How Sense of Ritual in Tourism Impacts Tourists’Co-Creation of Tourism Experience Values:A Study Based on the Theory of Value Co-Creation

Establishing a sense of ritual within tourism consumption scenarios offers tourists the opportunity for interactive engagement.Drawing upon the value co-creation theory,this study constructed an influence mechanism model to examine tourists'active engagement in the process of co-creating tourism experience values.It employed Partial Least Squares Structural Equation Modeling(PLS-SEM)to empirically test the proposed hypotheses.The findings demonstrate that the model constructed in the present study exhibits robust reliability,validity,and explanatory power.The perception of the sense of ritual in tourism exerts a significant positive influence on tourists’co-creation of tourism experience values,thereby significantly enhancing both the communitas and flow experienced by tourists during their travels.Moreover,such communitas and flow can mediate the influence of the sense of ritual in tourism on tourists’co-creation of tourism experience values.This study contributes to advancing the current research on tourists’co-creation of tourism experience values and the sense of ritual in tourism,thereby providing theoretical foundations for cultivating a sense of ritual within tourism consumption scenarios.

An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,Narrative Strategies,and Experiential Insights

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.

Return to Reality:Speculative Design of Interaction Ritual Chains and Exploration of Alone Together

“Alone together”is an ever-changing“wicked problem.”In this research and practice,the author tries to combine experience design,referring to the theory of“interaction ritual chain theory,”and creatively add interactive experience to discursive works,so that the audience can think between the real and the virtual.

Implications of The Gift of the Magi for Moral Education of Teenagers From the Perspective of Interaction Ritual Chains

Adolescence is a pivotal moment in shaping one’s character and holds great implications for one’s values and personal growth.The Gift of the Magi by O.Henry portrays how an ordinary young couple in difficult financial circumstances managed to show their love for each other,eulogizing truth,goodness,and beauty in humanity.We conducted a thorough examination of the significance of moral values conveyed in The Gift of the Magi for teenager education using the“situation-emotion-symbol”model that is based on Randall Collins’theory of interaction ritual chains in order to establish an interaction ritual chain model for moral education of teenagers.Our study reveals that situated cognition is useful in constructing the focus of attention for the moral education of teenagers;that shared emotion is the driving force for achieving moral education of teenagers;and that symbolic connections help teenagers put the virtues they’ve learned from The Gift of the Magi into action and provides effective measures that can significantly contribute to the cultivation and implementation of moral education among teenagers.

典章制度文献:我国古代音乐历史演变的丰盈载体--中国音乐史学问题思索之九

在我国古代社会,典章中的礼乐制度分“礼”和“乐”两部分。礼,主要对人的身份进行划分和社会规范,最终形成等级制度;乐,是基于礼的等级制度,运用音乐进行缓解社会矛盾。由于历代统治者对“礼乐”的推崇,在我国悠久的历史中,留存了大量的、具有音乐信息或与音乐有关典章制度的文献。文章论及与中国古代音乐史研究有关的历代礼制文献中的“礼乐”文献、典章制度中的音乐文献、会要类书等著作中有关的礼乐文献。这些文献呈现出广博浩繁的史料特征,对探索古代音乐历史事件产生、延展到衰亡的真谛,起到决定性的作用。

清代宫廷交椅鉴赏

交椅由胡床演变而来,是古人精湛工艺及文化思想的集合体,因其便携性,促使我国古代起居方式变得更为灵活多样,特别是在行军、出游等活动中。自宋代以来,交椅在营事活动中逐渐发展成为身份地位的象征,其装饰外观受礼制约束。本文通过梳理不同朝代相关交椅的古籍、绘画等资料,以故宫博物院馆藏3把清代交椅实物为例,进行鉴赏及历史文化挖掘,解读交椅在装饰中的制度性、实用性与艺术性,以期让交椅的设计者与使用者更好地了解其所承载的文化内涵。

古礼今义:北宋蓝田吕氏家族墓地墓葬排列及相关问题补论

蓝田吕氏对北宋中晚期的思想学术、社会文化乃至朝堂政治皆有较大的影响。本文认为吕氏家族墓地由家族“大”字辈成员甚至著名学者规划,清楚地反映了吕氏的礼学思想。墓葬排列中特别突出宗法的做法为目前仅见,而昭穆法则直接承袭二程的丧葬理念,祔葬之法也体现了当时儒学士大夫对于族葬古礼的理解。宁愿牺牲常礼也要特别突出嫡长的埋葬方法,不仅是北宋复兴宗法思想的发展和实践,或许也与吕氏的时政见解和表达有关。

礼制与中国古代服饰色彩

儒家思想肯定艺术和审美在社会生活中的作用,提倡以典章制度的形式对礼义的内涵进行规范化。服饰是礼制的载体之一,先秦至秦汉,随着正色、间色的区分以及五色体系的形成,服饰色彩更多体现出观念性、象征性。历代典章制度对皇室贵族及官民各阶层的服饰色彩都有相应的等级规定,以体现各阶层的等级秩序。这些制度成为影响中国历代服饰色彩变化的重要因素。文章对礼制与中国古代服饰色彩进行了详细分析,以供参考。

仁者如射——从“射”看儒家的“仁”之精神

在儒家经典中,“射”与“仁”有着密切且重要的联系。从这一现象出发,将“仁”放回到“射”的发展史上,上探“射”的起源,下察“射”的发展。看儒家如何将一种作为生存技能的技艺,一步步纳入整体的礼乐制度,更进一步升华为君子人格的象征和实践。“射”作为一个具体的入手处,涵摄了“仁”在“生存-礼制-人格”这一自觉道路上发生、诠释与发展的整个过程。通过这一历史进程,以小见大,探讨儒家核心精神“仁”的形成理路,由此领悟其精神内核。

互动仪式链理论及其在信息系统研究领域的应用与展望

[目的/意义]本文旨在厘清互动仪式链理论的发展历程及其在信息系统研究领域中的应用现状,填补国内信息系统研究领域在使用互动仪式链理论过程中的空缺。[方法/过程]本文对国内外以互动仪式链为理论基础的文献进行整理归纳,总结得出互动仪式链在信息系统研究中取得的成果、局限和未来值得关注的研究方向。[结果/结论]目前互动仪式链理论在信息系统领域的研究主要集中于社会化媒体用户行为研究、信息技术服务研究以及知识分享行为研究3个方面,鉴于现有研究的局限性,未来研究可从研究对象差异化、研究方法多样化、用户群体细分化、研究方向创新4个角度切入,不断丰富互动仪式链理论在信息系统领域的研究成果。

春秋时期东夷与淮夷贵族墓葬用鼎比较研究

淮夷与东夷族同属周代夷人的支系,两者关系密切。东夷与淮夷邦国贵族墓葬在基本用鼎组合上具有一致性,都使用形制、大小相同的偶数组合列鼎。但是,东夷族还使用形制、大小相同的奇数组合列鼎,且有多套列鼎共用现象,每套鼎还有数量的差异。淮夷邦国普遍仅使用1套2鼎列鼎,不同等级贵族列鼎数量、套数无明显差异。另外,兽首牺鼎的使用成为淮夷群舒贵族墓葬用鼎的独特现象。这些礼俗异同折射出春秋时期东夷与淮夷邦国在文化上的一致性与差异性。

从礼制史到社会文化史——礼仪研究的三个维度

中国传统礼仪的研究方向,主要在于对礼经和礼制的研究。前者关注《周礼》《礼仪》《仪礼》三部礼经以及其他儒家经典所记载的礼,后者关注各朝史书、礼典和礼书中的礼仪制度。两者考察的重点在于统治阶级与上层社会对礼的规定和实践,对地方和底层社会则几乎没有涉及。而随着社会学、人类学等学科研究方法的引入,以“礼仪如何下乡”的社会史和社会文化史渐次成为学界的重要议题之一,极大地拓宽了礼仪研究的视野,至今依然方兴未艾。

近五十年清代公羊礼学研究综述

刘逢禄是清代公羊学承前启后的重要角色,亦属常州学派的代表人物之一,其后凌曙和陈立继承以汉学治经方法诠释公羊学,进而将公羊家的经世理想与礼仪制度相结合。凌曙将公羊义例引入礼制,开启常州学派以公羊学入礼学之先声,陈立承袭凌曙公羊礼学,由汉学治经的典范下另辟蹊径,依据公羊学说建构礼学体系,会通礼制使公羊礼学的思想日益成熟,并影响晚清学者王闿运、廖平、苏舆等公羊礼学家之发展。本文将探讨近五十年来,关于清代公羊礼学之研究发展现况,内容包含专著、学位论文与期刊论文,达到客观的探讨清代公羊礼学之研究成果。

“合于时”抑或“依于圣”?——从“北泉议礼”看民国礼制建设的困境与转化

1943年,国民党元老戴季陶在重庆北泉主持了礼制讨论会,意图在抗战建国的契机下整理制定新的礼制,来为从传统向现代转型的中国社会提供从日用寻常到国家建构方面的神圣性与仪式感。就礼制讨论会上主要讨论的婚礼、丧礼、祭礼而言,婚礼讨论的焦点是父母之命在法律上的依据,丧礼的讨论在父母之丧中体现了丧礼在现代都市生活间渐渐失去了原来儒家文化中宗教性的仪式与内涵,与之相对则在农村,这种宗教性的仪式逐渐降格为民俗与“鬼事”。对祭礼的讨论主要集中在国家祭祀方面,体现了新时代国家权威的重塑与国民关系的新形式。

苏轼的礼制思想及其对宋代礼制的维护

苏轼重视国家礼制的建设与维护,对礼的起源、本质及功能等方面有着自己的见解,形成了自己的礼制思想。苏轼认为,国家统治秩序的稳定、国家的繁荣发展需要礼制的维护。苏轼不仅自己严格遵循礼制,同时要求民众也要遵循礼制。对于民众违反丧礼、军礼等礼制规定,甚至对皇室成员也有违反卤簿制度的行为,苏轼均积极采取措施,坚决维护国家礼制,对北宋礼制建设作出了重要贡献。

情感与符号:互动仪式链视角下JK制服群体的建构与维系

近年来各类网络虚拟社区林立,JK制服圈子成为时下最具热度的青年亚文化群体之一。在JK制服圈子出现热潮的同时,其内部时常爆发反常互动,甚至大规模冲突。然而在冲突之后,JK制服群体不仅没有解体,反而呈现出更为紧密的互动景象。在互联网时代背景下,批判性地使用互动仪式链理论,通过分析JK制服群体这一亚文化群体的建构与维系机制发现,情感能量和符号体系作为核心要素,能够串联起亚文化群体日常的互动仪式,使亚文化群体得以初步建构并渐趋稳固;而符号体系的破坏以及情感能量的差异也会导致反常互动甚至冲突,即反常的互动仪式,但反常的互动仪式也有其调和与重构的独特作用,借此JK制服群体自身可以实现群内冲突的消解与群体的长久维系。

Farming Ritual and Festival Folk Custom of Dong Ethnic Minority Group

In order to pray for harvest and express gratitude, Dong ethnic arranged sacrifices of farming in accordance with periodicity of rice production and its requirements to festivals and calendar. Meanwhile, New Year, Pray in Spring and Return in Autumn not only play significant roles in agricultural production, but also evolve to farming holidays which are enriched with more social connotations. Centered on husbandry and production, some folklore that is rich in local color has been formed in Dong society. The writer introduced some farming ritual of Dong ethnic group, such as, sowing, Kai Yang Men, Rain-praying, Chang Xin, reaping and Lunar New Year, summarized their belief in the land worship, festival ritual, ancestor ritual and ceres ritual. It is concluded that sacrifice is a production-related folklore, which is formed by repeated operation and constant practice. Some taboos were also prohibited in agricultural sacrifice because people were not able to change the unfavorable reality of farming with their insufficient experience and knowledge; however, they resorted to witchcraft for the purpose of harvest. It is believed that the activity of sacrifice will also be kept in the life of Dong ethnic group due to their dependency on agriculture and the land.

An analysis of the interaction mechanism between the social history of medicine research and health communication from the perspective of mass communication

The mass communication model and interactive ritual chain theory,which serve as communication paradigms in the new media era,facilitate and enhance the synergy between the fields of social history of medicine and health communication.This study employs a comprehensive framework based on the five elements of the mass communication model:information source,communication subject,communication object,message content,and post-communication feedback.Additionally,it incorporates the interactive ritual chain theory to examine the evolving dynamics and developmental trajectory of research in the social history of medicine during the new media era.Conclusively,this paper acknowledges the existing interaction gaps in the interaction between health communication and the social history of medicine research while outlining the challenges for fostering collaboration and proposing strategic optimizations for effective integration.

西周文学制度与早期中国文学精神特质之生成

在殷周之际的思想文化变革中,周公制礼作乐的意识形态建构不自觉地促生了西周的文学制度。西周文学制度肇基于礼乐,孕育了独特的文学精神特质,奠定了中国文学的文化基因。具体表现为:礼乐书写制度彰显指向现实的精神向度,教化主题促生趋向温婉中和的审美取向,农业经验涵养深厚的历史理性精神,礼乐文献承载形成体例独特的文学表达。西周文学制度依“礼”“教”“经”“体”之制度四维建构了早期中国文学精神特质的生成场域,影响了中国古代文学在后世的发展走向。

从《大唐开元礼》看唐朝礼乐制度的新变及影响

中华文明是在不断交流与融合中逐渐形成的,我国古代的礼乐制度亦是如此。唐朝作为中国历史上一个强大而开放的封建王朝,其礼仪制度必然对后世影响颇深。唐朝礼仪制度的形成与其所处的时代环境有着重要关联,是唐朝统治者根据政治需求结合实际条件而制定的封建礼仪制度。《大唐开元礼》作为盛唐时期官修的礼仪制度,可从各个方面展现盛唐时期的礼乐,从中既可以看到对前朝礼乐的继承,也可看到在盛世之下礼乐制度的革新。