The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and J...The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.展开更多
IT was in the year 453 that the monk Tan Yao hurried to Pingcheng （present-day Datong in Shanxi Province） through the barren Loess Plateau of northern Shanxi. He had been summoned by the newly enthroned Emperor Wenc...IT was in the year 453 that the monk Tan Yao hurried to Pingcheng （present-day Datong in Shanxi Province） through the barren Loess Plateau of northern Shanxi. He had been summoned by the newly enthroned Emperor Wencheng of the Northern Wei Dynasty （386-534）. Seven years previously he had run for his life along the same route,展开更多
文摘The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.
文摘IT was in the year 453 that the monk Tan Yao hurried to Pingcheng （present-day Datong in Shanxi Province） through the barren Loess Plateau of northern Shanxi. He had been summoned by the newly enthroned Emperor Wencheng of the Northern Wei Dynasty （386-534）. Seven years previously he had run for his life along the same route,
