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A New Paradigm of Chinese Opera Films:Teng Junjie’s Narrative Art and Technological Innovation
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作者 FEI Yong 《Cultural and Religious Studies》 2024年第11期693-703,共11页
Teng Junjie has pioneered a new paradigm for Chinese opera films through his exceptional narrative techniques and groundbreaking technological innovations.By skillfully integrating 3D,panoramic sound,and 8K technology... Teng Junjie has pioneered a new paradigm for Chinese opera films through his exceptional narrative techniques and groundbreaking technological innovations.By skillfully integrating 3D,panoramic sound,and 8K technology,he has brought about a transformative development in both the visual and auditory dimensions of traditional Chinese opera.While preserving the cultural essence of opera,Teng offers audiences an impactful and immersive artistic experience.This paper explores how Teng’s precise narrative pacing and emotional expression deeply reveal the inner world of opera characters,infusing them with renewed artistic vitality.Furthermore,it examines his successful strategies for international dissemination,highlighting how Teng has helped propel Chinese opera films onto the global stage,thereby enhancing China’s cultural soft power. 展开更多
关键词 Chinese opera films narrative art technological innovation 3D panoramic sound Peking opera films
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Pictorial Versions of the Mulian Story in East Asia (Tenth--Seventeenth Centuries): On the Connections of Religious Painting and Storytelling 被引量:1
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作者 Rostislav Berezkin 《Fudan Journal of the Humanities and Social Sciences》 2015年第1期95-120,共26页
In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions... In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions of the Mulian story in these countries, and comparison shows close proximity of several such works. All of them are related to the narrative texts that represent elaboration of the originally scriptural story (it originated in the apocryphal Buddhist scripture that circulated in China) in vernacular languages. Images of the Mulian story in the countries of East Asia had diverse nature: they could appear as separate scenes in devotional religious paintings, multi-scene handscrolls, and illustrations in the manuscripts and editions. I argue that the subject of Mulian rescuing his mother was of primary importance in the popularization of Buddhist ideas among different layers of society. The related images were used for both storytelling and reading practices and helped different audiences to comprehend the Mulian story. 展开更多
关键词 Religious art · Narrative images· Chinese traditional art · Japanese traditional art · Korean traditional art
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