Research on the Impact of Western Art upon Chinese Artists Wu Guanzhong and Zao Wou-ki in the 20th Century

World War II led to a reallocation of many countries’political roles.Some nations got stronger after the war while others lost their past advantages and became less powerful.During the post-war period,many genres of art schools were established,first in Europe followed by America and then Asia,resulting in a collision between China and the West as Western art served to inspire Chinese art.This study examines the works of Wu Guanzhong and Zao Wou-ki and discusses how post-war Western art had influenced Chinese art and what changes had been brought to artistic styles of Chinese art.

The Heterogeneous Differences between Chinese and Western Landscape Culture Studies

For a long time,due to the differences in terrain and culture,the aesthetic appreciation of Chinese and Western gardens has produced a large gap in modeling and design.Although the composition of garden elements is nothing more than landscape and architecture,there are obvious differences in the use of space and natural attitudes.Chinese gardens always follow the laws of natural beauty and formal beauty in modeling design,and respect nature in attitude and coordinate with nature.However,western gardens attach importance to architecture and artificalism,highlight rational aesthetics,get used to transforming nature in attitude,and always focus on"taking people as the center".They also have cognitive differences in the study of garden history.Comparing the Chinese and Western view of landscape architecture can enrich and expand the possibility of"Chinese landscape architecture research".

Professor YANG Yu-fei’s Experience on the Integrated Chinese and Western Medicine Treatment Strategy for Advanced Colorectal Cancer

Colorectal cancer is one of the common malignant tumors in China.It poses a serious threat to the national health of China.For advanced colorectal cancer, the main goal of treatment is to prolong survival and improve quality of life.It complements other advantages, showing good therapeutic results.However, how to grasp the timing of integrated Chinese and Western Medicine for the treatment of advanced colorectal cancer and use the integrated Chinese and Western Medicine treatment methods flexibly contains profound therapeutic art.Prof.YANG Yu-fei is an authoritative expert in the field of integrated Chinese and Western medicine for colorectal cancer.She is good at accurately grasping the timing of treatment of integrated Chinese and Western Medicine, and flexibly adjusts the treatment strategy according to the specific conditions.In this paper, we shared Professor YANG Yu-fei's strategy for treating advanced colorectal cancer with emphasis on integrated Chinese and Western Medicine and attached a typical case, with a view to provide reference for the treatment of advanced colorectal cancer with integrated Chinese and Western Medicine.

Art Deco风格下的旗袍设计

20世纪初,Art Deco风格为西方服饰带来了变革,同时也悄然影响着中国旗袍的发展。文章通过文献研究与案例分析相结合的方法,考据Art Deco风格的艺术特征,分析其对旗袍造型、色彩、纹样的影响,希望对中国服装设计的发展有所贡献。

The Chinese Contemporary Ar Explosion at the Tate in Britain

TEN years ago the notion that Chinese contemporary art could so much as raise a flicker of interest in foreign climes - never mind drive Western cultural pundits into a delirious frenzy - would have been dismissed as pure fancy. At that time Chinese art was assumed to be nothing more than classical calligraphy,

后艺术时代的艺术:思想基础与时代关联

后艺术时代的艺术具有三大特点:四个场极(先锋艺术、大众艺术、电型艺术、设计艺术),三类对立(先锋艺术与后三类艺术),四圈(先锋艺术之圈、大众艺术之圈、电型艺术和设计艺术的艺术部分之圈、非艺术部分之圈)互动。三大特点在思想上受升级了的科学和哲学形成的新世界观的影响,这就是相对论和量子论中的质能一体和时空一体观念。这两大特点从各类艺术特别是绘画中体现出来,后艺术时代的西方绘画,主要体现在两点:一是如何在画中表现虚;二是如何在画中突出时间。最有代表性的画家,在这两方面都有自己的独特性。通过对西方绘画大家作品的分析,可以看到,西方后艺术时代的艺术,在体现虚实结构之“虚”和突出时空结构之“时”上,与中国和印度的古典绘画既有相同的一面,还有不同的一面,体现了西方对虚和时的理解。这种理解可以从两个方面进行:一是自身的历史演进;二是中西印的文化比较。从西方的古今之变和中西印的艺术互鉴,可以更深地体悟西方后艺术时代中的艺术特质。

产教融合背景下“课堂改革”的探索与实践研究——以“面点制作课程”为例

“课堂改革”是我国高等教育培养高技能、高质量人才的重要手段,文章以中西面点工艺专业的专业核心课程“面点制作”课堂改革为例,展开高职烹饪专业“课堂改革”的深度思考和研究,旨在提升教师的教学能力和学生的学习效果。

18世纪洛可可艺术影响下的广彩瓷装饰特点——以“满大人”纹饰为例

18世纪正处于中西方贸易文化交融的繁盛之际,广彩瓷在此时承担着中外文化交流的重任。为满足西方市场对瓷器的需求以及西方人对中国的追崇,以中国上流社会生活为缩影的广彩“满大人”纹样应运而生,它兼具时代特性与艺术性,散发着独特的文化魅力。通过对“满大人纹饰”的特点进行分析可知:“来样定制”的生产模式下,广彩瓷深受欧洲洛可可风格的影响,其制作融合了中西方技术、文化、审美,使得广彩瓷呈现出西化的艺术面貌。

中国武术发展之辩

近代由于东西方发展的不均衡性,落后的中国开始学习西方文化、西方强国之术,然而,在学习的过程中,出现了与本土传统文化"相背离"的趋向,向西方先进文明学习的现象。中国武术在近代的发展中也开始借鉴、模仿西方,背离了中国"坐标"。中国武术在近代发展中经历了背离的萌芽、背离巅峰、被禁锢等几个阶段。研究发现:走入西方体育框架下的中国武术发展模式行不通,中国武术强行与西方融合的发展模式只会让中国武术既不像东方也不像西方,没有了"根"。随着当下中国在世界格局中位置的根本性变化,以及中国城镇化进程中文化的流失等,我们的传统文化正在回归,对隶属于传统文化的中国武术来说,同样也要回归。然而,在其回归过程中必须注意:既要回归"中国本土性",回归本体意识,摆脱西方束缚,又要回归"传统",注重文化武术,展现文化自信;同时要表达中国特色,讲好中国故事;还要推进顶层设计,践行中国道路等。

从华侨园林到城市公园——闽南近代园林研究

随着近代西方园林的不断引入,闽南各地修建了一批优秀的华侨园林和城市公园,这些新园林类型继承了中国古典园林的审美意识,并借鉴了西方园林的材料技术与形式美学,对近代中西园林文化交融进行了初步的探索。分别从选址营构、园林布局、假山植物等方面对闽南近代两种新园林实例进行分析,探讨中西不同造园要素的多元融合方式,其中的某些创作思路和艺术技法至今仍值得我们借鉴与吸收。