In the cross-cultural context,as artistic and cultural phenomena between the East and the West,the palace art in the mid-Qing Dynasty and the French“Rococo”art is bound to be influenced by the social history,artisti...In the cross-cultural context,as artistic and cultural phenomena between the East and the West,the palace art in the mid-Qing Dynasty and the French“Rococo”art is bound to be influenced by the social history,artistic and cultural environment in which they live.Through a parallel comparison of the aesthetics of court art in the mid-Qing Dynasty and French Rococo art,it is found that there are similarities in the social and cultural environments and the aesthetic tastes of the aesthetic subject at that time,and there are differences in the presentation of the function of art culture and the aesthetic style of the aesthetic subject.At the same time,there is a phenomenon of the east-west integration of“western law for use”and“eastern elements”.展开更多
路易十五时期的蓬巴杜夫人(Madame de Pompadour)对艺术领域的关注与支持在很大程度上造就了洛可可风格,而她本人的审美趣味也体现在同时代的绘画风格里——娇嫩细腻的图像色彩、柔美性感的女性躯体和优雅动感的画面构图。弗朗索瓦•布歇...路易十五时期的蓬巴杜夫人(Madame de Pompadour)对艺术领域的关注与支持在很大程度上造就了洛可可风格,而她本人的审美趣味也体现在同时代的绘画风格里——娇嫩细腻的图像色彩、柔美性感的女性躯体和优雅动感的画面构图。弗朗索瓦•布歇(François Boucher)深受蓬巴杜夫人赏识,他的绘画作品中色彩构成所显示出温柔甜腻的特殊视觉情感正是这种女性审美趣味的凸显。本文将从布歇作品的色彩组成与运用入手,探究其画面中的女性趣味与形成原因。展开更多
文摘In the cross-cultural context,as artistic and cultural phenomena between the East and the West,the palace art in the mid-Qing Dynasty and the French“Rococo”art is bound to be influenced by the social history,artistic and cultural environment in which they live.Through a parallel comparison of the aesthetics of court art in the mid-Qing Dynasty and French Rococo art,it is found that there are similarities in the social and cultural environments and the aesthetic tastes of the aesthetic subject at that time,and there are differences in the presentation of the function of art culture and the aesthetic style of the aesthetic subject.At the same time,there is a phenomenon of the east-west integration of“western law for use”and“eastern elements”.
文摘路易十五时期的蓬巴杜夫人(Madame de Pompadour)对艺术领域的关注与支持在很大程度上造就了洛可可风格,而她本人的审美趣味也体现在同时代的绘画风格里——娇嫩细腻的图像色彩、柔美性感的女性躯体和优雅动感的画面构图。弗朗索瓦•布歇(François Boucher)深受蓬巴杜夫人赏识,他的绘画作品中色彩构成所显示出温柔甜腻的特殊视觉情感正是这种女性审美趣味的凸显。本文将从布歇作品的色彩组成与运用入手,探究其画面中的女性趣味与形成原因。
