Exploration of the Cultural Connotation of “Traditional Festivals” Eco-Curriculum in Primary Schools

Chinese traditional festivals with rich historical and cultural connotations fully reflect Chinese children’s national cultural emotions and values.It is of great significance to explore the cultural connotations behind traditional festivals in primary school’s civics and political curriculum,and to cultivate primary school students’traditional cultural identity and increase their cultural self-confidence and patriotism through multi-channel and multi-form innovative educational strategies and curriculum design.

The Comparison of Festival Cultures between China and Western Countries

As a cultural phenomenon,festival is the product of the development of human society.Festivals,which are the miniatures and climax of human life,have their distinct cultural and spiritual meanings.Chinese and western festival cultures differ from each other because they have different histories and cultural backgrounds.The comparison of festival cultures between China and western countries can not only help us leam English,but also make us know more about our cultures and promote the cultural communication of China and the West.

Western Festivals and Their Influence on Chinese Culture

Traditional festivals are formed in the long-term accumulation of a nation's history and culture.They are the carriers of national culture.In recent years,with economic globalization,western festivals are becoming increasingly popular in China.They have been sought after by many young people in a form that people like,which impacts the traditional festivals in China and affects Chinese culture to a certain extent.In view of the current situation of western festivals in China,the author of this paper discusses the impact on Chinese culture and gives some suggestions on how to treat western festivals correctly,inherit Chinese traditional fes⁃tivals and develop excellent Chinese culture.

The Effects of Mass Media on Chinese Cultural Change in Global Con⁃ text: Taking Festival Culture as Example

With advanced technologies and globalization,there are more and more forms of mass media to transmit information.Different theories have been developed to study the effects of mass media on people and culture.This paper focuses on introducing the concept and functions of mass media and taking festival culture as example to explore how to use media correctly to carry forward cultural inheritance.

An Analysis of China's Four Traditional Festivals from the Perspective of the Theory of Cultural Functions

This paper analyzes the cultural elements of China's four traditional festivals from the perspective of the Theory of Cultural Functions, which presents in detail the forming of traditional festivals, varied festival traditions and good expectations held by people toward lives. This paper is also designed with the aim to further exert the functions of traditional Chinese festivals, which as a result, will contribute to the preservation of national characters and the inheritance of national spirits.

A Glimpse of Cultural Differences through Christmas and Spring Festival

As the two most important festivals in China and western countries, Spring Festival and Christmas Day each exempli?fies some of the core values and cultural differences in these two cultures wit which this paper is mainly concerned. By comparing the external manners such as the family reunion, shopping, exchanging New Year greetings, the paper explore the internal cultur?al differences determining those different external manners such as the collectivism, individualism, filial piety, ancestor worship and religion, etc. Through those comparisons, this paper will succeed to achieve its goal if it exhibits, as the title suggests, a glimpse of cultural differences.

Cultural Differences in Chinese and Western Festivals

Festivals are precious cultural heritage of different countries,so differentfestivals can reflect different cultures.This article discusses cultural differences in Chinese and western festivals,aiming to promote cross-culture communication. festivals culture

英国电影节的体系创新与中国艺术电影的海外传播新路径——以伦敦华语视像艺术节(Chinese Visual Festival)为例

伦敦华语视像艺术节(Chinese Visual Festival)成立于2011年,其创建的初衷是为了能够让英国观众看到西方主流印象之外的中国。从2011年创办到2020年因疫情原因不得不暂停举办,伦敦华语视像艺术节展映的影片类型与题材均称得上多样。参展伦敦华语视像艺术节的电影人/艺术家的身份背景也有较大差异,还有一些鲜少在欧美国际电影节上露面,但在国内成绩斐然的导演。伦敦华语视像艺术节将电影放映与艺术展、音乐会和学术座谈会相结合,通过体系的开放性拒绝呈现“东方主义”视角下异域化、单一化和刻板化的中国影像,对中国艺术电影的展映将重点从单一的中国现实展现转移到对影像艺术中包括现实主义美学在内的各类美学模型的反思与质询,为中国艺术电影在西方世界的传播提供了新的可能性。

An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,Narrative Strategies,and Experiential Insights

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.

Closing of the Fourth Silk Road (Dunhua ng) In ternational Cultural Expo and the Ninth Dunhuang Tour-Silk Road International Tourism Festival

On August 31, the Fourth Silk Road (Dunhuang) International Cultural Expo and the Ninth Dunhuang Tour-Silk Road International Tourism Festival came to a close in Dunhuang. 23 main activities and 30 sub-activities have been held in six categories.

Cultural Structure of Solar Terms and Traditional Festivals

Solar terms and festivals differ from and relate to each other in terms of application scope and cultural structure.The cultural association and application of the 24 Solar Terms are studied in the areas including philosophy,farming and society,and are exhibited in the natural convergence of views on space and time,life and customs,as well as the facilitation of agricultural practice.The connotations of traditional Chinese festivals concern basic areas such as beliefs,rites,language,symbols,diets and art,which are exhibited in the co-existent "festival tokens," "festival events," "festival messages," "festival symbols," "festival food" and "festival art forms." Festivals feature fixed and periodic occurrence and multi-channel cultural inheritance.

The Cultural Impact on the Traditional Spring Festival Activities

Spring Festival will surely be considered as the most important festival among Chinese colorful occasions. This study attempts to analyze several typical rituals of Spring Festival from the cultural aspects, digging out the cultural factors and cultural connotation from the activity like the Family Reunion Dinner, Spring Couplets, the Spring Festival Gala,etc.

Argungu International Fishing and Cultural Festival Inscribed on the Representative List of the Intangible Cultural Heritage of Humanity in 2016

Every year in northwest Nigeria, communities gather to participate in the Argungu International Fishing and Cultural Festival near the Matan Fada River. The four day festival, which runs between late February and March, features kabanci, a series of water competitions including hand fishing, canoe racing, wild duck catchi ng as well as other traditional practices, such as the local style of wrestling and boxing. Men and boys participate in the con tests, while women provide the encouragement by performing songs and dances.

The Main International Economic,Trade,Cultural And Art Festivals for 1996 in Jiangsu Province

1.The Gold-Autumn Trade and Cultural Get-Together for 1996 in Nanjing Time:October,11 to 17 1996 Place:Nanjing,Jiangsu Province Main contents:Economy,trade and investment negotiations,art performances,art and cultural relic exhibitions,tours Address:Art Department of Nanjing Bureau,43 Chengxian Road,Nanjing 210018 Contacts:Tao Xinyu and Yan Ren

Festivals in China and America

Festival, an occasion when people come to enjoy themselves. Every country has its own traditional festivals, celebrated by all kinds of activities. In China, the most important festival is Spring Festival, while in America, the most important festival is Christmas. Festi val differences exist between China and America. With time elapsing, festival culture changes gradually and some new cultural phenome non occurs.