The QR code design has gradually become a bridge for media integration design,and its importance is becoming increasingly obvious.An optimized QR code design may gradually replace the original LOGO of certain goods or brand.In this study,narration is embedded into the QR code design,and a new QR code design image is gradually constructed through three ways of planarization,spatialization,and narration.

On the Irrational Narration in The Black Cat

Edgar Allan Poe is one of the representative writers in American Dark Romanticism.Different from his contemporaries,the majority of Poe's short stories are characterized by irrational narration.Whether from narration technique or elements,The Black Cat is the best elucidation of such narration.Thus,this thesis is devoted to a condensed study of irrational narration in The Black Cat,holding views that Poe's contribution in promoting the development of American literature and continuing the American dream is profound and significant.

Narration of Three Farmers In Bangjor Lhunbo Village

DEDITOR’S NOTE: On the eve of the 40th anniversary of theDemocratic Reform in Tibet, the author went to Bangjor Lhunbo Village in Jangra Township. The village was the site of theformer manor of Parjor Lhakang, a noted noble in old Tibet.The following is a record of the story of three villagers.

Storytelling in a Hospital and the Self＇s Homecoming The Act of a Greek Woman Storyteller From Nafplion in Greece and the Art of Narration

In this paper the author draws extensively upon her personal experience in witnessing storytelling in the oncological wing of the Laiko Hospital of Athens during her hospitalization in September-October 2004. More specifically, she concentrates on the presence of an inspired woman folk storyteller who, also a patient visited in the same period the hospital for personal treatment. Having the ability to tell a story skillfully, the specific storyteller ultimately tried with her narrations to ease the pain, both physical and spiritual, of patients that suffered from heavy or light forms of cancer, regardless of the fact that she herself was facing similar health problems. This essay sheds light on the persistence and function of tradition in our days and examines how illness and misfortune are ascribed and how the storyteller and listeners are connected. Her purpose is to find out what and how people learn and teach each other under special circumstances. This question has not been absent from the work of folklorists. The fieldwork was based on qualitative research, and the ethnographic method and collecting were used.

Narration as Therapy in Natsume Sōseki's I Am a Cat

Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906). There are some evidence by his wife and friends that Sōseki's condition of disease dramatically improved during its serialization on a magazine, and the writer himself admited humorously in the preface of other work that it was his depression and mania that enabled him to produce I Am a Cat and other early works. This paper aims at describing the process how his act of narrating had therapeutic effects on his state of mind focusing on the construction of complicitous relationship between an implied author and readers in the work by the unique functions of the first-‘person' narrator: A Cat. Among others, I will consider the influence of Laurence Sterne's Tristram Shandy(1759-1767), which Sōseki introduced to Japan for the first time, by discussing the frequent use of metalepsis that the two works have in common.

The Artistic Split between the Exterior Narration and the Interior Material in Wuthering Heights

This essay investigates the way Emily Bronte manipulates the artistic split between the exterior frame,the hostile naration of Nelly and Lockwood,and the core story of Catherine and Heathcliff.As noticed by the literary critic,Armold Krupat,while Nelly and Lockwood narrate the protagonists'story,they remain emotionally detached from them.Expanding and commenting upon Krupat's argument and observation,this essay will argue that Bronte intentionally makes Nelly's and Lockwood's attitudes towards the protagonists strangely repressive and unsympathetic.In doing so,Bronte spotlights and dramatizes social mores'contaminating influence on Catherine's relationship to Heathcliff.In the 19h century England,people could not be respected unless theywere wealthy and had refined and elegant manners.Though falling in love with Heathcliff deeply,Catherine abandons her authentic will and marries the wealthy Edgar Linton.In this sense,echoing the way social norms control the fates of Catherine and Heatheliff,Nelly and Lockwood also antagonistically control their fates.In contrast to the exterior narrators,the protagonists in the interior story are always passive and remain subjected to outer forces.

从故事生成程序到大语言模型:人工智能编剧创作的历史与实践

人工智能生成内容(AI Generated Content,简称AIGC)电影包括内涵丰富的多种维度,从编剧角度可以分为AI生成故事(AI Generated Storyline,简称AIGSL)与AI生成剧本(AI Generated Screenplay,简称AIGSP)。AIGSL研究始于20世纪60年代初,按照创作模式可以分为基于结构模型的故事生成、基于规则的故事生成和基于机器学习的故事生成三类程序。2022年底以来,以Chat GPT为代表的大语言模型将AIGC的内容从简单的AIGSL拓展到了AIGSP领域,同时催生了基于大语言模型的专用故事与剧本生成工具。大语言模型的故事和剧本生产存在事实错误、陈词滥调以及主观偏见等天然缺陷,但AIGSL与AIGSP已经开始实现产业化。目前的人工智能编剧创作绝大多数并不完全由AI创作,属于弱人工智能领域。中国电影工作者与软件工程师有必要利用机器学习等AI技术,学习中国传统叙事文本并总结其叙事风格,为具有中国叙事特色的编剧创作提供智能助力。

Nursing effect of narrative nursing intervention on postoperative patients with severe lung cancer

BACKGROUND Lung cancer is a common disease with high mortality,and psychological support is very important in the diagnosis and treatment of postoperative patients with cancer pain.AIM To explore the application effect of the narrative nursing method in postoperative lung cancer patients in the intensive care unit.METHODS A total of 120 patients diagnosed with lung cancer and experiencing cancer-related pain were randomly allocated into two groups:an observation group and a control group,each consisting of 60 cases.The control group was given routine analgesic and psychological care,while the research group applied the five-step narrative nursing method based on routine care,comparing the visual analogue scale scores,sleep status,anxiety and depression status,and quality of life of the two groups of patients before and after the intervention.RESULTS The pain scores,anxiety scores,and depression scores of the study group were lower than those of the control group after the intervention using the narrative nursing method,and the difference was statistically significant(P<0.05).CONCLUSION Using narrative nursing methods to intervene in patients with lung cancer combined with cancerous pain can help patients to correctly recognize their disease,adjust their mentality,establish confidence,alleviate patients'subjective pain feelings,and improve their adverse emotions.

A Study on the Symbol-Based Narrative in the International Communication of Cities

Cultural symbols,a manifestation of cities’cultural resources,are not only signs that frame concepts but also forms that express meanings.Exploring the international communication of cities from the perspective of symbols,this paper analyzes in depth how cities create their cultural symbols in the dynamic process of international communication in an era of symbol-based digital media,and how they develop their narratives and explain meanings through the dissemination of symbols when telling their stories to international audiences,thus enhancing the efficiency and effectiveness of their international communication efforts.

Narrative nursing for negative emotions in patients with acute pancreatitis:Based on model construction and application

BACKGROUND Acute pancreatitis(AP),as a common acute abdomen disease,has a high incidence rate worldwide and is often accompanied by severe complications.Negative emotions lead to increased secretion of stress hormones,elevated blood sugar levels,and enhanced insulin resistance,which in turn increases the risk of AP and significantly affects the patient's quality of life.Therefore,exploring the intervention effects of narrative nursing programs on the negative emotions of patients with AP is not only helpful in alleviating psychological stress and improving quality of life but also has significant implications for improving disease outcomes and prognosis.AIM To construct a narrative nursing model for negative emotions in patients with AP and verify its efficacy in application.METHODS Through Delphi expert consultation,a narrative nursing model for negative emotions in patients with AP was constructed.A non-randomized quasi-experimental study design was used in this study.A total of 92 patients with AP with negative emotions admitted to a tertiary hospital in Nantong City of Jiangsu Province,China from September 2022 to August 2023 were recruited by convenience sampling,among whom 46 patients admitted from September 2022 to February 2023 were included in the observation group,and 46 patients from March to August 2023 were selected as control group.The observation group received narrative nursing plan,while the control group was given with routine nursing.Self-rating anxiety scale(SAS),self-rating depression scale(SDS),positive and negative affect scale(PANAS),caring behavior scale,patient satisfaction scale and 36-item short form health survey questionnaire(SF-36)were used to evaluate their emotions,satisfaction and caring behaviors in the two groups on the day of discharge,1-and 3-month following discharge.RESULTS According to the inclusion and exclusion criteria,a total of 45 cases in the intervention group and 44 cases in the control group eventually recruited and completed in the study.On the day of discharge,the intervention group showed significantly lower scores of SAS,SDS and negative emotion(28.57±4.52 vs 17.4±4.44,P<0.001),whereas evidently higher outcomes in the positive emotion score,Caring behavior scale score and satisfaction score compared to the control group(P<0.05).Repeated measurement analysis of variance showed that significant between-group differences were found in time effect,inter-group effect and interaction effect of SAS and PANAS scores as well as in time effect and inter-group effect of SF-36 scores(P<0.05);the SF-36 scores of two groups at 3 months after discharge were higher than those at 1 month after discharge(P<0.05).CONCLUSION The application of narrative nursing protocols has demonstrated significant effectiveness in alleviating anxiety,ameliorating negative emotions,and enhancing satisfaction among patients with AP.

An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,Narrative Strategies,and Experiential Insights

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.