In the 1960 s, America has entered a new historical period with recession in economy and increasingly bad social problem. Besides, Civil Rights Movement and women rights movement have been led by black people and wome...In the 1960 s, America has entered a new historical period with recession in economy and increasingly bad social problem. Besides, Civil Rights Movement and women rights movement have been led by black people and women for equal rights.With the development of these movements, the counter-cultural movement came into being, and the movement which represented a significant period in post-war youth cultural history was caused by the impending readjustment of social structure during the transition from industrial to post-industrial society in the 1960 s. American white middle class youth were disillusioned with the way their parent culture controlled the society and had no desire to become caught up in the machinery of social power themselves.The counter-cultural constituted a direct attack on the part of white middle class youth against the dominant ideological machinery set in place and maintained by its parent culture, and its influence has been maintained to the modern times. Except for the liberation of sex and drug, the most important symbol of the counter-culture is rock music. There is a close relationship between the counter-cultural movement and rock music. During the mid to late 1960 s rock music became a centrally significant medium for the dissemination of a range of social-political issues in counter-cultural movement. The period from the mid-1960 s to the early 1970 s represented the first time that popular music, a mass cultural form, had become a centrally significant medium for the dissemination of a range of sociopolitical issues, from US involvement in the Vietnam war to the Civil Rights Movements, to the rejection of western political and cultural ideology. As Eyerman and Jamison^([1])point out:‘Movement ideas, images,and feelings were disseminated in and through popular music and, at the same time, the movements of the times influenced developments, in both form and content, in popular music'.展开更多
This study was conducted to study the effects of Latin,rock,and African percussion music on milk production performance in cow. 72 Holstein cows with similar milk yield,age,parity and lactation were randomly divided i...This study was conducted to study the effects of Latin,rock,and African percussion music on milk production performance in cow. 72 Holstein cows with similar milk yield,age,parity and lactation were randomly divided into four groups,namely the Latin music group,rock music group,African percussion music group and control group,each 18 cows. The pretrial period lasted for 7 d,and the formal trial period was 60 d. The music began to be played in test group from pretrial period,while the control group received routine feeding. Milk yield was measured every 20 d,and milk sample was collected once. The results showed that African percussion music could increase the contents of GLB,ALT and LDH in the serum of cow,and reduce the milk yield of cow. Rock music would increase the serum LDH content in cow and reduce the milk yield of cow.展开更多
This paper focuses on CUI Jian and his rock music to examine the social complexity of the 1980s in China, which is much about the destructions brought by the Cultural Revolution and the economic reformation since 1978...This paper focuses on CUI Jian and his rock music to examine the social complexity of the 1980s in China, which is much about the destructions brought by the Cultural Revolution and the economic reformation since 1978, as well as to investigate an alternative discourse that is different from mainstream in understanding the Chinese rock. Also, the paper through CUI＇s works tries to inquire the questions of how the ideal of socialism transforms after the fail of the revolution and how the disillusion connects the country＇s pursuit of the western modernization in music. Moreover, the paper asks how and by which CUI＇s songs associate themselves to the social transformation and in what way they root in the ＂socialistic personality＂ shaped by the socialist revolution since 1950s.展开更多
文摘In the 1960 s, America has entered a new historical period with recession in economy and increasingly bad social problem. Besides, Civil Rights Movement and women rights movement have been led by black people and women for equal rights.With the development of these movements, the counter-cultural movement came into being, and the movement which represented a significant period in post-war youth cultural history was caused by the impending readjustment of social structure during the transition from industrial to post-industrial society in the 1960 s. American white middle class youth were disillusioned with the way their parent culture controlled the society and had no desire to become caught up in the machinery of social power themselves.The counter-cultural constituted a direct attack on the part of white middle class youth against the dominant ideological machinery set in place and maintained by its parent culture, and its influence has been maintained to the modern times. Except for the liberation of sex and drug, the most important symbol of the counter-culture is rock music. There is a close relationship between the counter-cultural movement and rock music. During the mid to late 1960 s rock music became a centrally significant medium for the dissemination of a range of social-political issues in counter-cultural movement. The period from the mid-1960 s to the early 1970 s represented the first time that popular music, a mass cultural form, had become a centrally significant medium for the dissemination of a range of sociopolitical issues, from US involvement in the Vietnam war to the Civil Rights Movements, to the rejection of western political and cultural ideology. As Eyerman and Jamison^([1])point out:‘Movement ideas, images,and feelings were disseminated in and through popular music and, at the same time, the movements of the times influenced developments, in both form and content, in popular music'.
基金Supported by Special Fund for Modern Agricultural(Cow)Industry Technology System Construction(CARS-37)
文摘This study was conducted to study the effects of Latin,rock,and African percussion music on milk production performance in cow. 72 Holstein cows with similar milk yield,age,parity and lactation were randomly divided into four groups,namely the Latin music group,rock music group,African percussion music group and control group,each 18 cows. The pretrial period lasted for 7 d,and the formal trial period was 60 d. The music began to be played in test group from pretrial period,while the control group received routine feeding. Milk yield was measured every 20 d,and milk sample was collected once. The results showed that African percussion music could increase the contents of GLB,ALT and LDH in the serum of cow,and reduce the milk yield of cow. Rock music would increase the serum LDH content in cow and reduce the milk yield of cow.
文摘This paper focuses on CUI Jian and his rock music to examine the social complexity of the 1980s in China, which is much about the destructions brought by the Cultural Revolution and the economic reformation since 1978, as well as to investigate an alternative discourse that is different from mainstream in understanding the Chinese rock. Also, the paper through CUI＇s works tries to inquire the questions of how the ideal of socialism transforms after the fail of the revolution and how the disillusion connects the country＇s pursuit of the western modernization in music. Moreover, the paper asks how and by which CUI＇s songs associate themselves to the social transformation and in what way they root in the ＂socialistic personality＂ shaped by the socialist revolution since 1950s.
