Rebellion in Northern Manchuria During the Third Revolutionary War in China and Its Causes

The frequent rebellions in Northern Manchuria during the Third Revolutionary War occurred in the special context of the struggle between the Kuomintang(KMT)and the Communist Party of China(CPC)for Northeast China after the victory of the Anti-Japanese War.The rebellion reached its peak during the KMTs attack on Northeast China,followed by a second wave of rebellion after the defeat in the Defensive Battle of Siping.It tended to disappear after the downfall of the Jiang Pengfei Group.In addition to the blind recruitment of the CPC in traditional narratives,the instigation of the KMT,the traditional mutiny of the old army,the limitations of the early work of the Northeast Anti-Japanese United Army,the early activities of the KMT,and the regional conflicts between the local and foreign forces are also important reasons for the concentration of rebellions.

Cultural Contradiction——A Brief Analysis of Jenny:Symbol of a Cultural Rebellion in Forrest Gump

This paper first introduced the main contents of the movie:Forrest Gump.On one hand,the movie advocates truth as well as honesty.It tries to help people to get rid of the alienation of modern civilization,and find the true beauty of human nature.On the other hand it makes the movie a classic of contemporary American culture.The essay made some analysis to the years and events which the movie has talked about.Then by detailed analyzing of the main character:Jenny,and the comparison between Jenny and Forrest,their different fates and the values they represent,the paper highlighted the different destiny caused by the values they hold and showed that they were strongly influenced by the mixture of culture values of that period.At last,with the combination of the main characters Jenny and Forrest,it indicates that different life values have melted into one,and the subculture finally gave way to the main culture.

Women＇s repression, rebellion and quest for the ＂true self＂： Theyellow wallpaper as the epitome of the female Gothic novel

As a genre that expressed women＇s dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman＇s The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women＇s status of her time--their repression, rebellion and quest for the ＂true self＂.

A Feminism Analysis of Emily's Rebellion

A Rose for Emily presents Miss Emily’s tragic life in a patriarchal society.It has long been the interest of many critics since it was published because of its application of gothic style and symbolism.Beyond that,Emily’s rebellion against the patriarchal society is also reflected in the story and deserves more concern from scholars.So to analyze Emily’s rebellion from feminism perspective could provide a new perspective for understanding this classic short story.

Prometheus and Camus’Ethics of Rebellion

Camus named the different stages of his writing after characters from Greek mythology.The first stage is the“absurd”cycle represented by the myth of Sisyphus.The second stage,the cycle of“rebellion”,is represented by the myth of Prometheus,and the myth of Nemesis represents the unfinished third stage,known as the cycle of“moderation.”Prometheus is a crucial mythological figure and an ideal figure of rebellion as outlined in the second cycle of Camus’work.Prometheus;under Camus’pen,contained an ethical truth,which he carried to the end of his life.The author used a negative way to define the extension of the image of Prometheus,not only to resist negatively in the face of nihilism but also to reflect his self-contradiction from the mainstream discourse as an intellectual engaged in public discussion.He was determined to disassociate himself from the“progressive”address of the French left-wing intellectuals and speak his truth,though his point of view was not very popular then.Through portraying Prometheus,Camus attempted to dismantle the underlying basis and logic of nihilism by taking the other as the starting point and“moderation”and“tension”as the methods.At the same time,he tried to build a stable way to end the violence that was generally legitimized and establish a solid and absolute ethical value that created a relationship of solidarity among human beings.

Reconsiderations the Taiping Rebellion of the Early Modern China:From the Perspective of Millenarianism

Millenarianism refers usually to a radical mass movement which reflects a particular mode of thinking and action with a sense of redemption.Taiping Rebellion is considered as a millenarian movement due to its“Taiping”ideal,coming of the savior,mass appeal and crusade against evil.However,the millenarianism exemplified in the Taiping Rebellion should not be regarded as a pure Western Christian Millenarianism.Instead it should be viewed as a particular kind of theology derived from Hong Xiuquan’s combination of traditional Chinese culture and Christianity.A political-regional comparative study engaging worldwide millenarian movements of the 19th century reveals that Taiping Rebellion actually represents Chinese people’s own particular response towards the coming of modernity which was stimulated and encouraged by the western power’s invasion.

Powerless Rebellion and Hopeless Breakthrough——the Study of the Theme of Kingsley Amis' Lucky Jim

Lucky Jim is Kingsley Amis' first novel and regarded as an important representative work of the"Angry Young Men".Through vivid depiction of Jim's predicament,Jim's rebellion as well as the post-war British society situation,the author showshis concern about the human conditions of individual,community and society.The thesis gives a clear interpretation of the themeby analyzing Jim's powerless rebellion against the academic world and his hopeless breakthrough from the predicament.It express-es that people are extreme dissatisfied with the post-war society and yearn for freedom and a better life.By describing the predica-ment of Jim which includes academic corruption,the fear of unemployment,the hypocrisy of superiors and so on,this thesis revealsthe reasons of Jim's rebellion and thinking all day long for pursuing freedom.However,due to suffer under the repression,the in-ability to pursue freedom and honesty leads to Jim's increasing feeling for discontent.The thesis also presents Jim's powerless re-volt and his anger to highlight the big breakthrough in the disappointed plight.The thesis considers that the novel in the aspect ofencouraging people to fight with high culture and bravely pursuing freedom still has the edificatory significance for the academic re-search.

On the Rebellion of Tess

Tess of the D'Urbervilles is a very influential work of Hardy.Beginning with a brief introduction to the novel,the thesis tries to analyze the different reasons for Tess's rebellion.Then,it concentrates on discussing Tess's rebellion in four aspects,thus,revealing that Tess is actually a character with the spirit of rebellion all through her life and further illustrating the injustice for female in Victorian England.

宗王出镇:安史乱后杜甫平叛思想的文化意义——以《为阆州王使君进论巴蜀安危表》为中心

安史乱后,剑南道内外交困,杜甫于广德元年十二月底撰《为阆州王使君进论巴蜀安危表》。在表中,杜甫为剑南道治政提出“宗王出镇”“合并两川”的主张。前者与房琯、刘秩的政治主张一脉相承,因格于玄、肃二宗中枢政局的权力争夺和代宗对地方势力、宗王势力的防范,而被弃用。后者则与广德二年正月代宗的诏令内容基本吻合,表现出杜甫对时局的深刻体察与谋断。与杜甫颇具故谊的高适、李白也曾于安史乱后各撰表疏,针对时局,提出救治主张,然皆各因其弊而失败。相较之下,颇可见出杜甫策议之切中时弊,并可突破《旧唐书》本传语辞的藩篱,见出更为丰富、多元、立体的杜甫形象。

庚子国变题材视野下的近代戏剧创作

庚子国变后,相关戏剧作品亦蜂拥而出。创作者身份的特殊,戏剧改良的推动与庚子国变的助力,造就了这一批作品的独特风貌。作品的形貌、作者的情怀、表达的直白,无不昭示着庚子国变题材视野下的戏剧作品的特殊,透过表象亦可探究作品风貌产生的深层次原因及创作者的独特心态。

从一气周流探讨麦门冬汤证核心病机与组方思路

基于黄元御一气周流理论,通过整理文献,分析麦门冬汤证核心病机及组方思路。麦门冬汤证核心病机为中虚胃逆,阳明失降,气火上逆,相火刑金,即上燥热中虚(上焦燥热兼中土虚损)。其组方思路为补中虚、建中气以斡旋枢机,降胃气、润肺金、平逆火以清肃降机。麦门冬汤论治范围并不局限于肺系疾病或阴虚肺热证,凡是存在中虚胃逆、气火上逆之病机者,均可考虑本方或依据本方思路施治。

论庾信的佛教信仰及其转变

庾信由南入北,经历“四朝十帝”,其与佛教的关系,不是简单的“信仰”或者“不信仰”能够说明的。梳理《大藏经》等内外典籍可知,新野庾氏之兴与中古佛教政治关系密切。庾信早年随萧纲奉佛,侯景之乱后责备梁武帝兴佛,入北后以佛寺济世,明悟“空”与“佛性”的关系,经历了奉佛、斥佛、用佛、明佛的转变。作为中古士人接受外来文化的一个剪影,庾信的经历显然具有一种特殊的典范意义。

基于“肝为气化之始”探讨恶性肿瘤与情志关系

张锡纯提出“肝为气化之始”,其理论核心包括3个方面:元气萌芽于肝、肝疏泄气机、他脏以助气化。若情志异常导致郁怒伤肝则元气不足;肝失疏泄则气机失调;肝气横逆则脾衰胃败。中医学认为正气亏虚、气机失调、脾胃衰败的动态演变是恶性肿瘤发生发展的重要病机。正气亏虚则人体抗邪能力下降;气机失调则气血津液输布障碍,痰瘀互结,毒邪停滞;脾胃衰败则一身俱衰。因此对恶性肿瘤治其未发应益气调肝散结,治其已成应疏肝调气解毒,治其传变当敛肝补气固脱,力求为恶性肿瘤的防治提供新视角。

唐大历江南诗文化圈及诗学景观——以浙东与浙西联唱为中心的考察

唐代经安史之乱,京城作为政治中心和文化中心的绝对地位被打破,文学空间开始南移。或仕宦或避难的文人们在江南的聚集与组合,促成了文学能量的转移,新的文学生产机制呈现出了自具特色的诗学景观。在这个诗学场域里,雅集与联句、江南本土文士与诗僧、江南书写是最突出的文学现象。雅集形成的渔隐意象高度概括了时人对江南的诗性审视方式,是江南地域文学传统建构的重要组成部分,为明清逐渐形成的江南文化品格奠定了基础。

从爱的角度解读自然性与社会性的矛盾——以《简•爱》和《呼啸山庄》例

《简•爱》与《呼啸山庄》都是浪漫主义文学的代表性作品,时至今日仍旧被世人传颂。这两部作品展现出很多的共性,都是通过作者的丰富想象而呈现出一种炙热、刻骨的爱情,这种爱情在现实社会中却受到压抑,体现出深刻的矛盾性。因此,可以以人的自然性和社会之间的矛盾为切入点,对这两部作品的矛盾根源进行深层解读,从而有助于读者更深刻地理解当时社会环境与追求个性解放和独立平等间的冲突。

“神转不回,回则不转”理论治疗痫证临证探微

[目的]探求“神转不回,回则不转”理论的内涵及其临床治疗痫证的运用。[方法]通过查阅《黄帝内经》及后世医药典籍等,分析“神转不回,回则不转”理论,依此阐释痫证病机及立法选方,分析典型案例以论述其理论。[结果]痫证是由神气逆乱、三焦不通而诱发,五脏不平、内生积滞致痫证不愈,神回不转,神机失用,痫证避无可避,方以柴胡加龙骨牡蛎汤为基础,整理三焦枢转五脏神气,荡平五脏积滞并解其标。所举验案为气机阻滞、痰火扰神之证,治以清肝泻火、豁痰醒神之法,方用柴胡加龙骨牡蛎汤合涤痰汤加减,辄收佳效。[结论]“神转不回,回则不转”说明人之神机、气血阴阳不能逆乱,应当在各脏间一以贯之流转,每脏间如环无端运转;痫证的治疗应以“通”字为法,方以柴胡加龙骨牡蛎汤加减,旨在通调使道,平治五脏,标本兼顾,恢复神机,并以言语宽慰,则可痫定神安。

青年“社恐”的标签化:离异、顺承与自主

网生代青年的“社恐”由病理化转向流行化。文章基于标签化理论和社会性格理论,采用参与式观察和深度访谈等研究方法,描绘“社恐”标签泛化的现实图景,阐释青年“社恐”的划分及其标签化机制。根据社会性格顺承度与“社恐”标签认可度,可将青年“社恐”划分为离异型、顺承型、自主型三类。以自我刻板印象和自我锚定双路径进行“‘社恐’者自我—内群体原型”比对,构建青年“社恐”标签化机制,进而剖析青年在“社恐”标签认同后的自傲、逆标签及去标签等行为。文章旨在引导青年理性认知“社恐”标签的内涵,建立真实的社交自我认同,培养个体自主性以消解“异常”标签引发的困扰,使其成长为具备社交自信和人格自信的“新兴”成年人。