Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York....Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.展开更多
Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze ...Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology.展开更多
This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou D...This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.展开更多
This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jaz...This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska.展开更多
Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologi...Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period展开更多
Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the...Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.展开更多
The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such a...The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such as“the call of the cuckoo,”“the howl of the ape,”“the toll of the bell,”and“the pitter-patter of the night rain.”The research paradigm has been somewhat one-dimensional.This paper examines the poems of Fan Chengda,a poet from the Southern Song Dynasty,to showcase the new exploration that Song poetry has made in sound description.Fan’s poetry,characterized by its realistic portrayal of everyday life,offers rich descriptions of the“sounds of urban life”—An imagery closely intertwined with the urban forms and commercial culture of the Song Dynasty.Through detailed narratives,Fan reinforces the emotional connotations and symbolic meaning of this imagery.Departing from the traditional focus on artistic conception prevalent in classical Chinese poetry,Fan’s work highlights the depiction of reality and affinity for everyday life.By presenting real-world sounds in a distorted manner,drawing on the psychological construct of“dreams,”Fan carries forward the artistic expression pioneered by the Northern Song poet Huang Tingjian.Moving beyond the lyrical aesthetics of Tang poetry marked by the“fusion of emotion and the natural setting,”Fan explores a novel approach,articulating his inner world through the medium of sound,showcasing the distinctive artistic qualities of Song poetry.展开更多
基金Jiangsu University Student Scientific Research Innovation Project 2021Key Subject Backbone Teacher of Nanjing Xiaozhuang University 2019-2023Pre-Research Plan of Nanjing Xiaozhuang University 2021-2022.
文摘Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.
文摘Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology.
文摘This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.
文摘This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska.
文摘Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period
基金Western Project of Chinese National Social Sciences Fund(Project Number:18XZW017).
文摘Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.
文摘The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such as“the call of the cuckoo,”“the howl of the ape,”“the toll of the bell,”and“the pitter-patter of the night rain.”The research paradigm has been somewhat one-dimensional.This paper examines the poems of Fan Chengda,a poet from the Southern Song Dynasty,to showcase the new exploration that Song poetry has made in sound description.Fan’s poetry,characterized by its realistic portrayal of everyday life,offers rich descriptions of the“sounds of urban life”—An imagery closely intertwined with the urban forms and commercial culture of the Song Dynasty.Through detailed narratives,Fan reinforces the emotional connotations and symbolic meaning of this imagery.Departing from the traditional focus on artistic conception prevalent in classical Chinese poetry,Fan’s work highlights the depiction of reality and affinity for everyday life.By presenting real-world sounds in a distorted manner,drawing on the psychological construct of“dreams,”Fan carries forward the artistic expression pioneered by the Northern Song poet Huang Tingjian.Moving beyond the lyrical aesthetics of Tang poetry marked by the“fusion of emotion and the natural setting,”Fan explores a novel approach,articulating his inner world through the medium of sound,showcasing the distinctive artistic qualities of Song poetry.
