The purpose of the article is to present several topics in Russian music of the Soviet era(roughly 1920-1990).The time that has passed since the fall of the Iron Curtain allows us to rethink and revise the cultural tr...The purpose of the article is to present several topics in Russian music of the Soviet era(roughly 1920-1990).The time that has passed since the fall of the Iron Curtain allows us to rethink and revise the cultural treasures of seven decades and reassess new research of the last decade,carried out both by people who previously gained a reputation as an authority in Soviet culture,and by scientists who came from this environment and began sharing their vision of the subject after acquiring the skills of a Western scholar.The article is based mainly on the latter research and tries to see its subject as a complete picture,albeit with missing details,so to speak,a postmodern picture that requires the reader to participate in its refinement.The methodological basis of this study is working with published sources through the critical lens of cultural anthropology as it has developed and presently looks.展开更多
The article discusses the socio-cultural aspect of the popular musical tale Peter and the Wolf by Sergei Prokofiev (1891-1953). The discussion takes into account the circumstances of composer’s life at time of writin...The article discusses the socio-cultural aspect of the popular musical tale Peter and the Wolf by Sergei Prokofiev (1891-1953). The discussion takes into account the circumstances of composer’s life at time of writing the piece, as well as the political and ideological context of Soviet Russia of the 1930s. The main discussion is connected with the campaign of the Soviet authorities against formalism in musical art, which led to a ban on the staging of many works for the musical theater, including Prokofiev’s Romeo and Juliet commissioned by the Kirov (Mariinsky) Theater in Leningrad just a year before the ban. The circumstances surrounding the arrest of Prokofiev’s first wife are part of the discussion, along with an explanation of what “pioneer Peter” means. The author claims that, conceived as a children’s fairy tale, the work has an ambiguous ending, which can be viewed as a kind of prophecy expressed in Aesopian language.展开更多
文摘The purpose of the article is to present several topics in Russian music of the Soviet era(roughly 1920-1990).The time that has passed since the fall of the Iron Curtain allows us to rethink and revise the cultural treasures of seven decades and reassess new research of the last decade,carried out both by people who previously gained a reputation as an authority in Soviet culture,and by scientists who came from this environment and began sharing their vision of the subject after acquiring the skills of a Western scholar.The article is based mainly on the latter research and tries to see its subject as a complete picture,albeit with missing details,so to speak,a postmodern picture that requires the reader to participate in its refinement.The methodological basis of this study is working with published sources through the critical lens of cultural anthropology as it has developed and presently looks.
文摘The article discusses the socio-cultural aspect of the popular musical tale Peter and the Wolf by Sergei Prokofiev (1891-1953). The discussion takes into account the circumstances of composer’s life at time of writing the piece, as well as the political and ideological context of Soviet Russia of the 1930s. The main discussion is connected with the campaign of the Soviet authorities against formalism in musical art, which led to a ban on the staging of many works for the musical theater, including Prokofiev’s Romeo and Juliet commissioned by the Kirov (Mariinsky) Theater in Leningrad just a year before the ban. The circumstances surrounding the arrest of Prokofiev’s first wife are part of the discussion, along with an explanation of what “pioneer Peter” means. The author claims that, conceived as a children’s fairy tale, the work has an ambiguous ending, which can be viewed as a kind of prophecy expressed in Aesopian language.
