On the Translation Aesthetics of Lin Yutang from His Translation of Six Chapters of a Floating Life

Six Chapters of a Floating Life is an elegant autobiographical prose. The English version of Lin Yutang is honored as one of the classic translations. As the first translator to embrace"aestheticism"from the perspective of translation in Chinese history,Lin Yutang put for ward three standards for translation, namely,"fidelity, coherence and beauty", and proposed translation aesthetics in his article On Translation. By interpreting Lin's translation work of Six Chapters of a Floating Life from the aesthetic aspect,this paper analyzes Lin Yutang's standards for"aesthetic"translation, which refers to the beauty of sound, sense, conception, form and spirit, and also reveals his enlightening contribution to translation theory construction.

Sensing the Poetic Habitat - A Study of Middle School Chinese Teaching from the Perspectives of Life Aesthetics

The concept of life aesthetics reflects an individual’s cry for life and pursuit of beauty,inspiring individuals to discover their spiritual home,sense their poetic habitat,and enjoy the beauty of life flowing from their fingertips.Chinese education,viewed through the lens of life aesthetics,is founded on the natural characteristics of life,stimulating the aesthetic sense of individual life through the allure of language,and teaching students to view life through the aesthetic lens as well as from an understanding of life’s essence.Teachers and students are required to take an aesthetic view of life as theoretical guidance,based on core Chinese literacy,with textbook contents serving as carriers and classroom instruction as the position,closely connected to students’actual lives,in order to help stimulate aesthetic experience among students,improve their aesthetic ability through aesthetic activities,and thus establish a correct view of life.

The Reproduction of Artistic Conception——An Appreciation of the Two Chinese Translations of A Psalm of Life

本文从诗歌审美的两要素——诗歌形式与诗歌意境将英诗"生命礼赞"两中文译本与原文作了对比研究。刘宓庆教授认为,诗歌审美的两要素直接关系到诗歌的美学价值,而对它们的成功再现自然也成为文学翻译中的关键。本文通过对比分析得出结论:虽然两个中文译本都有各自的缺憾,但从总体上来说它们都成功再现了原诗的意境,也证明在翻译过程中对诗歌审美两要素的权衡和达成使原诗意境的重现成为可能。

For the love and respect of the service: Applied aesthetics and palliative care

In this article, the author discusses her experiences as an artist in residence in the Department of Palliative Care and Rehabilitation Medicine at the University of Texas M. D. Anderson Cancer Center. Emphasis is placed on applied aesthetics in palliative care and their implications for addressing communication, spiritual, and health care issues for military service members. Drawing on six vivid case studies, the author examines the various ways in which end of life narratives can shed valuable light on key issues concerning individuals’ life experiences in the Navy, the Army, and the Air Force. These cherished images strengthened people’s spirits at the end of life, and each of the men told their stories with pride.

An Approach to Improve Quality of Life and Sustainability in the Centers of Old Cities

The centers of old cities have a special design with a unique urban fabric to record cultural messages with their current citizens or their visitors from the different regions of the city or from outside. It creates spaces that strongly promote social and cultural behavior. Meanwhile, life developments and the stunning technological acceleration along with high population densities have led to many problems for the old cities and their centers, which were not prepared to address these problems. Most of these problems have caused much visual deterioration and economic recession for the centers of old cities, which raise the importance of finding alternative and flexible solutions to prevent damage in urban performance, environmental pollution and lack of requirements that affect the quality of life. The paper aims to present a vision that opens up prospects for subsequent research contributions that may contribute to improving the quality of life, inspired by sustainability and humanization features. The research relies on an inductive analysis method to develop a framework that contributes to the restoration of the old centers for their role, their aesthetic value and their functional importance, while facilitating movement and supporting their valuable architectural features.

Aesthetic Utopia,Revolution in Daily Life and Identity Construction of Peasant Paintings

Peasant painting is a kind of painting created by farmers as creative subject,bearing rich significance.According to the historical development of peasant painting in reality,the types of meaning it carried could be divided into three types in chronological order:political ideological significance,folk life significance,and creative fashion significance.These three types of meaning gave rise to three types of aesthetic utopia,namely political aesthetic utopia,folk aesthetic utopia and fashion aesthetic utopia.The three types of aesthetic utopia reflected three forms of negation and revolution of daily life.What the political aesthetic utopia resisted was the alienation force of material desire.What folk aesthetic utopia resisted was the desire for material and the binding of political ideology.The fashion aesthetic utopia opposed the relatively narrow localism.Through these three forms of resistance,the public also constructed three identities:the interpreter of their own aesthetic interpretation of political ideology,the interpreter of their own aesthetic interpretation of real life from perspective of local feelings,and the interpreter of their own aesthetic interpretation of real life from perspective of the relationship between themselves and the world.

东方色彩美学与西方色彩美学之异同

探究东方色彩美学与西方色彩美学之相同与差异,从东西方色彩独特的民族性审美观念和鲜明的象征性运用,阐释东西方色彩的共通之处。从色彩在东方的中国是视觉意象性在于色彩的“以象达意”“情景交融”和拟人化“生命”的三个层面,折射与阐释东西方色彩在民族思想、情感、审美倾向等方面存在的本质区别。

生命美学视域下道教动物观念管窥

动物与人一样,是与宇宙同构的生命,是活生生的灵性的存在。“动物”的存在,强化和凸现了道教的生命观念。道教对于生命的追求、对于生命困境的突破与超越也由此获得了审美属性,成为一种切身而真实的生命美学体验。以生命美学的跨学科视角来看,在道教观念中,动物首先是“灵异”的生命,比人更加灵活、灵动,具有超长的寿命和变化的能力,还能成为代言神意和引导升仙的重要媒介。其次,动物也是“物化”的生命。人与宇宙万物的同源性以及道教的生态平等观念不仅是人物互化的前提,也为庄子“物化”论带来了全新的诠释,呼应了中国美学的生命主题。第三,动物还是“承负”的生命。道教以动物为中心而表现的“承负”观既与道教对“善”的认识密切相关,又有着深刻的历史根源,显示了道教在人与自然审美关系上的独特体验、道教思想兼收并蓄的强大包容性以及对中华民族伦理价值的强烈认同。总之,动物的生命活动及道教以动物为中心进行的生命实践多层次、多角度地呈现了道教的神圣观念、环境伦理与审美情感。在进行宗教秩序建构的同时,道教对于生命价值的关注和关于生命的原则也极大地启发了中国古典美学。

中国当代价值论美学的先声--黄药眠“美是评价”观点的学术史审视

黄药眠是20世纪五六十年代“美学大讨论”最初的积极参与者和推动者,在与朱光潜、蔡仪等人美学观点的批判性对话与争鸣中提出了“美是人对于客观事物的审美的评价”的观点。“美是评价”的观点将美学问题的研讨置于唯物主义的立场和方法论之上,以“美是人类社会生活现象”的基本论断为理论逻辑前提,提出并阐发了美以人的存在而存在、“审美现象首先应从生活与实践中去找寻根源”、“美是人对客观世界的主观的把握”三大理论主张。这些观点和主张在当时占据主流形态的认识论美学范式笼罩之下发出了价值论美学研究的先声,对中国当代美学研究的学术创新和自主知识体系建构具有理论借鉴和启示意义。

论“孔颜之乐”美学命题价值

“孔颜之乐”命题的演变经历了宋儒前的语词诠释、宋儒以来的哲学命题诠释和王国维以来的美学命题诠释三个历程。从美感问题出发,围绕美学史发生逻辑,“孔颜之乐”美学命题有两方面的内涵:其一是人格美感,即“从吾所好”的审美情趣观、“君子上达”的审美意志观与“忧道不忧贫”的审美认知观;其二是艺术美感,即“曲―数―志―人”的四层境界论与“哀而不伤,乐而不淫”的艺术评价“中庸”之道。“孔颜之乐”美学命题的价值主要为发展当代美学基础理论与解决当下民众自身的精神困境,有益于当代美学基础理论立足“人生美学”,并为当下民众探索“诗意地栖居”生活模式提供了理论思路。

试论梁漱溟的“生生美学”思想

梁漱溟是现代新儒家代表人物之一,他的思想丰富广博、深刻而庞杂,但其所有的思想探索都围绕人生问题而论,有鲜明的人文主义色彩。梁漱溟认为宇宙通人心,宇宙是活的,人心也是活的,因而推崇刚健清明的人格美;在自然美上,梁漱溟赞扬儒家“万物欲生,即任其生”的观点,并将道家的养生解释为共生,突出了崇生重生、顺物自然变化以求平衡的“生生美学”思想,倡导以“求真之心”探得“无私的情感”。总之,梁漱溟倡导刚健流畅的人格美、自然而然的自然美,主张培养温和安畅的仁心与“活气”以使人生艺术化,他的这些思想富于创生性特征,值得进一步研究和发掘。

生命美学不属于后实践美学

本文完全不涉及对于后实践美学(时期、思潮)的任何评价,仅仅是想在学术史上进行澄清:生命美学并不属于后实践美学(时期、思潮)。从发表的时间来看,生命美学的文章比后实践美学(时期、思潮)的文章早了9年,生命美学的专著比后实践美学(时期、思潮)的专著早了17年。如果要把早于后实践美学(时期、思潮)的生命美学纳入后实践美学(时期、思潮)的麾下,无疑会导致“关公战秦琼”之类的尴尬。学术史的研究,应该尊重发表先后的事实。如果中国当代美学史研究不符合历史原样,就会显得极不严肃。对于中国当代美学史的真实图景而言,这种做法是极不合适的。

《暂坐》:日常生活的审美

媒介嵌入推动文学理念的变革、日常生活写实传统的影响、职业女性的日常化,构成《暂坐》的创作场域。这篇小说从日常生活的视角切入对现代城市女性的叙述,呈现了一群特殊女人的外在形象与内在本性。作者以生活化与横断面的形式叙述了她们的日常交往与谋生经验,从而建构了这群女性的人生形式与社会世相,由此,以梦境为手段,引导读者反思她们人生的“暂坐”意味。小说采用日常性的叙事修辞加强作品的表达效果,说话式修辞、生活空间修辞与模糊修辞从不同层次上增强了小说的审美。

试论梁漱溟文艺美学的生生特性

梁漱溟中年方关注文艺的价值和功能,并形成了具有生生特性的文艺美学思想。他坚持生生立场,认为文学艺术贵真,文学艺术创作是一个为美“刺激感染”、由身达心的创生过程。针对个体生命而言,文艺具有“使人情绪发扬鼓舞”的审美特征和作用;针对社会生命而论,文学艺术则是人生的一种依靠,是精神食粮,能滋养人类乃至动植物。在此基础上,梁漱溟进一步从生命本身的活泼流畅特性出发,主张个体应当摒除外物纷扰,借由直觉达到生机的活泼,培育温和安畅的仁心,进而滋养生命的“活气”与“朝气”,并由人心推衍至人生和社会,倡导以道德和美育代替宗教,提出未来社会人生艺术化问题。

论古代审美实践与当代生活美学——兼评刘显波、熊隽《唐代家具研究》

在艺术与生活的界限日益消弭的时代,实践美学作为体系严整、随着时代而更新发展的动态的美学,必然关注这一新型社会实践与理论研究现象,从实践中心的视角关照生活美学,在与生活美学的互动之中,与时俱进,开拓理论视野,从自身学理、历史资源、实践应用的角度提出独有见解。从新的起点将美学的视野延伸、扩大到整个文化领域和大众生活过程中,形成与生活相关的美学形态,建设具有中国特色的生活美学。

对人类增强的慎思以及对当代大学生的引导教育

人类增强应避免引发更大不平等、颠覆基本价值、破坏现有合理规则、侵犯后代权利等消极影响。当前大学生对待人类增强的态度和认知是素朴的和缺乏反思的,大学生选择增强的行为受内在和外在多种因素驱使,需要从人生观、技术观和审美观等层面加以引导。教育学生正确认识人的本质,强化伦理意识和集体意识,树立正确的人生观;充分认识技术的社会属性和双刃剑特点,树立科学的技术观;破除片面审美观,警惕资本对健全健康审美观念的侵蚀,培养健全的审美观。

生命美学理论对公共文化服务高质量发展建设的启发——兼评潘知常新著《我审美故我在——生命美学论纲》

潘知常72万字的新著《我审美故我在——生命美学论纲》是潘知常四十年来生命美学理论研究三部曲的最后一部巅峰之作,三本书+四十年,200万字,这几乎就是潘知常全部的美学生命,却不亦乎是在新时代重新点亮了中国文化界的思想灯塔。潘知常的生命美学理论不仅为美学界留下了宝贵的学术思想财富,对于公共文化服务的建设也提供了宝贵的思想启迪。

宋代理学美学的生态审美境界论

宋代理学家以一种带有生态意义的审美终极关怀去观照自然、社会和人生,构建了体系完备的生态审美境界论。宋代理学美学的生态审美境界论由“孔颜乐处”观、“曾点之乐”观、“圣贤气象”观组成,三者相辅相成,其实质是一种追求万物一体、人生圆融、社会和谐的天地境界,标志着中国古代美学达到了一个新的发展水平。

生命的维度:《西游记》价值阅读与生活化育

价值阅读即在细读或视读经典过程中获得价值元素和启示意义,其对于个体生命和人类生活有着重要的构建意义。文学经典《西游记》的价值阅读对于生命成长和生活实践具有实用与审美的多重价值维度,诸如勤修苦练和技艺傍身的能力培养、遇事冷静和受困突围的逆商心态、恭敬孝顺和仁义感恩的德性之本、自然诗语和美丑对照的生活美育。这些价值维度能够浸润个体生命的成长,优化生存实践的向度,提升生活美育和生命教育的价值成效,对于个体的人生历程乃至人类社会的发展进步都有着重要的参照价值。

生活美学赋能乡村民宿高质量发展的逻辑理路与实践向度

生活美学既是一种新型美学形态,也是一种新质生产力,对乡村美学经济发展与和美乡村建设具有重要作用。通过文献调查法阐释生活美学的内涵要义、价值意蕴以及与民宿嵌入融合的逻辑理路,分析当前乡村民宿发展面临的现实困境后发现:为了祛除民宿沉疴痼疾,乡村民宿要运用生活美学新质生产力优化空间设计,展示器物美学,营造美学场景,拓展私域流量运营,聚合乡村美学业态,提高产品和服务的内容力,引爆消费美学消费触点,满足住客情绪价值,赋能乡村民宿高质量发展。